Fantasy Book Club discussion

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Pawn of Prophecy
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Pawn of Prophecy Planning to read, first impressions
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Sandra
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Nov 30, 2013 02:18PM

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I read them many years ago.
Must have liked them, or I would not have bought them all.
For the life of me, I can not remember anything about the series.


People used to fast paced grittier fantasy may not enjoy it though.
This series is mainly meant for teenagers, and often laced with humor.


I'm the exact opposite. I love this series quite a bit. I re-read at least 11/13 every year.

I'm the exact oppos..."
I read a ton of fantasy. But, Eddings worlds seemed so cliche and his characters seemed to be walking stereotypes of where they were from. I've heard people liked his characters. I couldn't get past the no surprises plots and his nation-building.

Well, that would depend on when you read the books.
At the time I [first] read, the characters weren't "fresh" but they were much less annoying than, say...Roberts' WoT women. With the swishing of skirts and the tugging of braids.
Or Shannara. God I hated that series.
Silk was enjoyable and reminded me of a nicer Shadowspawn. I love Belgarath but Garion is the typical Farm boy orphan that saves the world.
Now, if I were to read Eddings for the first time, maybe I would feel the same way. I've read much more since that time.

I remember when I first attempted this book, I hated the main character, but I liked the others. I will see if that proves true this time as well.
As big of a fan I am of gritty fantasy, there comes a need to have 'someone normal saves world' every once in a while. I think this book fits into that.
note: I never minded Shannara, when I am in the mood for it :P

I remember when I first attempted this book..."
LOLOL. I'm writing an epic fantasy parody of the Shannara books. I'm about half finished, which, since it's comedy, is only about 20K words.
My basic idea is that the Ohmsfords have been asked to save the world so many times that their descendants are sick of it and need to be blackmailed into going on the Quest.


Nipper. So cute!
They are simplistic but simple can be fufilling, too. Sometimes I get tired of the rigamarole. I just want a straight forward fantasy where the good guys are good and the bad guys are bad.
Now, Eddings does have a major problem: he's very formulaic. If you've read one of his series, you've read them all. So I like the Belgaraid but my father prefers Sparhawk. Guess who read what first? LOL!

Perhaps. But, Tolkien isn't stale with time, and his books are older than most anything in the genre.
About the only think "dated" about Tolkien is the info dump he does in Fellowship of the Ring right at the beginning.

*yes

Anyway, it's worth remembering that when this book came out, pretty much the only epic fantasy that was succesfull was Tolkien, Narnia, Covenant, and Shannara. Eddings realised that fantasy was popular with a YA audience, so he wrote YA books, stripping out a lot of the deeper rumination and opaque language of Tolkien, Lewis and Donaldson, and producing simplistic but clear and accessible characters, a fresh-feeling and varied world (yes, the travelogue elements feel a bit dull now, but Eddings is showing off that he has a world with a lot of variety in it, not just one small country - Donaldson, Brooks, to some extent even Tolkien, often feel like people wandering around a small English shire, popping over the nearby hills to see the horrid city being the limit of their adventure, whereas Eddings really gave the impression of a whole vast world. And it's a surprisingly deep world, too, with much more detailed and robust worldbuilding than most fantasy of its era.
I also think he doesn't get enough credit for the Elenium. It's been a long time since I reread it and I can't speak for its prose quality - I suspect it's very poor - but in conception it was actually very ambitious and innovative. It had an unusually unlikeable protagonist (Sparhawk is clearly a good guy, but, particularly early on, he's a taciturn, unfriendly and aggressive guy with few friends - and later on the 'good guys' rely heavily on thieves and murderers), it was really very dark in places (lots of brutal deaths, persecution of minorities, orgies, child abuse, incest, people going mad, almost a horror film feel at times), it had a setting unusually close to real history (there was WAY more rust than in most epic fantasy of the time), and it had a very unusual set of plot concerns ("so, what's the main plot of this trilogy you want to sell us?" - "well, the primary focus is on possible vote-rigging in ecclesiastical elections, and there'll be a variety of dramatic legislative shenanigans, points of order, surprise votes, fillibusters, and so on" - "ooh...kayy... next author, please?").
I remember enough of Eddings to know that he probably wasn't a very good author. But I think people may be underestimating the extent to which he could sometimes be a surprisingly interesting author. And, of course, an incredibly effective one in terms of turning people on to the genre.
Oh, wait, I forgot, Earthsea was around at that point too. But even so, the point stands: remember that these books came out in a much sparser genre environment; also, to the extent that it's formulaic and cliché, remember that these formulas and clichés are at the very least a lot more obvious after three decades of imitators in a field he did as much as almost anyone to popularise.


Agreed

Anyway, it's worth remembering that when this book came out, pretty much the only epic fantasy that wa..."
I love this post.

I remember when I first atte..."
Please read the rules regarding writers talking about their writing.


Is that related to PoP?