The Evolution of Science Fiction discussion

This topic is about
Flatland
Group Reads 2018
>
April 2018 Group Read: Flatland a Romance of Many Dimensions
date
newest »

message 1:
by
Jo
(new)
-
rated it 3 stars
Apr 01, 2018 08:20AM

reply
|
flag

www.gutenberg.org/ebooks/search/?quer...
There are three versions available.
I'm reading an annotated version. The annotator suggests reading the preface afterwards, as an epilogue. I doubt it really matters much. We probably all already know the basic idea.

The annotated edition states that Mr. Abbot Abbot would be surprised to learn that this book is currently read most as an introduction to the topic of higher dimensions. Abbot Abbot (both parents were cousins named Abbot, so he was A. Square) was really mostly about his current society.
I'm not finished with it, and I'm sure I won't understand all those references anyway, but here is one thing I think I understood so far. Victorian society was fascinated by the Greeks and thought that England should learn from them and make their society more like the Greek. Abbot was, among other things, trying to point out that the Greeks did many things that should not be emulated. Like women having almost no rights, and "defective" children being left out to die. So when you see things like that in the book, you shouldn't assume that Abbot really thinks those are good ideas.
I'm not finished with it, and I'm sure I won't understand all those references anyway, but here is one thing I think I understood so far. Victorian society was fascinated by the Greeks and thought that England should learn from them and make their society more like the Greek. Abbot was, among other things, trying to point out that the Greeks did many things that should not be emulated. Like women having almost no rights, and "defective" children being left out to die. So when you see things like that in the book, you shouldn't assume that Abbot really thinks those are good ideas.

I read an annotated version. I'll comment first on the book itself, then separately on the annotations.
In brief, I've always intended to read it, and am glad I can finally check it off my list, but I didn't get anything much from it that I didn't already know.
I was first introduced to the ideas of higher dimensions (other than a vague introduction from A Wrinkle in Time) by the T.V. show Cosmos. (The original one by Carl Sagan.) It was fascinating and mind-expanding. If I remember correctly, Sagan used examples from this book. I've read further books of math and physics (and have a degree in physics). The concepts are very clear, but I am sadly, completely unable to mentally picture anything with more than 3 dimensions. Just like poor A Square can't visualize 3 dimensions in his mind after he returns to 2 dimensions.
It fascinates me that people have been able to prove topological principles and the possible numbers of "regular" polyhedra in higher dimensions. It seems like one would need to be able to visualize such things to make much progress.
Apart from the geometry lessons, the rest was pretty dull.
In brief, I've always intended to read it, and am glad I can finally check it off my list, but I didn't get anything much from it that I didn't already know.
I was first introduced to the ideas of higher dimensions (other than a vague introduction from A Wrinkle in Time) by the T.V. show Cosmos. (The original one by Carl Sagan.) It was fascinating and mind-expanding. If I remember correctly, Sagan used examples from this book. I've read further books of math and physics (and have a degree in physics). The concepts are very clear, but I am sadly, completely unable to mentally picture anything with more than 3 dimensions. Just like poor A Square can't visualize 3 dimensions in his mind after he returns to 2 dimensions.
It fascinates me that people have been able to prove topological principles and the possible numbers of "regular" polyhedra in higher dimensions. It seems like one would need to be able to visualize such things to make much progress.
Apart from the geometry lessons, the rest was pretty dull.
The version I read had annotations from Thomas F. Banchoff, and William F. Lindgren. There are other annotated versions, such as one by Ian Stewert, which I assume focus more on the math. These annotations were about Abbot and his world.
The annotations, presented on alternating pages from the main text, plus more at the end, were longer than the main text. Many were superfluous definitions of words or phrases that I understood easily. But I'll mention some bits I found interesting.
Flatland was intentionally written in outdated language. Partly to call to mind ancient societies, particularly Greek. The parable of Plato's cave was among the intended references. English education of the time was heavy on Greek texts. Readers of the time would have picked-up the Greek references and the many near-quotes of Shakespeare that went over my head. (If you don't recognize them, don't worry. It really doesn't matter.)
Abbot was interested in evolution of English and has published a book on differences between Shakespeare's English and modern (Victorian) English. That book is still used today (and I may read it.) He also promoted the bizarre idea that students should be taught English grammar, not just Greek and Latin. His grammar work "How to write clearly" is still read. He also championed the education of women.
He went, by chance, to one of the few schools of the time that taught as much math as classics. He did well in math, but later thought that it was a bad idea that his school spent so much time on it. He feels he missed having more of the classical education.
Abbot promoted a version of Christianity without miracles. He thought such a version could be used to attract more modern converts. These ideas are apparently included in Philochristus: Memoirs of a Disciple of the Lord, which is sort of modern Gospel supposedly written by a follower of Jesus. It is available for free online. I tried a chapter (about the events with the loaves and fishes) and whatever points he was making were lost on me. It still seemed like a miraculous event in his telling, and the fake Olde English made it more opaque. This book was not very well received. When A. Square laments at not being understood, it is easy to think Abbot was talking about himself. However, his books of textual analysis showing the similarities between Mathew, Mark, and Luke, and the differences from John, were very well received and still influential.
Flatland was initially published anonymously (like "Philochristus"). It was fairly well received. When a reviewer made comments about how the flatlanders must have some thickness, Abbot responded in a letter written by the character A Square. Parts of that letter end up as the Prologue (or Epilogue, depending on which version you read).
Incidentally, he is not the brother of Evelyn Abbott, even though the current Goodreads description says so. That was a mistake made in an early Encyclopedia Britannica that has stuck around.
He seems like a pretty cool guy.
The annotations, presented on alternating pages from the main text, plus more at the end, were longer than the main text. Many were superfluous definitions of words or phrases that I understood easily. But I'll mention some bits I found interesting.
Flatland was intentionally written in outdated language. Partly to call to mind ancient societies, particularly Greek. The parable of Plato's cave was among the intended references. English education of the time was heavy on Greek texts. Readers of the time would have picked-up the Greek references and the many near-quotes of Shakespeare that went over my head. (If you don't recognize them, don't worry. It really doesn't matter.)
Abbot was interested in evolution of English and has published a book on differences between Shakespeare's English and modern (Victorian) English. That book is still used today (and I may read it.) He also promoted the bizarre idea that students should be taught English grammar, not just Greek and Latin. His grammar work "How to write clearly" is still read. He also championed the education of women.
He went, by chance, to one of the few schools of the time that taught as much math as classics. He did well in math, but later thought that it was a bad idea that his school spent so much time on it. He feels he missed having more of the classical education.
Abbot promoted a version of Christianity without miracles. He thought such a version could be used to attract more modern converts. These ideas are apparently included in Philochristus: Memoirs of a Disciple of the Lord, which is sort of modern Gospel supposedly written by a follower of Jesus. It is available for free online. I tried a chapter (about the events with the loaves and fishes) and whatever points he was making were lost on me. It still seemed like a miraculous event in his telling, and the fake Olde English made it more opaque. This book was not very well received. When A. Square laments at not being understood, it is easy to think Abbot was talking about himself. However, his books of textual analysis showing the similarities between Mathew, Mark, and Luke, and the differences from John, were very well received and still influential.
Flatland was initially published anonymously (like "Philochristus"). It was fairly well received. When a reviewer made comments about how the flatlanders must have some thickness, Abbot responded in a letter written by the character A Square. Parts of that letter end up as the Prologue (or Epilogue, depending on which version you read).
Incidentally, he is not the brother of Evelyn Abbott, even though the current Goodreads description says so. That was a mistake made in an early Encyclopedia Britannica that has stuck around.
He seems like a pretty cool guy.



