Should have read classics discussion
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The Great Gatsby
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Lisa, the usurper
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Jan 27, 2014 09:26AM

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I don't know why they get high schoolers to read it though. They could have very little connection with the roaring 20s and don't have the life experience to appreciate the subtle emotional motivations in the book.
I was glad that I read it again though.





This is why teenager's hate the book. They have to read it before they have enough life experiences to appreciate it.


“I thought you knew, old sport. I’m afraid I’m not a very good host.”
He smiled understandingly—much more than understandingly. It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced—or seemed to face—the whole external world for an instant, and then concentrated on you with an irresistible prejudice in your favor. It understood you just so far as you wanted to be understood, believed in you as you would like to believe in yourself, and assured you that it had precisely the impression of you that, at your best, you hoped to convey. Precisely at that point it vanished—and I was looking at an elegant young rough-neck, a year or two over thirty, whose elaborate formality of speech just missed being absurd. Some time before he introduced himself I’d got a strong impression that he was picking his words with care."
I've always loved that description of Gatsby's smile, and it seems to me to be almost the definition of charm. But then, I seem to be in the rare minority of people who read and liked this book in high school. Of course, it wasn't assigned reading, and that may have made a difference.

I agree with Casceil, Gatsby isn't great, it's was he is perceived to be by others. Who wouldn't make them self seem larger than life for the woman they love?

Anyway, I really liked it, but mostly because it does such an awesome job at depicting how outward glitter does not equate happiness -something people at every age need reminding of.

Isobel wrote: "I joined the group today. Lucky Gatsby is a short book so I can finish the book I'm reading and then hopefully read Gatsby in time to join in. I read it when I was about 19 and I remember liking it..."
LOL Isobel!
A-denie, I have wondered if many school reads are picked for their length also. Welcome to the group everyone!
LOL Isobel!
A-denie, I have wondered if many school reads are picked for their length also. Welcome to the group everyone!

I'm only 10 pages in and I'm already enjoying it. Funny how time changes perception. I enjoy the description of Tom Buchanans. I can visualize him in my mind and can understand the exact personality.





I thought this character was interesting, too. I've never been able to attach any particular meaning to him, other than as an illustration of how little anyone can know about Gatsby. He's been living in his house for months, but they obviously don't even know each other. However, you'll see my point when you get to the end. Don't want to spoil it. :)
Isobel wrote: "I'm about half way through now. Really enjoying it. My favourite part is the the guy in the library who has been drunk for a week. It seems that he is a significant character but I'm not sure of wh..."
I found the idea that he was surprised that the books on the shelf were real, funny and rather sad. It seems a sad commentary that one would try to fool the world with fake, cardboard books instead of real ones. Maybe, that was another idea for the scene?
I found the idea that he was surprised that the books on the shelf were real, funny and rather sad. It seems a sad commentary that one would try to fool the world with fake, cardboard books instead of real ones. Maybe, that was another idea for the scene?
I forgot that this book had unrequited love in it. Totally forgot about Gatsby and Daisy's past history. I really need to rethink every book review that I posted on books I read before my 20's.

Upon reflection, do you feel some pity for these characters who are what they are because of choices they have made? I have noticed that sometimes people construct traps for themselves. Kind of sad, really, or so it seems, anyway.

I agree. I remember absolutely hating Hawthorne's SCARLET LETTER. I certainly did not have the depth of understanding that it takes to appreciate this work. I did love the excerpt we read from Wouk's CAINE MUTINY. Do you recall any of your favorites?


I remember being enamored of Jackson Scholz' sports novels when I was in high school. Mark Twain was about the only thing I enjoyed out of all the material we were assigned to read.

I suppose that our horizons were supposed to have been broadened in these classes. I certainly could have benefited from reflecting on people and occurrences outside my own narrow range of experience. I seem to remember the teacher striving for that effect, at any rate. Of course I hated it!

Same treatment given to: 'Billy Budd' and 'Of Mice and Men'. Every book combined with the movie version.


Sure, maybe more of a guy's film. Final scene definitely has power to put one's heart in one's throat.



Love it!

I will say that I found it just ok. I realize it is capturing a time period and a specific class of people, but I felt the love between gatsby and daisy to be strained and unrealistic. A friend of mine that loves this book explained how gatsby epitomizes the American dream rags to riches story and his tragedy is his love for daisy. Indeed.
I have only read this book by Fitzgerald. I am not sure I would enjoy the others. I feel like he and his contemporaries write in a style more concerned with setting and time rather than plot.

Fitzgerald and his peers weren't that concerned with plot, you're correct. If you examine the outlines for his tales (as he was planning them) plot is almost always subjugated to the task of 'exposing truths about his characters'. In his first novel ('This Side of Paradise') its hard to even discern a plot. Its a moody, introspective prose-poem. Meanwhile, one of his later books, 'The Beautiful and Damned' is surely more plot-centric, but it winds up being one of his weakest efforts. He swung too far in the other direction and gave us a melodramatic pot-boiler.
He truly struck the correct balance with 'Gatsby' and later, even bettered himself with 'Tender is the Night'. That book reads like the best fiction of today--it could contend easily with any writing of today--demonstrating that in either era, it is actually character which matters most.

