The History Book Club discussion

This topic is about
The Underground Railroad
BOOK OF THE MONTH
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ARCHIVE- SEPTEMBER 2017 - THE UNDERGROUND RAILROAD - DISCUSSION THREAD - (No Spoilers, Please)
Publisher's Synopsis:
Winner of the Pulitzer Prize and the National Book Award, the #1 New York Times bestseller from Colson Whitehead, a magnificent tour de force chronicling a young slave's adventures as she makes a desperate bid for freedom in the antebellum South.
Cora is a slave on a cotton plantation in Georgia. Life is hell for all the slaves, but especially bad for Cora; an outcast even among her fellow Africans, she is coming into womanhood—where even greater pain awaits. When Caesar, a recent arrival from Virginia, tells her about the Underground Railroad, they decide to take a terrifying risk and escape. Matters do not go as planned—Cora kills a young white boy who tries to capture her. Though they manage to find a station and head north, they are being hunted.
In Whitehead’s ingenious conception, the Underground Railroad is no mere metaphor—engineers and conductors operate a secret network of tracks and tunnels beneath the Southern soil. Cora and Caesar’s first stop is South Carolina, in a city that initially seems like a haven. But the city’s placid surface masks an insidious scheme designed for its black denizens. And even worse: Ridgeway, the relentless slave catcher, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom.
Like the protagonist of Gulliver’s Travels, Cora encounters different worlds at each stage of her journey—hers is an odyssey through time as well as space. As Whitehead brilliantly re-creates the unique terrors for black people in the pre–Civil War era, his narrative seamlessly weaves the saga of America from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once a kinetic adventure tale of one woman’s ferocious will to escape the horrors of bondage and a shattering, powerful meditation on the history we all share.
About the Author:

Colson Whitehead is the #1 New York Times bestselling author of The Underground Railroad, winner of the 2016 Pulitzer Prize in Fiction, the 2016 National Book Award, and named one of the Ten Best Books of the Year by the New York Times Book Review, as well as The Noble Hustle, Zone One, Sag Harbor, The Intuitionist, John Henry Days, Apex Hides the Hurt, and The Colossus of New York.
He is also a Pulitzer Prize finalist and a recipient of the MacArthur and Guggenheim fellowships. He lives in New York City.
Other Books by Colson Whitehead:
by
Colson Whitehead
Winner of the Pulitzer Prize and the National Book Award, the #1 New York Times bestseller from Colson Whitehead, a magnificent tour de force chronicling a young slave's adventures as she makes a desperate bid for freedom in the antebellum South.
Cora is a slave on a cotton plantation in Georgia. Life is hell for all the slaves, but especially bad for Cora; an outcast even among her fellow Africans, she is coming into womanhood—where even greater pain awaits. When Caesar, a recent arrival from Virginia, tells her about the Underground Railroad, they decide to take a terrifying risk and escape. Matters do not go as planned—Cora kills a young white boy who tries to capture her. Though they manage to find a station and head north, they are being hunted.
In Whitehead’s ingenious conception, the Underground Railroad is no mere metaphor—engineers and conductors operate a secret network of tracks and tunnels beneath the Southern soil. Cora and Caesar’s first stop is South Carolina, in a city that initially seems like a haven. But the city’s placid surface masks an insidious scheme designed for its black denizens. And even worse: Ridgeway, the relentless slave catcher, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom.
Like the protagonist of Gulliver’s Travels, Cora encounters different worlds at each stage of her journey—hers is an odyssey through time as well as space. As Whitehead brilliantly re-creates the unique terrors for black people in the pre–Civil War era, his narrative seamlessly weaves the saga of America from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once a kinetic adventure tale of one woman’s ferocious will to escape the horrors of bondage and a shattering, powerful meditation on the history we all share.
About the Author:

Colson Whitehead is the #1 New York Times bestselling author of The Underground Railroad, winner of the 2016 Pulitzer Prize in Fiction, the 2016 National Book Award, and named one of the Ten Best Books of the Year by the New York Times Book Review, as well as The Noble Hustle, Zone One, Sag Harbor, The Intuitionist, John Henry Days, Apex Hides the Hurt, and The Colossus of New York.
He is also a Pulitzer Prize finalist and a recipient of the MacArthur and Guggenheim fellowships. He lives in New York City.
Other Books by Colson Whitehead:











