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The Man in the High Castle
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The Man in the High Castle by Philip K. Dick - June 2014
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I lowered my rating from 5 stars to 4 because I felt the beginning of the book was a bit disjointed and because...well, to quote me:
Micah wrote: "This novel is held in high regard mainly because of its alternate history aspect, and I must say that PKD managed that brilliantly and realistically. However, aside from that one SF aspect, Man in the High Castle is actually much more closely related to PKD's non-SF works. I found it had far more in common with even his earliest works like Gather Yourselves Together than it does with his paranoid idea-packed SF works. And, viewed in that light--as a non-SF work--it probably is one of his more successful works. However, viewed as a SF novel--again, aside from its obvious alternate history aspect--it's rather disappointing."
Full review here: https://www.goodreads.com/review/show...

(Returning to the lurkers' corner...)

I read this book once before in 1999.
I'm going against the current trend developing here: I think this is one of the best science fiction novels perhaps second to only VALIS.
True is a "realistic" story of what could happen in the alternate history, but that's a strength, not a weakness. The characters fit into the world Dick created perfectly without the forced romanticism of the "hero" fighting the machinations of a despotic government. They are low people on the totem pole but one of them still manages to foil a plot--not with super human skills or training, but with being in the right (or wrong) place at the right (or wrong) time. No extended combat scenes required.
Dick also took the better path, I think, when his alternate history novel within an alternative history wasn't our history, but a completely different history. It would have been disappointing to have The Grasshopper Lies Heavy be what we know as history.
Perhaps current readers expect something different from science fiction nowadays. More action, more technology, more spectacle, something not what it was. But it gives the reader something to think about: and that makes it good science fiction.
The "clichés" about Japanese and German cultures were authentic to the 60s: the setting for the story and the time it was written.
I'm going against the current trend developing here: I think this is one of the best science fiction novels perhaps second to only VALIS.
True is a "realistic" story of what could happen in the alternate history, but that's a strength, not a weakness. The characters fit into the world Dick created perfectly without the forced romanticism of the "hero" fighting the machinations of a despotic government. They are low people on the totem pole but one of them still manages to foil a plot--not with super human skills or training, but with being in the right (or wrong) place at the right (or wrong) time. No extended combat scenes required.
Dick also took the better path, I think, when his alternate history novel within an alternative history wasn't our history, but a completely different history. It would have been disappointing to have The Grasshopper Lies Heavy be what we know as history.
Perhaps current readers expect something different from science fiction nowadays. More action, more technology, more spectacle, something not what it was. But it gives the reader something to think about: and that makes it good science fiction.
The "clichés" about Japanese and German cultures were authentic to the 60s: the setting for the story and the time it was written.
I have to agree that his alternate history within his novel not being our history is a good thing. I'm not sure if that would have been cliché when he wrote this, but it definitely is now.

I'm enjoying it. Yes, it's dated and yes some of the writing is a little odd (for example the dropping of articles and pronouns in some of the dialogue which I guess is mean to "japanese-ify" the English but just reminds me of Rorshach in Watchmen), but its clear that this is one of the places a lot of the alternative history cliches / tropes got started.

Ha! Yeah, that actually kind of drove me crazy during this last read. It kept reminding me of Truman Capote in the ending of this clip from the '70s detective movie spoof Murder by Death:
https://www.youtube.com/watch?v=znS3g...

Still, the story the way it is being told is not holding my interest.

I don't know how true it is, but actually one stereotype about Japan has always been that it is a copying culture, absorbing and assimilating elements from abroad and reinterpreting them in their own way. So actually this element of the story actually plays into that stereotype.
Or...you could see it as a "spoils of the victor" kind of thing.
One of the curious features of the novel is the characters use of the I Ching. I also heard (and mostly disbelieve) is that Dick wrote the whole book by asking questions to the oracle, then interrupting the answer into the direction of the story.

After reading the novel again and noting the I Ching's influence, on a lark I found an online I Ching program and asked several questions about a story I had in development. I was surprised at how the answers played right into the story (not that I believe in the powers of the oracle), so I incorporated its answers into my plot as well. Kind of a PKD tribute.
I'm not reading it again this time around.
What are your thoughts on the book itself, the world Dick created, the themes .... what are your thoughts on the book? Tell me all.