I appreciate the feedback Feliks. You are correct that human psychology is a more interesting subject matter. I think I haven't found the right book from this time period.

I agree. But I think it was meant to be so, because it wasn't real love. Gatsby loved the idea of Daisy, and Daisy loved being idolized by Gatsby.

I agree with that too. They fell in love and then spent so many years fantasizing about what it would be like to be together that there was no way it could have been realistic or worked out in any way.

RE: the earlier discussion of why Nick is hanging out with the Buchanans, Fitzgerald sets it up by having Nick describe himself as the kind of guy that "abnormal minds" glom onto and inflict their confidences.
He comes of very respectable and well-do-do midwestern family and has come East to find an occupation. He is restless as a veteran of WWI (an understated reference to PTSD) and craves a more active scene.
Nick doesn't say who phones whom, but it would have been natural for Daisy and Nick's extended family to alert them to each other's proximity. Family is family, and Daisy would be expected to help Nick socially as Nick would be expected to, well, let's not say spy, but at least to represent the family.
Daisy might have avoided Nick if she'd wanted to, but don't she and Tom seem rather at sea in their big mansion? She seems pleased (too pleased) to see Nick. Perhaps she's a bit homesick. Perhaps she's lonely. Maybe she's a little afraid of Tom and is glad to have a male cousin around. Another possibility--Tom hints that he believes Daisy may not be purely "Nordic." Perhaps she expects Nick to vouch for her?
Tom seems glad to have an old Yale man to chum with. Nick notes that at college he had had the impression that Tom (otherwise a brute) wanted Nick to like him. With all the tension brewing between Tom and Daisy, Nick is a piece of social hardware both are using as a human shield.
Daisy's "confidential chat" with Nick on the veranda probably contains some truth--maybe it's all true--but Nick detects Daisy's "insincerity" and files it as a trick. He is already aware that Daisy's intention is to manipulate his sympathies, but as he declares at the opening of the book, he is willing to be tolerant of those who have not his advantages. What advantage does Nick have over the Buchanans? For one thing, he isn't locked in a loveless marriage. (He has dodged that.) More important, he has a sound and superior mind (as opposed to the abnormal ones occupying the noggins of the Buchanans).
Why do Tom and Daisy stop him from leaving and ask about his engagement? Are they seriously trying to set him up with Jordan? Are they reluctant to let him go, knowing they will be alone together after he's gone? Are they indulging in a midwestern pastime of "grill the boy about the rumors"?--Daisy does for a moment sound more Louisville than Long Island.
I read Gatsby a few years ago and wasn't really wowed. I hardly remember it. I'm enjoying it more now, and I'm sure it's because I'm reading it more closely. Books reveal more of themselves with a second reading. With really good books, it's what is bubbling away underneath that makes it a keeper.

I really loved when Nick turns to someone to comment that he hasn't met his host, and the stranger turns out to be Gatsby.

If Fitzgerald's characters are true to life at all, which I believe they can be, having much does not necessarily eliminate worry. We just worry about other things. Reading Fitzgerald makes me appreciate my very simple, yet very full and content life of faith and family.
I believe Fitzgerald did indeed capture a moment in time with his depiction of characters. I do enjoy reading his work.

Beautifully put. They are, as Nick said, selfish and careless people. They use others and throw them away when they're no longer of use.


In the (gag) '3-d' remake they are using a soundtrack containing pop and heavy-metal music, plus the pig-snouted, pudgy, Leonardo Duh-Caprio as the lead 'actor'.. that says it all about how seriously it needs to be taken.

I finally finished and I enjoyed this book more this time than the previous ones. I liked how Fitzgerald used the seasons and weather to set up the book.

I tend it become fixated on tangents when I'm reading, did it all the time in school. So I'm still thinking about the man with the owl-eyed spectacles. On the one hand I think Sheri is right about the character demonstrating how isolated and difficult to know Gatsby is but Lisa's comments "I found the idea that he was surprised that the books on the shelf were real, funny and rather sad. It seems a sad commentary that one would try to fool the world with fake, cardboard books instead of real ones. Maybe, that was another idea for the scene?" made me think that this character knew more than anyone else about Gatsby. In a way the author is talking to us directly, telling us that everything about Gatsby is fake, it's just one big show which he has meticulously prepared. Or on the other hand he might be telling us that he's not such a fake after all seeing as the books are actually real. Not sure actually. Probably how fake or real Gatsby is is supposed to be an unanswered question, similar to how Nick keeps on changing his mind about how fake Gatsby is.

I know, can you friggin' believe it? Taste this poor, and judgment this askew is utterly mind-blowing. If someone had told me this anecdote, and it was uncorroborated by evidence, I wouldn't have believed my ears. It sounds like something from SNL.
Let's see..making a serious, studious attempt to re-do a classic period-piece and the first aesthetic choice is to add in modern pop music. Utter jackassery.
I also couldn't fathom why there was a 3-d version. What possible utility is 3-D in a movie about wealthy plutocrats? Do we get to see decanters of brandy hovering in the air before our eyes?