Praise:
WINNER OF THE PULITZER PRIZE, THE NATIONAL BOOK AWARD AND THE ALA ANDREW CARNEGIE MEDAL ** NAMED A BEST BOOK OF THE YEAR BY NEW YORK TIMES BOOK REVIEW, WALL STREET JOURNAL, WASHINGTON POST, TIME, PEOPLE, NPR AND MORE ** #1 NEW YORK TIMES BESTSELLER
“Get it, then get another copy for someone you know because you are definitely going to want to talk about it once you read that heart-stopping last page.”
--Oprah Winfrey (Oprah's Book Club 2016 Selection)
“[A] potent, almost hallucinatory novel... It possesses the chilling matter-of-fact power of the slave narratives collected by the Federal Writers’ Project in the 1930s, with echoes of Toni Morrison’s Beloved, Victor Hugo’s Les Misérables, Ralph Ellison’s Invisible Man, and brush strokes borrowed from Jorge Luis Borges, Franz Kafka and Jonathan Swift…He has told a story essential to our understanding of the American past and the American present.”
--Michiko Kakutani, The New York Times
“Think Toni Morrison (Beloved), Alex Haley (Roots); think 12 Years a Slave…An electrifying novel…a great adventure tale, teeming with memorable characters…Tense, graphic, uplifting and informed, this is a story to share and remember.”
--People, (Book of the Week)
"With this novel, Colson Whitehead proves that he belongs on any short list of America's greatest authors--his talent and range are beyond impressive and impossible to ignore. The Underground Railroad is an American masterpiece, as much a searing document of a cruel history as a uniquely brilliant work of fiction."
--Michael Schaub, NPR
“Far and away the most anticipated literary novel of the year, The Underground Railroad marks a new triumph for Whitehead…[A] book that resonates with deep emotional timbre. The Underground Railroad reanimates the slave narrative, disrupts our settled sense of the past and stretches the ligaments of history right into our own era...The canon of essential novels about America's peculiar institution just grew by one.”
--Ron Charles, Washington Post
WINNER OF THE PULITZER PRIZE, THE NATIONAL BOOK AWARD AND THE ALA ANDREW CARNEGIE MEDAL ** NAMED A BEST BOOK OF THE YEAR BY NEW YORK TIMES BOOK REVIEW, WALL STREET JOURNAL, WASHINGTON POST, TIME, PEOPLE, NPR AND MORE ** #1 NEW YORK TIMES BESTSELLER
“Get it, then get another copy for someone you know because you are definitely going to want to talk about it once you read that heart-stopping last page.”
--Oprah Winfrey (Oprah's Book Club 2016 Selection)
“[A] potent, almost hallucinatory novel... It possesses the chilling matter-of-fact power of the slave narratives collected by the Federal Writers’ Project in the 1930s, with echoes of Toni Morrison’s Beloved, Victor Hugo’s Les Misérables, Ralph Ellison’s Invisible Man, and brush strokes borrowed from Jorge Luis Borges, Franz Kafka and Jonathan Swift…He has told a story essential to our understanding of the American past and the American present.”
--Michiko Kakutani, The New York Times
“Think Toni Morrison (Beloved), Alex Haley (Roots); think 12 Years a Slave…An electrifying novel…a great adventure tale, teeming with memorable characters…Tense, graphic, uplifting and informed, this is a story to share and remember.”
--People, (Book of the Week)
"With this novel, Colson Whitehead proves that he belongs on any short list of America's greatest authors--his talent and range are beyond impressive and impossible to ignore. The Underground Railroad is an American masterpiece, as much a searing document of a cruel history as a uniquely brilliant work of fiction."
--Michael Schaub, NPR
“Far and away the most anticipated literary novel of the year, The Underground Railroad marks a new triumph for Whitehead…[A] book that resonates with deep emotional timbre. The Underground Railroad reanimates the slave narrative, disrupts our settled sense of the past and stretches the ligaments of history right into our own era...The canon of essential novels about America's peculiar institution just grew by one.”
--Ron Charles, Washington Post
Table of Contents
Ajarry 1
Georgia 9
Ridgeway 71
South Carolina 83
Stevens 133
North Carolina 141
Ethel 189
Tennessee 197
Caesar 229
Indiana 237
Mabel 289
The North 297
Ajarry 1
Georgia 9
Ridgeway 71
South Carolina 83
Stevens 133
North Carolina 141
Ethel 189
Tennessee 197
Caesar 229
Indiana 237
Mabel 289
The North 297
SYLLABUS - WEEK ONE:
Week One Assignment: September 8th - September 16th - (pages 1 - 82)
Ajarry 1
Georgia 9
Ridgeway 71
Week One Assignment: September 8th - September 16th - (pages 1 - 82)
Ajarry 1
Georgia 9
Ridgeway 71
SYLLABUS - WEEK TWO:
Week Two Assignment: September 17th - September 24th - (pages 83 - 188)
South Carolina 83
Stevens 133
North Carolina 141
Week Two Assignment: September 17th - September 24th - (pages 83 - 188)
South Carolina 83
Stevens 133
North Carolina 141
SYLLABUS - WEEK THREE:
Week Three Assignment: September 25th - October 1st - (pages 189 - 236 )
Ethel 189
Tennessee 197
Caesar 229
Week Three Assignment: September 25th - October 1st - (pages 189 - 236 )
Ethel 189
Tennessee 197
Caesar 229
SYLLABUS - WEEK FOUR:
Week Four Assignment: October 2nd - October 8th - (pages 237 - 306 )
Indiana 237
Mabel 289
The North 297
Week Four Assignment: October 2nd - October 8th - (pages 237 - 306 )
Indiana 237
Mabel 289
The North 297
Introduction and Let us Get Started:
Folks please introduce yourself and let us know why this book interested you and what you hope to get from reading it?
What interested you about this "historical fiction" Pulitzer Prize winner?
