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Do Not Say We Have Nothing
October 2016: Historical Fiction
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Do Not Say We Have Nothing - Madeline Thien (barely) 4/5
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I will say that I found the beginning a bit slow but it picked up pretty quickly for me. I love classical music and for me that was a big draw of the book. I thought the author was very clever in how she used music to structure her book (with the novel being like movements in a classical piece with different pacing, certain repetitions/motifs etc.
Unlike Nicole I also appreciated the multiple different elements. I liked the way Chinese calligraphy was incorporated into the book and I found it fascinating how words were constructed and how they related to the visual elements.
Was it pretentious? I guess some will perceive it that way. I didn't find it pretentious but I have a higher tolerance for that than does Nicole.
Anita - I'm not sure on this one. I think you'll like it but I also think you might find the beginning a bit of a slog. And I think you're closer to Nicole than to me in terms of your tolerance for what might be perceived as pretentious. It certainly picks up in the second half (like the movements of a symphony -- ending with a fast paced movement).
I read the book while listening to the music referenced in the book and found it really wonderful and enhanced the mood of the book. I think the writing was fantastic. One of my favorite quotes from the book:
"His music made her turn away from the never-possible and the almost-here, away from an unmade, untested future. The present, Sparrow seemed to say, is all we have, yet it is the one thing we will never learn to hold in our hands."

Where it really punched me in the gut was the Natasha Bedingfield message.
Anita, I think you would find the second half fascinating. I'm not sure you'd get there though



There was also a book within a book which is another thing that irritates me. Because everybody just loves this other book, and and it's so important in so many lives, but there was never enough to make it important to me so it just took up space. (and contributed to a trite point at the end, which I'm choosing to ignore.)
Another dead horse in this book were Chinese characters, and calligraphy, and frankly that could have enhanced the story if it wasn't competing with the classical music and the book within the book.
It is a multi-generational sweeping family epic, and it's also historical fiction. It's told non-linear, which is fine. The thing is, there was nothing particularly original about any of it to me except for the setting. I was often confused while reading it (admittedly my Chinese history knowledge is basically nil) and now that I'm done I'm still confused. That may just be me trying to reconcile what I just learned in the context of what I thought I knew.
I didn't know if I was going to finish, but I had bought two copies (one print one audio) so I felt like I needed to give it a full chance, and I'm very glad I did. Because while I struggled through the first half, the second half really picked up for me. About half-way through the 2nd half I was giving it 3, maybe 3.5 stars and by the end I thought it really came together and I appreciated some of the ways things came together.
All in all - worth reading. Award worthy? Not for me. It was just too flawed and structurally unoriginal.