Victorians! discussion
Archived Group Reads 2015
>
UTGT - Part 4 - Autumn & Conclusion
date
newest »


To me, UTGT was a novel of innocence. Its rural setting and topography anticipates and is further expanded within Hardy's later novels, yet it shares little similarity to the darkened, fate-laden novels to come.
I found this novel to be somewhat light. While an interesting read, it lacked the sweep and power of Hardy's later novels, just as Dickens's Pickwick Papers, while an interesting read, lacks the scope and depth of his later novels. That said, the opportunity to read UTGT gave me a strong feeling of place, a clear insight into Hardy's concept of rural innocence, and a glimpse of what was to come.
For example, Hardy's use of birds, and how their symbolic meaning and actions reflect the story, gives us a peek into his later style. The Cuckoo lays its eggs in other bird's nests, and Hardy, in Part Four, places Dick and Fancy in Cuckoo Lane, a subtle suggestion of Fancy replacing Dick as a suitor or future husband. An owl is killing a mouse when Mr. Day is refusing to give his permission for Fancy to marry Dick. The novel ends with Hardy having Fancy hearing a nightingale's call "Come hither, come hither, come hither!" To this call Fancy comments "O, tis the nightingale... and thought of the secret she would never tell."
Well. Earlier in this section we had Fancy going to the local witch for advice. In an previous section we had an apple very prominently falling from a tree. At the end of UTGT the reader is left to speculate about the happiness for Dick and Fancy's prospects in marriage.
In one of Hardy's later novels we can well imagine the prospects for Dick and Fancy; however, in UTGT it is difficult to look into the future with as much clarity.


At least, that's one way of expressing my reaction to UTGWT.

I really enjoyed your post, and I agree that it lacks the sweep and power of Hardy's later novels. I must admit that I find myself disappointed - it's a fine novel, but I think that Hardy would have done more with it later in his career. He could have done more with the quire vs Fancy, or playing up the drama of the different suitors etc. I really didn't like Fancy, but Reuben Dewy and the rest of the quire were wonderful. They were the best part of the story for me.
I guess I just prefer Hardy's later work and he set his own bar so high that an otherwise fine novel falls short for me.

Yes. I agree with you. While the latter Hardy is bleak, it also has a power and sweep that UTGT does not have. I would imagine Hardy did not want, or was not yet ready in his career, to roll in the black storm clouds of Fate, but somehow I like the Hardy storms rather than the calm before them.

Call me crazy, but I loved this work as well as those with storm clouds :). I love his language and the strength in his female characters.

His "storm clouds" may be his masterworks, but I have a sense of relief that there was a period of Hardy's life when he could write UTGT, even if it has hints of apprenticeship. Does it perhaps increase my trust of the later works?

This puts my own thoughts into much better sense than I could have. I felt that parts of the novel were only an outline for what Hardy could have made of the story. The ending was sweet, but lacking. Interesting to have read it though and compare to some of his later works that have much for content.



Fortunately, the vicar knew more about the ways of the world, and no doubt his own parish. His advice to Fancy was proper. Fancy's decision to ignore his advice is another matter, and the consequences remain only a matter of discussion.
It is interesting to speculate how the Sunday church service with the vicar in the pulpit, Fancy providing the music, Dick in the pew and perhaps a few of the choir simmering in silence would play out.


Freedom and Love
HOW delicious is the winning
Of a kiss at Love's beginning,
When two mutual hearts are sighing
For the knot there's no untying!
Yet remember, 'midst your wooing, 5
Love has bliss, but Love has ruing;
Other smiles may make you fickle,
Tears for other charms may trickle.
Love he comes, and Love he tarries,
Just as fate or fancy carries; 10
Longest stays when sorest chidden,
Laughs and flies when press'd and bidden.
Bind the sea to slumber stilly,
Bind its odour to the lily,
Bind the aspen ne'er to quiver, 15
Then bind Love to last for ever.
Love's a fire that needs renewal
Of fresh beauty for its fuel;
Love's wing moults when caged and captured,
Only free he soars enraptured. 20
Can you keep the bee from ranging,
Or the ringdove's neck from changing?
No! nor fetter'd Love from dying
In the knot there's no untying.

