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The Waste Lands
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2014 DT Buddy Read: #3 - The Waste Lands
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February 1 - 10 JAKE
February 11 - 21 LUD

The Waste Lands is another candidate for best in the series. There's plenty of great events and character development throughout.

I really like the first half of The Waste Lands. I thought Jake's story was interesting and the journey fur the Tower really takes off right from the beginning.

(view spoiler)




How would you characterize Eddie Dean's emotional health in this third novel? What is the nature and provenance of his mysterious connection with Jake Chambers? How does their wordless affinity play out over the course of this novel?
What is the nature of morality in Mid-World? Does King encourage a traditional good-and-evil reading of his novel? Explain. What fates and fortunes ultimately meet the novel's "evil" or immoral characters? What of the benevolent characters?
Upon finding the metal ID tag and learning that the giant bear was called Shardik, Eddie is struck by a faint twinge of recognition. The name Shardik triggers in Eddie a seemingly inexplicable association "with rabbits." What is Stephen King's sly joke here?
How might the work of Richard Adams, both his classic Watership Down as well as the lesser-known novel Shardik, relate to some of the larger themes—of cultural decay, of societal conflict, of nature versus civilization—that run through The Waste Lands?
In his bizarre dreamscape early in the novel, what book is Eddie holding in his hand as he walks along Second Avenue? What is King up to here?
Explain the elements of the great paradox—rooted in the events of The Gunslinger and The Drawing of the Three—underlying Roland and Jake's "doubled" memories and burgeoning madness.
Recount what happens at the campsite in the "Bear and Bone" section after Roland tosses the jawbone of the man in black into the flames. What do the three pilgrims see in the fire? How does this episode spark the events by which Roland and Jake finally reconcile the paradox that is driving them mad? How do the images of the key and the rose come to inform the ka-tet's quest?
Who are the Grays and the Pubes? What is the nature of their war?
Discuss the notion of the purple blade of grass. What role does this image play in the climax of The Gunslinger, and how does it reassert itself more expansively in book three?
Consider the novel's title and its direct evocation of T. S. Eliot's acclaimed poem. "The Waste Land" met with more than a little controversy when it was published in 1922, because it marked such a radical and wholly unprecedented departure from traditional poetic style and structure. What is "The Waste Land" about? How do its themes and images echo throughout King's third volume?
In what ways does Eliot's revolutionary style—his virtuosic layerings of literary and historical allusions, his unconventional language and meter, his lyrical fluidity, and his haunting preoccupation with decay—speak to King's own style in The Dark Tower?
Eliot's poem has been called a dark riff on the quest tradition in Western literature. Where does King's novel fit in this tradition? In detailing the journey of the human soul searching for redemption, Eliot's poem largely established the concerns of literature's modernist movement with its exploration of classical literary conceits and concerns through the lens of an unmistakably twentieth-century condition—existential dread. What bearing does this have on Roland's own search for redemption?
What does the future hold for the Tick-Tock Man? Recount the scenes between Tick-Tock and Jake. Under what circumstances do you expect to encounter Andrew Quick again in future Dark Tower novels?
What are the circumstances prompting the appearance of Richard Fannin? Who is he? When, both in The Dark Tower series and elsewhere in King's fiction, have we encountered or heard of a stranger such as Fannin? Is he linked to Flagg? Is he Flagg himself?
In connection with the previous question, discuss the innumerable character connections and thematic overlaps which exist among and between the Dark Tower novels and other King works—The Stand, The Eyes of the Dragon, Black House, Insomnia, Hearts in Atlantis, and many others.
Three novels into The Dark Tower cycle, what are some of the thematic and tonal connections have been established between Browning's "Childe Roland" and King's Roland? Reread Browning's poem. How does it conclude? Is Browning's Roland finished with his quest by the final line? What clues might the poem give us about what may be coming in the four remaining Dark Tower volumes?
Discuss the way King's novels have come to occupy their own private universe, one that operates according to the truism that everything serves the Beam. For example, where do we see such prominent Waste Lands motifs as the rose, the key, the tower, the door, and the turtle in other King works?
Discuss the final two sections of The Waste Lands, "Bridge and City" and "Riddle and Waste Lands." In classic adventure-serial style, Volume III ends with the mother of all cliffhangers. What was your reaction to King's decision to close his novel without providing any sort of resolution to the Blaine the Mono situation? What do you expect will be the outcome of Roland's dangerous bargain?
In his concluding "Author's Note," King indicates that Wizard and Glass, the fourth volume, will be primarily concerned with Roland's life as a young man. What are you most curious to learn about the gunslinger's history and his quest for the Dark Tower?

I don't really believe that the story, as with most King novels, are truly Good Vs. Evil. I believe Uncle Steve loves to play devils advocate and toy with our feelings. I personally did not like Roland at first because of his attitudes, and by his actions he would be considered bad. Especially considering earlier events in the series. I believe the way to read the story is with an open mind to the actions of all characters. The series, to me at least, is mostly about redemption, making up for the past in many ways. The nature of morality in the series thus far is very fuzzy to me. Perhaps that is because a lot of the immoral actions have had to do with sacrifice, obviously that doesn't really make any of it right but no decision would be considered moral that way. That is entirely how we develop Roland's character through the first three books, a series of sacrifices. One which I only believe will truly become a bigger part of the series.

Wow, Jesse. Those are some loaded discussion questions. Some of them pull in stuff I never even thought about when reading the book. I'm exciting to hear some responses to some if them as I think through my own.


And that's a legitimate point. But...
(view spoiler)
Of course, I could be wrong....




It's interesting how all the books have been comprised of novellas in a way. The Gunslinger was basically five individual stories and TDOTT had three distinct stories with some shuffling to connect them. This book is similar in that the first half focuses on Jake and the second half focuses on reaching a new town with new people.

I'm really enjoying this series. Any reader who has the time to dedicate could enjoy this series. I think it's so far from what King usually writes and yet it's so him at the same time(because of the strangeness of the story itself).
Loving how everything ties into other parts of the book.


SK never ceases to amaze me with his writing style and story lines. There's always something that happens that surprises me or entertains me. Without getting into the details and spoiling it, the whole riddles story line was actually very original and impressive.

Remember to mark all spoilers, ideally with the page number/% or chapter or something to let people know where you are in the book.