This book is another path that we have taken to select books that are either history books, non fiction, historical fiction, award winners, classics, etc.
Let us know who you are - brief intro - your avatar name is fine but if you want to share your first name that is good too. Also where are you reading from - we love to know where in the world all of our folks are located - since we are a strong global community.
Folks please introduce yourself and let us know why this book interested you and what you hope to get from reading it?
What interested you about this "historical fiction" Pulitzer Prize winner?
This book is another path that we have taken to select books that are either history books, non fiction, historical fiction, award winners, classics, etc.
Let us know who you are - brief intro - your avatar name is fine but if you want to share your first name that is good too. Also where are you reading from - we love to know where in the world all of our folks are located - since we are a strong global community.
All, I have set up the thread so that we can begin discussion on September 8th - remember this is a single thread discussion so you must be careful about spoilers. We do not have this problem on a multi thread discussion.
However for my benefit and for everybody else's I am changing things a bit. If you are posting during the week of the reading schedule and you are only posting information about that week's reading and not going ahead - then you do not have to use the spoiler html. However, if you go ahead of the weekly reading and want to post ahead about some topic or page or quote that we have not been assigned yet and have not read - you are bound to use the spoiler html with the header or your post will be moved to the spoiler glossary thread.
At any time you can post on the spoiler glossary thread but on this discussion thread we are posting and staying with the assignments and not getting ahead if in fact you do not want to be bound to use the spoiler html.
So it is up to you. If you stay with the assignments and do not post about something ahead that is coming up - you do not have to use the spoiler html but if you don't and you get ahead or you want to talk about something expansive then you MUST use the spoiler html or post it on the glossary spoiler thread.
However for my benefit and for everybody else's I am changing things a bit. If you are posting during the week of the reading schedule and you are only posting information about that week's reading and not going ahead - then you do not have to use the spoiler html. However, if you go ahead of the weekly reading and want to post ahead about some topic or page or quote that we have not been assigned yet and have not read - you are bound to use the spoiler html with the header or your post will be moved to the spoiler glossary thread.
At any time you can post on the spoiler glossary thread but on this discussion thread we are posting and staying with the assignments and not getting ahead if in fact you do not want to be bound to use the spoiler html.
So it is up to you. If you stay with the assignments and do not post about something ahead that is coming up - you do not have to use the spoiler html but if you don't and you get ahead or you want to talk about something expansive then you MUST use the spoiler html or post it on the glossary spoiler thread.
Those of you who are going to read The Underground Railroad. Use the spoiler html if you plan to post about pages ahead of the weekly discussion because this is a single thread discussion.
1. Read messages (); those messages show you the rules for the BOTM discussion and how to do the spoiler html.
2. Messages and actually show you the spoiler html code. Use it on this thread if you plan to go ahead of the weekly assigned reading or if you become more expansive. You can post expansive material on the glossary thread with spoiler html but here you must use the spoiler html if you get ahead or become too expansive.
3. Where is the Table of Contents and the Weekly Reading Assignments? - for this selection - check message 4 for the table of contents and messages 5, 6, 7 and 8 for the syllabi for all four weeks - so that your reading schedule matches the assigned reading for that week.
1. Read messages (); those messages show you the rules for the BOTM discussion and how to do the spoiler html.
2. Messages and actually show you the spoiler html code. Use it on this thread if you plan to go ahead of the weekly assigned reading or if you become more expansive. You can post expansive material on the glossary thread with spoiler html but here you must use the spoiler html if you get ahead or become too expansive.
3. Where is the Table of Contents and the Weekly Reading Assignments? - for this selection - check message 4 for the table of contents and messages 5, 6, 7 and 8 for the syllabi for all four weeks - so that your reading schedule matches the assigned reading for that week.
Remember the following:
Everyone is welcome but make sure to use the goodreads spoiler function if you get ahead of the assigned weekly pages.
If you come to the discussion after folks have finished reading it, please feel free to post your comments as we will always come back to the thread to discuss the book.
The rules
You must follow the rules of the History Book Club and also:
First rule of Book of the Month discussions:
Respect other people's opinions, no matter how controversial you think they may be.