Completely. Which makes this one of the most interesting events in the book for me. I enjoyed the letters they wrote to one another and felt that they made the characters much more vivid. Fancy shows she has been doing some reflection and is really quite self-aware. Her education and sophistication are apparent. "And you praised me--and praise is life to me."
In an era when being able to "handle" your woman was considered critical for the success of a relationship, I think we are left with an impression that Dick is much too sincere and unsophisticated to ever "handle" Fancy. And she, with her secrets and fear of being held captive, is unlikely to help him.

I was surprised when Fanny went through with marrying Dick--although it does seem inevitable and right for the time, setting, and readers' expectations, despite the fact that it also seems so ill-fated.
I really enjoyed reading UTGT, and although I agree that Hardy's later works are more developed and skillful, I probably would have chosen not to read a novel like that this month. This was the right book for me.

I appreciate your comments so much, Peter. I have a lot going on and just don't have the time to think as deeply as I'd like about what I'm reading. It's very comforting at the moment to have on-line acquaintances who make it easier on me to be a thoughtful reader (in other words, who do the work for me--we all need a little hand now and then, right? ;) Thank you! )

Tracy
Goodreads is such a great place to meet, albeit virtually, people and discuss books that we mutually enjoy. I look forward to us exchanging ideas and insights in the new year.

I came to like Fancy as a character, much more than I ever will, say the dithering Sue Brideshead of Jude, and much the same way that Tess stands for me as one of the great tragic figures of literature. Fancy is a flighty little character. She is young, immature. She is subject to her own emotional reactions and those of the men who court her, as well as to the pressures of her family to do what is fitting. But at some level, she is savvy, sensible, loving and lovable. I wish her and Dick the best, along with the children they may bear and raise. (After all, Dick seems not headed for the "career" dilemmas of a Jude.)

I, too, like Fancy. She represents the ability to move up in society. Her father indicated she was more cultured due to het aunt. She also represents the future while respecting the past. This book was a good one for me as I had been reading many very heavy books. A breath of fresh air was perfectly timed.

I also think that Hardy portrayed Fancy as a flawed but ultimately likeable character, and his portrait is far more nuanced and realistic than the young women portrayed by many writers of the time.
I look forward to reading more Hardy, and am suitably warned by some of the discussion not to expect more sweetness and light.

What do you think? Should she have told Dick all?

Good question. I would say that she should have told him. But I wonder, what did Hardy think? Maybe he intended that his reading audience should be caught up in this very question.

I feel Fancy kept something that could sooth her vanity those times she might need a little remembering that she had once been able to attract the attention of several men and that telling now might only have made Dick suspicious of either her or the Vicar. If the story did ever receive the light of day, as it could, she could make it clear that it was entirely in the past and she was now clearly devoted to him, at least if that continued to be true.
Linda's probably on target when she suggests Hardy might have "intended that his reading audience should be caught up in this very question.' For me, it is sort of a question of the extent to which either a man or a woman is entitled to a past of their own so long as that past is unlikely to intrude unfavorably into either their present or future. Of course, that can often be difficult to judge.
(Tess explores this question much more rigorously and what happens when a man expects a woman to accept his past but he can't/won't accept hers.)