I also liked the second half better. I especially enjoyed how the 2 dimensional square was unable to visualize 3 dimensional space, in much the same way that I (and hopefully others as well) have trouble envisioning 4 or more dimensions.
I think it is pretty much impossible for us to really envision 4 or more dimensions. But there is an app or game called "4D Toys" that lets you play around with 4D objects, and maybe you can develop some sort of intuition about how they would appear to us who can only see 3D.
Search for "4D Toys" on "Steam" or the Apple store or wherever you get your games, or on your favorite free video sharing site.
Search for "4D Toys" on "Steam" or the Apple store or wherever you get your games, or on your favorite free video sharing site.
No, you are not wrong. Time is sometimes called a 4th dimension.
But here we are talking about 4 or more spatial dimensions.
But here we are talking about 4 or more spatial dimensions.


I don't know if it's just this period but a lot of the older books do tend to be "Science" fiction with the emphasis on the science rather than the fiction and usually a lot of details for the science. (I exclude H. G. Wells here).


https://www.goodreads.com/review/show...
Oleksandr wrote: "he states that line is really a thin parallelogram and where 2D still has height, just quite small..."
If I remember correctly, that bit was added in the 2nd edition in response to a reviewer. The reviewer thought that the shapes would have to have some thickness in order for light to bounce off the edges. In the real world, that may be true, because Maxwell's equations for light require at least 3 physical dimensions, but we can certainly imagine a mathematical 2D world with no third dimension. The story wouldn't really change whether we regard these creatures as living in a truly 2D world, or a world that is simply 2D-for-all-practical-purposes.
From XKCD
If I remember correctly, that bit was added in the 2nd edition in response to a reviewer. The reviewer thought that the shapes would have to have some thickness in order for light to bounce off the edges. In the real world, that may be true, because Maxwell's equations for light require at least 3 physical dimensions, but we can certainly imagine a mathematical 2D world with no third dimension. The story wouldn't really change whether we regard these creatures as living in a truly 2D world, or a world that is simply 2D-for-all-practical-purposes.

Before reading this, I had read the more recent VAS: An Opera in Flatland: A Novel.. Before, I had always thought that Flatland was only about mathematical ideas, but I gathered from "VAS" that there was some sort of social commentary also going on, and that was why I was eager to pick up Flatland.
VAS is an interesting book, but not really recommended to SF fans. As another reviewer said, it is fiction about science, but not science fiction in the way that term is usually understood. And the science in question is genetics. ("Vas" is short for "Vasectomy".) It has really creative visual layout, even includes a chapter in the form of a comic book, and one version comes with a soundtrack on CD. But for all that creativity, it was only 3 stars from me. Your mileage may vary.
VAS is an interesting book, but not really recommended to SF fans. As another reviewer said, it is fiction about science, but not science fiction in the way that term is usually understood. And the science in question is genetics. ("Vas" is short for "Vasectomy".) It has really creative visual layout, even includes a chapter in the form of a comic book, and one version comes with a soundtrack on CD. But for all that creativity, it was only 3 stars from me. Your mileage may vary.

Fascinating. Thanks, Ed.

It reminded me of Micromegas by Voltaire. Both authors are doing satires and both authors are talking about perspectives, They use aliens and focus on geometry or seize to achieve this.
I'm reading next month's group read (Stranger in a Strange Land) and I notice a not so suttle reference to Flatland. Amusing.

I enjoy the fact that I had read a book mentioned by Heinlein.
Books mentioned in this topic
Micromegas (other topics)VAS: An Opera in Flatland (other topics)
Philochristus: Memoirs of a Disciple of the Lord (other topics)
A Wrinkle in Time (other topics)
Cosmos (other topics)