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Salammbô
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Nell
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Feb 02, 2014 01:21AM

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Reminds me of Salome.

There is something about that does make it rather fun to read in a way. I enjoy the scene of debauchery, and I thought that Falubert did do a very good job of giving very detailed descriptions without being overly verbose or too didactic. I really liked the way in which he really captured the chaos of the scene.

Reminds me of Salome."
Fun... *~*
Are you really laughing at it, Brynn? Now you're scaring me...
The title immediately reminded me of Salome herself, not to mention the cover, although - so far at - least, the lady herself seems very different.


Nell wrote: "Just finished Chapter 2. It's all very filmic and spectacular - like one of those biblical epics by Cecil B. Demille."
Exactly. :) I would love to see a Zack Synder version. He'd have a field day. (As in 300: http://www.google.com.au/search?q=300...
http://en.wikipedia.org/wiki/300_(film))

I agree it does have a very flimic quality to it, and reading it, and picturing it within my mind put me in the mind of some of the classic period movies, many of which were quite gaudy.


Definitely! I'd have loved that chapter except for all the exclamation marks, which somehow made what she was about less serious - as if Flaubert wasn't quite with her - a lack of empathy, perhaps.
Little wrote: "Although I'm enjoying it, and am half way through I haven't connected to any of the characters, and have no sympathy for their plights. Does anyone else feel the same way?"
Not quite connected to Salammbo yet, but would love to read more of her. Lots more of Salammbo and less of the damned Barbarians and their carry on.



I used to like the French Decadent writers a fair bit and this is certainly in that vein.


"
Have you read it before, Brynn? That could make a lot of difference as to impressions - it's the first for me, so not being prepared I found the initial chapters horrifying. Hope I didn't dampen your mood and spoil it for you earlier :(

The honest answer is, I didn't finish. And I think I was a teenager. :) No, no, I wasn't dampened. I might read tentatively because I have no idea what to make of this book.
I can't help but wonder: if he's out to shock and horrify, how does he stack up against today's violent hf novelists? Let's see...

I don't read today's violent fiction, so can't tell, but it's possible he felt he had in some way to exceed or at least match the impact of Madame Bovary, yet needed to write something completely different to show his versatility.
Almost halfway through and tried to continue last night, but couldn't somehow work up any interest and it fell from my hand. Maybe curiosity will draw me back later...

I was just thinking this is sort of atrocious, then in the next chapter I met Hamilcar, who - at least in introspective moments - seems the most characterised, so far. The battle I'm in the middle of isn't bad.
I have a large bio of Flaubert, which I did read. I can look up the Salammbo-writing part.

And I have come to distrust my public domain translation, by I don't know who. Reviews say what I know to be the case, that Flaubert is a Writer, a stylist, and you read this for the way it's written. I don't think my pd is giving me much like an authentic picture, at sentence-level where he works. I'd hate to judge it, unless at least I look at the Penguin.

I have to say I find myself liking Matho. I don't know if he is necessarily a likable person, but as a character I find him rather interesting, and at points to be a bit amusing.

I'm beginning to wonder if she's not just a device to keep Matho on his violent course - a sort of Carthaginian Helen of Troy - and otherwise unimportant. A pity if so, as the character seemed full of promise at the beginning.

Calling tech deities bad and barbarous names as a result.
Books mentioned in this topic
Madame Bovary (other topics)Salomé (other topics)
Madame Bovary (other topics)
Salomé (other topics)
Salammbo (other topics)