World, Writing, Wealth discussion
Storytelling and Writing Craft
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Tropes are everywhere
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Consider the final sequence for Jurassic Park where the T-Rex shows up and attacks the Velociraptors.
The thing about a trope is that it can become a cliche, and needs to be used carefully.
There's another thing, "a genre convention," which can also be a trope, but which has a stronger audience expectation for its existence.
E.g. "Taking the Mentor out of the Game." Obi-Wan dies, Morpheus gets captured, etc.
The Mentor has to be taken out, so the Hero can demonstrate they can take mature, independent action. It's a necessary plot point in any story with a Mentor/Hero pair. What varies is how it is done.

Are there conventions for naming well-known tropes (are they named)?

Are there conventions for naming well-known tropes (are they named)?"
Hi Parag, there is a full set of Tropes (often amusingly defined with examples) at https://tvtropes.org/pmwiki/pmwiki.ph...

Yeah, like a Mexican standoff trope, regularly used by Tarantino

https://youtube.com/c/TerribleWriting...



I think that to do a redemption arc, a character must be drawn with at least a spark of goodness within them*. There has to be something, even (and especially) if they can't see it themselves.
Take Luke Skywalker and Darth Vader. For me, Vader is a classic redemption arc. It is only when Luke is being tortured in front of his eyes by the emperor that he remembers in full the bond between them and acts to destroy the emperor.
This is foreshadowed by the speech of 'ruling the galaxy,' together in Empire, where Darth illustrates that his loyalty to the emperor is not total. That he could turn against him one day - and it is only Luke that he would make this offer to.
So, the importance of the father/son bond is highlighted here, and then clicked into full view at the end of the trilogy.
*Goes to believability. I.e. The redemptive act has to be believable.

Thanks for the spoiler. Just joking!! :-) I don't like romances, but I've read a few, and redemption usually plays a role. The male character does something to repel the female character and then slowly redeems himself, causing her to fall in love with him. That's the reason I don't read romances: this is a tried and true formula that gets old fast.


I guess countries that don't have a death penalty assume everything's redeemable. Not really connected to a literary red. arc, I know

The death penalty is part of a punishment system. But you can still have a punishment system without any expectation of 'redemption,' without the death penalty as part of the systems toolbox.
Furthermore, I don't believe that anyone can be punished into a redemptive state. Redemption occurs as an attitudinal shift within the character actualised with real-world choices that demonstrate the shift.
The primary purpose of punishment is to establish control, not least about controlling the person punished, but to control the rest of the population who are aware the punishment exists and will be enforced.



This is partly true, but the difficulty then is that there is a limit to the number of story variations, and Graeme's list (message 7) probably includes most, one way or another. If you make the definition that broad, you can't avoid using them.

I disagree with this assessment. Reducing the crime rate is most successfully accomplished through education and economics. Punishment is a form of atonement which is imposed upon those who have broken faith with society by causing harm to their fellows. To be just, the punishment must be equal to the crime and society must accept the punished back into the fold once the penalty has been paid.

I dislike any form of redemption that comes without atonement. I have known too many offences to humanity who go through their lives secure in the knowledge that Jesus will forgive them their sins. If denying justice to the victimized because their attackers said, "sorry", to God instead of the victims is divine, then I reject divinity.
I do find it hilarious that in Star Wars a spouse abuser and mass murderer of children can be redeemed by throwing a cranky senior citizen over a railing.

Could be right. I'm not a criminology expert.

Not quite sure what you are disagreeing with. I still think that punishment has no significant effect at dissuading others from entering a life of crime. As to the fairness of the punishment, etc, that is more to do with society. Of course we want the punished, on being released, to be honest citizens but In NZ at least many/most of those released return to prison, probably because they do not see options, and in fairness, people imprisoned for dishonesty are not the most attractive to employers.




I do think that the idea of being locked up deters some people from doing a serious crime. Not people doing crimes of passion, or child molestation, though. They're beyond thinking about consequences.
The death penalty is state-sanctioned murder, but murder nonetheless, and morally wrong.



https://youtu.be/trcEuFggd3c
If you take prophecy to its logical conclusion doesn't every story end with, "And then God and his angels won. The End."


Then get out there, make a billion, and add 1 to the list :-)

That whole genre makes me laugh. The fans imagine Christian Grey and his Tiffany grade kink dungeon. But reality is closer to Warren Buffett and his little blue pills.


Something about a Billion Dollars makes one look much better......

The United States has some of the highest recidivism rates in the world. According to the National Institute of Justice, almost 44% of criminals released return before the first year out of prison. In 2005, about 68% of 405,000 released prisoners were arrested for a new crime within three years, and 77% were arrested within five years.
The longer the incarceration, the more difficulty adjusting to RL. Also, it's very difficult to find gainful employment, a place to live and so many other things, which makes going back to crime to survive more likely. There is also a correlation between lack of education and crime. FInally, we punish but we do little to rehabilitate.
And there are both bad people in the world and people who will choose easy over change.

I have often thought that earlier parole should be given only after the inmate supplies a written essay saying what he will do when he gets out - and the prison system should offer reading and writing lessons (and some basic maths). The prisoner would know parole would depend on how he does there so with nothing better to do he might even learn.

At least in the USA, the reasons for punishment are:
1) Retribution or Revenge - both the victim and society feel if an adequate punishment is exacted than there is no need to personally take action in vengeance.
2) Deterrence/Public Education - the belief that if the punishment is well-known, it will make others in the general population think twice before committing a crime.
3) Incapacitation - the longer the offender is in prison, the less harm he can do to others in society. It's also the logic behind the 3-strike rule for repeat offenders.
4) Rehabilitation - The belief that there is a spark of good in everyone and that every life has value and worth.
The last one takes us back to tropes. Hans Solo was a smuggler breaking the law, a gambler, etc., but he showed up in the end to help save the day.

In AZ they are required to attend classes toward getting their GED (alternate to a high school diploma). One of my son's jobs was assisting the teacher in those classes. The teacher showing up was hit or miss. The inmates give the teachers a hard time. There were some who wanted to learn and my son helped those. (That job got him $.50 an hour.) If the inmate doesn't care, the system ignores them as it can't force them to learn. If succesfully completing it were a requirement of release, maybe more of the inmates would succeed. Although, there is only so much that can be taught given when their education stopped, the amount of time in their sentence, and the limited time for instruction.
"A trope is a storytelling device or convention, a shortcut for describing situations the storyteller can reasonably assume the audience will recognize. Tropes are the means by which a story is told by anyone who has a story to tell. We collect them, for the fun involved.
Tropes are not the same thing as cliches. They may be brand new but seem trite and hackneyed; they may be thousands of years old but seem fresh and new. They are not bad, they are not good; tropes are tools that the creator of a work of art uses to express their ideas to the audience. It's pretty much impossible to create a story without tropes."
Reading about tropes? - Otherwise known as an amazing way to vaporize an afternoon.