Linda:
Like Lily, I think you statement that maybe Hardy "intended his reading audience" to be caught up in Fancy, her decision not to tell Dick of the vicar's proposal, and that decisions possible future consequences is central to a reader's final interpretation of the novel. Our group discussion proves that intention worked!
To me, Hardy is a writer who through character names, setting, allusion and symbol frames his intentions within his novels very clearly.
The conclusion of this novel is much like a fulcrum with readers aligned and balanced on both sides of the question of Fancy's future. Unlike Hardy's later protagonists, whether male or female, whose fate is delivered with a clear and heavy hand, Fancy eludes me. My reading of the symbols tells me her future is, at best, unhappy if not tragic. Then, the next minute, I read a good argument for a positive future for Fancy and I swing around and join the other side of the balance.
One thing is certain. Hardy is a masterful writer.
Just finished reading all the comments. Such a great discussion of this section that I have nothing to add. I like both Rancy and Dick for reasons mentioned by others here. I like that Fancy accepted the vicar's proposal and her letter of explanation because they seem so realistic. Courting is messier than usually depicted in novels. And so much of one's future happiness rides on making a decision with which you then must live. I also like the way the vicar finds out from Dick himself that there is a previous engagement. So many emotions depicted in this "simple" story.

I think the fact of Fancy's acceptance of the vicar's proposal foreshadows future unhappiness/discontentment. At the same time, I admire her integrity, in quickly rescinding her acceptance and remaining loyal to Dick. She's so young, she can hardly know her own mind--especially since she is a woman in an age where women were expected to live their lives in service to fathers, husbands, and children. I like her better at the end of the story than I did in the middle; and I agree that Hardy is a masterful writer, who leaves us with a delicious ambiguity.

I don't have anything new or different to add either. I read the book late but thoroughly enjoy the thoughtful and insightful discussions.

Thank you for typing out the delightful poem. The last stanza leads me to the conclusion that Fancy will continue to flirt. Ah well, there are worse things.

I would love to take more credit, but I searched it, then copied and pasted. But you are very welcome. I can't seem to find the link I used, but here is another one: http://poetrymoment.blogspot.ca/2010/...

"
Nicely said.

Are you suggesting that you wish he had stuck with the UTGT type novels and not gone over to the darker side?

Very interesting comment.
It suggests that there is a portent of the later Hardy in what seems here like such an innocent story. That fate (or Fate) will catch up with Fancy and Dick and turn them into a Tess and Angel.

"
I call you not crazy but intensely sane. I also love both sides of Hardy. To your list of strengths I would add his obvious deep knowledge and love of the Wessex country. There is so much of the landscape and natural beauty (and sometimes ugliness, as in Flintcomb-Ash farm).

No, not at all. But it felt nice to consider that this oft troubled man had a period in his life when he could write something like UTGWT.

Besides, characters seem unrelatable to me. That was until I read some of the comments posted on the background tread. The photos of the country on which UTGWT was situated were especially helpful.
Little by little the scenario and eventually the plot became brighter; soon I was absorbed, literally, absorbed into the story. I became conflicted by how I knew Fanny was much more vain and inconstant than Dick, for which she probably did not deserve him, and yet I could not bear the thought of them breaking up.
I laughed, I suffered, I sighed, in a word I found that escape from this era which is one of the reasons I love reading a Victorian author. So, thumbs up for Thomas Hardy!
The fact is, that when I saw that this group was going to read Hardy and soon afterwards Trollope, I felt relieved. Those are two Victorians authors I had yet to cross out of my list, for I had never read any of their famous works (shame on me) and I wanted to do it this year. So, thank you Victorians for making this easier for me. It was a good start with Hardy! Let’s see what happens with Trollope.

Delighted to hear it, and far better late than never!

Delighted to hear it, and far better late than never!"
Thank you Everyman!

Rut -- I was in my sixties or close there-to the first time I read Hardy. I have had some fabulous arguments over the text of Tess of the D'Urbervilles in the years since (including with Eman). May you have as much fun exploring.
And some of the movies generated are quite good, such as "Far from the Madding Crowd."

It's never too late to post. I thoroughly enjoyed your comments. While I had read Hardy before, it had been quite some time ago. This book reminded me why I enjoy him,
Books mentioned in this topic
Tess of the D’Urbervilles (other topics)Far From the Madding Crowd (other topics)
Jude the Obscure (other topics)
If you've read other works by Hardy, how does this one compare?
Would you read Hardy again?