Second rule of Book of the Month discussions:
Always, always Chapter/page mark and spoiler alert your posts if you are discussing parts of the book that are ahead of the pages assigned or if you have become expansive it your topics.
To do these spoilers, follows these easy steps:
Step 1. enclose the word spoiler in forward and back arrows; < >
Step 2. write your spoiler comments in
Step 3. enclose the word /spoiler in arrows as above, BUT NOTE the forward slash in front of the word. You must put that forward slash in.
Your spoiler should appear like this:
(view spoiler)
And please mark your spoiler clearly like this:
State a Chapter and page if you can.
EG: Chapter 24, page 154
Or say Up to Chapter *___ (*insert chapter number) if your comment is more broad and not from a single chapter.
Chapter 1, p. 23
(view spoiler)
If you are raising a question/issue for the group about the book, you don't need to put that in a spoiler, but if you are citing something specific, it might be good to use a spoiler.
By using spoilers, you don't ruin the experience of someone who is reading slower or started later or is not reading the assigned pages.
Thanks.
Everyone is welcome but make sure to use the goodreads spoiler function if you get ahead of the assigned weekly pages.
If you come to the discussion after folks have finished reading it, please feel free to post your comments as we will always come back to the thread to discuss the book.
The rules
You must follow the rules of the History Book Club and also:
First rule of Book of the Month discussions:
Respect other people's opinions, no matter how controversial you think they may be.
Second rule of Book of the Month discussions:
Always, always Chapter/page mark and spoiler alert your posts if you are discussing parts of the book that are ahead of the pages assigned or if you have become expansive it your topics.
To do these spoilers, follows these easy steps:
Step 1. enclose the word spoiler in forward and back arrows; < >
Step 2. write your spoiler comments in
Step 3. enclose the word /spoiler in arrows as above, BUT NOTE the forward slash in front of the word. You must put that forward slash in.
Your spoiler should appear like this:
(view spoiler)
And please mark your spoiler clearly like this:
State a Chapter and page if you can.
EG: Chapter 24, page 154
Or say Up to Chapter *___ (*insert chapter number) if your comment is more broad and not from a single chapter.
Chapter 1, p. 23
(view spoiler)
If you are raising a question/issue for the group about the book, you don't need to put that in a spoiler, but if you are citing something specific, it might be good to use a spoiler.
By using spoilers, you don't ruin the experience of someone who is reading slower or started later or is not reading the assigned pages.
Thanks.
All, we do not have to do citations regarding the book or the author being discussed during the book discussion on these discussion threads - nor do we have to cite any personage in the book being discussed while on the discussion threads related to this book.
However if we discuss folks outside the scope of the book or another book is cited which is not the book and author discussed then we do have to do that citation according to our citation rules. That makes it easier to not disrupt the discussion.
You can copy and paste below to get your spoiler right:
(view spoiler)
However if we discuss folks outside the scope of the book or another book is cited which is not the book and author discussed then we do have to do that citation according to our citation rules. That makes it easier to not disrupt the discussion.
You can copy and paste below to get your spoiler right:
(view spoiler)
This is the discussion thread folks and is the non spoiler thread.
The other thread is the glossary which is the spoiler thread.
The other thread is the glossary which is the spoiler thread.
Welcome folks to the discussion of The Underground Railroad.
This week's assignment:
SYLLABUS - WEEK ONE:
Week One Assignment: September 8th - September 16th - (pages 1 - 82)
Ajarry 1
Georgia 9
Ridgeway 71
Be sure to remember that on this thread for this week you cannot discuss anything beyond page 71 without spoilers. Additionally for this week if you want to go beyond that page - you must post your comments in the glossary thread for this book.
Let us kick this off by introducing yourself and tell us why this book interested you and why you wanted to read and discuss it.
Also if you have begun Chapter One - what are your initial impressions?
My name is Bentley and I am from the Metro NYC area and I am very interested in reading this book and comparing this narrative to the original events which are the underpinnings for the book's theme.
This week's assignment:
SYLLABUS - WEEK ONE:
Week One Assignment: September 8th - September 16th - (pages 1 - 82)
Ajarry 1
Georgia 9
Ridgeway 71
Be sure to remember that on this thread for this week you cannot discuss anything beyond page 71 without spoilers. Additionally for this week if you want to go beyond that page - you must post your comments in the glossary thread for this book.
Let us kick this off by introducing yourself and tell us why this book interested you and why you wanted to read and discuss it.
Also if you have begun Chapter One - what are your initial impressions?
My name is Bentley and I am from the Metro NYC area and I am very interested in reading this book and comparing this narrative to the original events which are the underpinnings for the book's theme.

