Classics Without All the Class discussion

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Fahrenheit 451
Aug 2013 - Fahrenheit 451
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I found it interesting that for a book written in the 50s that played, on their fears at that time, they are fears we still have today. Are we so attached to the technological advancements in world that we could fail to appreciate the things in front of us? Are we so far removed from each other due to a flashing screen (tv or phone) that we forget how to communicate face to face? These are questions I found myself, constantly, asking. I like it when a writer makes it that real even decades later.

Ray Bradbury puts so much emotion into his books.
My only gripe is that there is some vague symbolism going on, which is responsible for why many people think this book is about censorship.
4/5

What I love about this book is that it is a paean to the power of the written word: that people will live and die for it, and will wither without the transformative power of fictional worlds and the insights of others.

http://io9.com/5668053/15-classic-sci... (this link is not to Playboy, but to an article about 15 sci-fi classics that were rejected by publishers, with details of why)
That page has a link to this interview with Bradbury about writing the book:
http://www.youtube.com/watch?v=d4kFyk...

Nevertheless, the social problems he deals with have already been expounded by other, greater dystopian novels, and not only that, but in this novel it sounds repetitive, instead of bringing a fresh point of view into things.
One thing that, to my point of view, diminishes the quality of the novel is an overkill of metaphors; it looks like an overstrained effort to sound poetical, which never quite does.
That being said, I enjoyed reading it, but it didn´t make my nights sleepless.

It has a good message, but I think Bradbury's style is better for short fiction rather than novels. Most of this book is just re-treading the same ground he's already covered in multiple short stories.







I don't know if it because I had read it earlier but it really didn't impress me much now. I think he has written much more exciting books and somehow this idea, even if very interesting, didn't felt extraoridany. This reminds me actually Brave new world, kind of.





It said back then, programming was mostly variety shows, short skits, and adaptations of existing works. Not a ton of real content or stories being told. Sitcoms were just getting started when Bradbury published this book.
Bradbury is consistently anti-technology. He published a short story shortly before this novel called "The Murderer" where the main character rebelled against being constantly bothered by his wife calling him on what was basically a cell-phone and was committed to an asylum after destroying all the technology he could get his hands on. That story seemed rather prescient too.

It was just weird to me that he could foresee the whole "people yelling at each other without ever saying anything" thing that today's reality shows are famous for. Everything back then on TV was so happy-and-perfect, so probably most people wouldn't have dreamed that our home entertainment would turn out the way it has.
Melanti also said: "Bradbury is consistently anti-technology. He published a short story shortly before this novel called "The Murderer" where the main character rebelled against being constantly bothered by his wife calling him on what was basically a cell-phone and was committed to an asylum after destroying all the technology he could get his hands on. That story seemed rather prescient too."
That sounds good, haha. And cell phones, yes... he also seemed to predict the iPhone and the way people get so absorbed in them that they don't even notice the world around them. Creepy foresight...

I think this is part of why Bradbury didn't like television. He's nostalgic for that era when people sat around on their porches at night and talked to their neighbors or took long walks instead of shutting themselves in their air conditioned living rooms and staring at a box all night.
To him, that sort of face to face interaction is real, whereas television programs, phone conversations, and internet forums are not.
Faye wrote: "It was just weird to me that he could foresee the whole "people yelling at each other without ever saying anything" thing that today's reality shows are famous for. ... "
IMO, he's not as much predicting reality TV as he is saying that because of the lack of face-to face interaction, people's social skills are going to become so deficient that they'll loose the knack of conversing. (Well, that, and he's saying their brains are going to rot and that sort of drivel will be all they can comprehend.)

It has a good message, but I think Bradbury's style is better for short fiction rather ..."
This is more or less how I feel. I like what he does, and he manages to do so in a shortened novel, not taking 700+ pages to tell something fairly obvious like so many other authors feel the need to do. I think it's very prevalent today, though a big shallow in some sense. Good starter book for a lot of issues, but with a lot of more hidden metaphor, which I appreciate.
Does this classify as sci-fi? Or maybe it did in it's day but just doesn't really feel that way now, because a huge portion of the technology either already exists or is very nearly attainable?

I don't think you stop classifying something as sci-fi just because technology has caught up. Where would it end and what would such books become, such as one written in the 1950s but set on a space station not unlike the ISS?
I'm happy to keep this as sci-fi, and also as dystopian.
Bookshelf - LOVED IT!
Library Bag - It was okay...
Donation Box - It was terrible!
This is a metaphorical post. We're not actually throwing books out (or burning them in this case). It's just our way of doing a ratings system.
Tell us your thoughts.