Mock Newbery 2026 discussion

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The Real Boy
Book of the Month - 2014
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October Read - The Real Boy
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Kristen
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Sep 30, 2013 07:48PM

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I'm a little stumped about how this will fare as a Newbery pick. I read for great characters and great language, so I liked The Real Boy, but I think there's something deeply unsettling about it, which keeps me from loving it. I think it's only a cryptic spoiler to say that the end suggests the death of magic. Bummer.
Even though I would rate this PG it's dark enough to seem more YA than Children's to me. Of course, that would sort of apply to The Graveyard Book, too, and that did pretty well with the Newbery committee.





I think my problem was with the main character, Oscar. On the one hand, he was presented as having a very sophisticated understanding of his duties as assistant to a magician, and often performed these duties independently. On the other, he was shown as almost simple-minded when dealing with people*. As a result, the dialogue in the book often failed to move the plot along, and, worse, became tediously repetitive.
The extreme disjunction between his exterior and interior lives undermined Oscar’s credibility as a character. It weakened the plot as well. (How could he make the intuitive leaps from the stated history of the island – of people suffering – to speculate about present-day problems?)
The plot strained credulity, anyway. (SPOILER ALERT….) Caleb AND Wolf killed? A terrible monster so easily destroyed? Children made out of wood who were “sick” because they were missing “something”? (Had to keep Callie in the story somehow.) And such an elaborate explanation was required to resolve all the narrative threads.
What did I like? The author’s often distinctive descriptions of the natural world, but this wasn’t enough to carry the book. I will look forward to Ms. Ursu’s next effort.
(*Other comments indicate that Oscar’s behavior is supposed to be modeled on a child with Asperger’s. Many other authors have handled this theme well; here, it is heavy-handed and detrimental to the narrative.)