I did this week's reading assignment on my way to work this morning. Originally I was planning just to start the first chapter, but then I got carried away!
So far, I'm enjoying the narrative style of it, especially how Whitehead provides his readers with background on the characters as he goes along rather than dumping it all on us from the start. It's obviously not a fun read, but I've found it thought-provoking, and I appreciate the focus given to Cora and her fellow slaves, while not disregarding the impact of the various white people in their lives. It already feels like the main characters have full personalities, which enhances the story right at the beginning.
Though it's likely obvious for anyone picking up a book on this topic, I just want to warn everyone that there are instances of various kinds of abuse right in this first week's reading assignment, so please do not select this book if you wish to avoid that.
Overall, I've enjoyed what I've read, and I look forward to reading further next week!

The first chapter really drove home how the slaves were viewed as just another commodity to be traded with no humanity, and how many middle men were involved before the slaves were sold. There were a large number of people personally involved and financially profiting from the institution of slavery.
I'm impressed with the inner strength of Cora, a slave who has not had a lot of support in her young life, since she'll certainly face adversity as she travels on the Underground Railroad. Female slaves were subject to all the kinds of abuse that male slaves feared, plus they also had to worry about rape. So it seems like a good choice for Whitehead to make his main character female.


I am looking forward to reading this novel and joining the discussion.




@Deborah - welcome - I am glad that you have started digging into the Week One assignment.
@Matthew - that is fine Matthew there is no rush - we will be discussing the week one assignment into next week so no rush at all.
Yes, there is quite a bit of liberality taken - historical fiction with a fantasy overtone.
But I think that is a good way to discuss what is historical and what is not and what is the author's point of view and what you agree with and disagree with.
You did pretty well with the citation but are missing a couple of things.
The book cover is first, then a space, the word by, then another space, then the author's photos if available and then the author's link which you have.
Here is an example of how the book you posted should look:
by
James McBride
@Matthew - that is fine Matthew there is no rush - we will be discussing the week one assignment into next week so no rush at all.
Yes, there is quite a bit of liberality taken - historical fiction with a fantasy overtone.
But I think that is a good way to discuss what is historical and what is not and what is the author's point of view and what you agree with and disagree with.
You did pretty well with the citation but are missing a couple of things.
The book cover is first, then a space, the word by, then another space, then the author's photos if available and then the author's link which you have.
Here is an example of how the book you posted should look:


@Dusty welcome - we hope you will enjoy the book and post often.
@Portia - welcome and we are all digging in together so that is a good thing
@Portia - welcome and we are all digging in together so that is a good thing
@Connie - welcome from the wonderful state of Connecticut - I agree that a strong female lead character is an interesting as well as great choice for the book - for all of the reasons you cited
@Elizabeth - thank you for pointing that out to the membership. I think though that when talking about slavery - most folks are familiar from historical accounts - what exactly were the hardships and abuse many slaves faced every day. Some were much more fortunate and had good owners but that was not always the case and just simply being a human being and being owned by another is abusive in and of itself.
However, sometimes these accounts might be too graphic for some and a warning is a good thing.
I am glad that you are enjoying the book.
However, sometimes these accounts might be too graphic for some and a warning is a good thing.
I am glad that you are enjoying the book.


