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Last of the Summer Tomatoes
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Last of the Summer Tomatoes, Sherrie Henry
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A damned good starting-off point.

Aww Uly, this is so true! Adulthood sure ir rude.
Anyway, as I read your review I starting going "I have t read this book" but you truly had me at "romantic fairy tale" and no graphic sex? sounds like a total winner for when I need something light and cheerful for my heart.


I hope you enjoy reading it! :))"
I'll feedback asap.

I hope you enjoy reading it! :))"
I'll feedback asap."
Yay! Have fun reading it. :D

A reverse of the city mouse country mouse tale, comfortable in its parable-like set up, we get a brief introduction to Kyle, who takes the fall for a friend and gets put into a juvenile work-release program that sends him up to a farm (apparently in upstate NY, but it felt like the midwest to me).
But here's the catch. Kyle, a wannabe artist and emo archetype, has been brutalized by his drunken stepfather, Hank, having lost his father when he was a little boy. He's so inured to a violent and loveless home-life, all but abandoned by his once-loving mother (not unusual in abusive relationships), that he can't quite come to grips with his new reality. Charmingly, it's not the grim, joyless farm-life he has "researched" on the internet, but a sort of Eden-like world where the stars are brighter and the food is better than anything he's ever known. Central is the fact that Glenda and Walt, the middle-aged farm couple who take him in to help on their dairy farm, are gentle and generous and loving to him from the very start.
All of this, but for the fact that Kyle is gay, could be right out of a Disney Sunday feature from my own upstate New York childhood. And that's just fine. Why high school kids, particularly gay ones, need to read about dark and difficult dystopian worlds (Hunger Games, please!), I'll never know. Isn't the reality of adulthood a rude enough awakening for most of us?
This does create some awkwardness in the rolling out of the narrative, which focuses on the return home for the summer of Glenda and Walt's college-boy son, Sam. A wee bit of Disney magic arises because Kyle recognizes Sam from a dream he had months earlier, a dream he recorded in startling accuracy in his sketchbook.
We know where this is going, and I had to confess I was damp-eyed more than once at the tender evolution of the rapport between these two boys. Henry bends over backwards to avoid any kind of explicit sexual content - sometimes to mildly absurd levels. (Hey, these are teenage boys!) But her purpose is clear: this is a story about the blossoming of love - not lust. It is a romantic fairy tale about stumbling from adversity into a happy ending, without really knowing how it will turn out.
I could have done with a bit more conflict here - there are more impossibly good folks in this book than ever populated a Jane Austen novel. Some prickly contrast would have made the goodness stand out in higher relief.
But I have no bone to pick with a teen romance for gay kids showing them that love and sex are not the same thing, and that dreaming of a lifelong romance is not pointless or futile.
Hey, I met my husband in college 38 years ago. I'm a believer.