Mock Caldecott 2026 discussion
Mock Caldecott - 2015
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April Reads - 2015
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I absolutely agree. A Caldecott medal is never given out if the text is not top notch. Unless ofcourse it is a wordless picture book. David Wiesner is the king of that type of book.

In that case, let me be more specific.
As the Caldecott criteria states "The committee is to make its decision primarily on the illustration, but other components of a book are to be considered especially when they make a book less effective as a children’s picture book. Such other components might include the written text, the overall design of the book, etc," in my opinion, Baby Bear is the book I have read so far this year which provides a child with the best "visual experience" and effectively develops the theme of this primordial fear of isolation and finding our way in the world "through the series of pictures of which the book is comprised" (Ala.org).
A former member of the Caldecott committee described the selection process to me saying that the text and other elements of the book are only to be considered in their relationship to the illustrations, and I don't believe that the text and poetry of Baby Bear detract from the pictures. Quite the contrary; the words and pictures fit together beautifully to develop a comprehensive story, a quiet story, but all the better for exposing children to the subtleties of the sound and rhythm of language.
The colors are rich and deep, conveying the passage of time from the night until dawn. The animals are wonderfully detailed and lifelike--you can count the hairs on the wise moose, find a rainbow in the scales of the fish, and imagine your own reflection in the eyes of the squirrels.
The final image spread between the back pages is breathtaking--an expansive, beautiful landscape following the simple declaration that Baby Bear is home. It's a poignant and striking image that extends the story beyond the confines of language and even the conventional structure of the picture book (the same way David Wiesner's own magnificent illustrations often begin the storytelling before the title page). The message we are left with is that Baby Bear's home is not about who he meets along his journey or even where he finds himself at its conclusion, but that his home is within himself as he begins to see the world in a new light.
Kadir Nelson is a master of storytelling and Baby Bear is certainly no exception!


Though I enjoyed Paul Meets Bernadette that was actually the one for me in which the story felt a little flat! I do agree, though, that the illustrations are noteworthy. I believe they were done in oil paint? The texture is really striking and the use of color does helps to translate mundane objects into the realm of the fantastic (the teapot was my favorite.)
The little quirk of misnaming objects didn't quite sit right with me for whatever reason, though it is the precise reason the illustrations are quite critical in driving the narrative. I imagine it would be a cute little book to share with a child and start a dialogue in a one-to-one situation.
Though, having another chance to look at it, the copyright date is listed as 2013; would it still be eligible?


ETA:
I was able to get Firefly July and Other Very Short Poems through inter-library loan as well. Though I think that poetry is a very important, though oft overlooked, component of the juvenile literature arsenal I have to admit this collection was very hit-or-miss for me.
The art is whimsical and the multimedia allows for great, textured illustrations and suits the cobbled-together nature of the poems quite well. The poems are loosely associated with their respective seasons, so it really falls to the artwork to bring everything together, and there were a few moments when it fell rather flat for me, in particular the transition to fall--the leaves were a nice touch, but it took me three readings to notice the word itself against the brick building. The introduction of summer felt much stronger with its bright color palette and warm yellows.




The cover art is remarkable for Baby Bear. I wasn't as crazy about the text but it is truly visually breathtaking.

The cover art is remarkable for Baby Bear. I wasn't as crazy about ..."
I'm curious, what about the story wasn't your cup of tea?






In this nicely designed book, the poems are very short, and are gathered into four sections, one section for each season. The watercolor, gouache and mixed media illustrations have a very busy, jumbled look. The illustrations not only illustrate what the poem says, but goes beyond the poem. For example, for "The Red Wheelbarrow," there is not only the wheelbarrow, but also white chickens pecking the ground around it. For "The Island," which describes an island looking like wrinkled elephant skin, the depiction is of a half-submerged elephant-looking rock. The illustrations for "Window" show a number of scenes through the windows of the train. The acknowledgments note where each poem was originally published.

I agree with Jenna, this is my favorite book so far. I love how Nelson put so much detail into his almost life-like oil paintings. And the paintings tell almost as much of the story as the text does. And I love how large the illustrations are; this book would be wonderful to share with a group at story time.

I thought the haikus were very succinct snapshots panda's interactions with nature and his friends, just as the author intended. The watercolor and ink paiantings helped to clarify and extend the poetry. I especially liked the illustration of the square-eyed children (after watching TV all winter).

I enjoyed the story, but I was not especially impressed with the watercolor and pencil illustrations. They were cute enough, and I thought the sloth particularly winsome, but I liked the illustrations for Hi, Koo! and Baby Bear much better.
I will probably always be a couple of months behind the rest of the group because our library system is so slow in acquiring and processing new books!



You are very welcome! The illustrations are so happy and full of life. It is just terrific.



You are definitely not alone. I have been in love with Sparky! for months.

Of these 4 books I feel Baby Bear by Kadir Nelson is the best. Kadir's illustrations are AMAZING!!! I feel like I could just reach out and feel the wet slipperiness of the frog, and the perspective from the ram's point of view looking down on Baby Bear is so unique! By far, to me, the two page spread of Baby Bear with the moon reflected in his eyes just seals the deal. WOW!! ~ Just WOW!!!
As an aside, I felt the text for Baby Bear was clunky.
With all of that being said I also loved Sparky. I enjoyed the expression of Sparky and the movement(so clear against the unmoving sloth) of the little girl. I like the color of the paper and subdued browns of the illustrations.

Of these 4 books I feel Baby Bear by Kadir Nelson is the best. Kadir's illustrations a..."
Welcome! It is a cool group :)

Of these 4 books I feel Baby Bear by Kadir Nelson is the best. Kadir's ..."
Thank You!!

Of these 4 books I feel Baby Bear by Kadir Nelson is the best. Kadir's illustrations a..."
I have to say, I still think Baby Bear is one of my top picks for a Caldecott award or honor. But I just don't seem to have the same hang up over the text as you and a couple others describe, so who knows?
Books mentioned in this topic
Gravity (other topics)Sparky! (other topics)
Firefly July: A Year of Very Short Poems (other topics)
Baby Bear (other topics)
Hi, Koo! (other topics)
More...
Authors mentioned in this topic
Jenny Offill (other topics)Jon J. Muth (other topics)
Paul B. Janeczko (other topics)
Kadir Nelson (other topics)
Do you think these are Caldecott Contenders?