(I have sixty pages to go in:


For a look at the opinions on slavery of the people that Lincoln placed around himself:




I really liked the writing and story telling in the first chapters. You get familiar with Cora and her life at the plantation very quickly. It's not a pleasant read considering the fact that this was daily life for slaves on plantations.

This is an excellent literary story and would be appreciated by many who prefer an elevated read.





I enjoyed reading it and it fits in with some family research I have been doing going through the records of old Patrols from the early 1800s in North Carolina. I read Homegoing by Yaa Gyasi soon after I finished Underground Railroad.




But the balance given to both slaves and owners, freedmen as well as slave catchers and other Caucasians has been good. And so far a solid start.


I was a history major in college focusing on the period in and around the Civil War. Therefore, I too was prepared for the horrors presented in the first few chapters, but the level of brutality never fails to disgust and anger me. Out of this unimaginable life rises Cora, a character to which I quickly took a liking. She is fierce, independent, and brave beyond description.
It is interesting to see this period through the eyes of so many different characters. This was an unexpected twist to what I had imagined the novel to be. Ajarry, the Randalls, Cora, Ridgeway - each perspective is so unique and adds to the story in a creative way.
However, I agree with June. I'm not so sure how I feel about the "railroad" being an actual railroad. Initially, I'm sort of put off by it. I am keeping an open mind though and interested in how it will develop throughout the story.



Chapter 3 (Ridgeway), page 80.
(view spoiler) Why can't it be the bigger heart that prevails, as a rule instead of an exception?

Also, in the same paragraph on p. 5 there is a reference to, "Another busy day on the Exchange," and it goes on to talk about the slave auction of Cora's grandmother. This is a reference to Charleston's Customs and Exchange Building at the harbor end of Broad Street right on the Cooper River. There is a spot on the street just north of the Exchange building that is marked with a historical marker, "Slave Auctions." The slaves were brought off the ships and led up to the north side of the Exchange building where they were auctioned off right on the street. Later on in the mid-1800s, the City of Charleston decided this was just too prurient and ugly of a thing for an upscale city, so an ordinance was passed to move slave auctions indoors. Now, right around the corner on Chalmers Street, you can visit the old indoor Slave Mart museum, which testifies to Charleston's conscience at the time, which was only pricked enough to keep such things out-of-sight and out-of-mind. I've included a link in Message 11 of the other spoiler thread of a woodcut of an open air slave auction at the Exchange building.

Unfortunately, I had to return the book to the library so I must rely on my (unreliable!) memory.
The brutality of the treatment on the plantation struck me in the gut. Especially the punishment meted out to one slave who ran away - a very dragged-out execution. What truly horrified me was that some ladies, guests of the plantation owner, were enjoying their luncheon - prepared, of course, by other slaves - in view of the torture this man was undergoing. I would like to think this could not possibly be true, but I suspect Whitehead got his ideas from contemporary writings, and found no need to exaggerate.
I was initially intrigued by the "railroad" idea, but it became just a gimmick for me. I look forward to everyone's comments on its significance as we go along.
Books mentioned in this topic
Incidents in the Life of a Slave Girl (other topics)Thomas Jefferson: The Art of Power (other topics)
The Politics of Taste in Antebellum Charleston (other topics)
The Underground Railroad (other topics)
Slavery by Another Name: The Re-Enslavement of Black Americans from the Civil War to World War II (other topics)
More...
Authors mentioned in this topic
Harriet Ann Jacobs (other topics)Jon Meacham (other topics)
Maurie D. McInnis (other topics)
Douglas A. Blackmon (other topics)
Harriet Ann Jacobs (other topics)
More...
This discussion kicks off on September 8th.
Note: This book is based upon the real events dealing with the Underground Railroad but is considered "historical fiction".