Jane Austen discussion

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Emma
Austen on Film
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Yet Another Emma and a Clueless Remake


I have only few issues with the Persuasion-adaptations, but the MP ones are truly appalling.

and Amanda Root. Aside from the parade and the kiss, it's basically faithful to the novel. A proper adaptation of Mansfield Park won't appeal to a modern day audience but it would be nice if the BBC would go back to bonnet dramas and do a good one.

Mansfield Park could definitely do with a new adaptation but they'd probably make Mary the main character.


Really? I think ITV one (1996) is much better.

I really like Ray Marshall’s Catherine Cookson dramatizations, because – he really made everything SIMPLE. And not unnecessary colorful.

and Amanda Root. Aside from the parade and the kiss, it's basically faithful to the novel. A proper adaptation of Mansfield Park wo..."
I like the Amanda Root adaptation the best of all the existing ones, but it is quite old now and so if any Austen needs to be remade it seems more appropriate to do that than, say, Emma, which was done quite thoroughly and well in 2009, IMO.

I agree that the 86 MP is the best MP adaptation out there, but it is old and quite theatrical. I think it can be improved upon, and, again, there's more room to do that here than with P&P or Emma, which have been remade more recently.

As to the other books: I want them all to be filmed properly again. I like both the 1972 and the 1995 versions of Persuasion (the later one, 2006?, is just bah humbug!) but they both lack a certain somethingfor them to be perfect.
The only MP adaption worth talking about is the 1980s one, later versions are just scarily bad imho.
I like the NA adaption from a few years ago, not the old 1980s one. But even that could be more true to the book regarding its end.
And with the other two books, S&S and Emma, I find something (or more) lacking in every adaption I've seen. Especially Emma has no adaption that I really like.


You're right, of course. Still, I wish there was a perfect version of each novel. ;)

Oh, Isabel, I so agree with all of that!
Another tiny bit I missed in the 1995 P & P was Miss Bingley admiring Darcy's handwriting! The 2005 film, in my opinion, was just wrong.
As you say, all the Persuasion versions are decent, but all miss that certain something that the book has.
I too hated all the MP versions I've seen. Can't decide which is worse - the 2007 one with a hopelessly miscast Billie Piper romping around in a most un-Fannylike manner or the 1999 one with its rather fevered imagination.
I did like the NA with Felicity Jones. The casting was inspired and I thought it was perhaps as close to the original as is possible. And the 2009 Emma is pretty good too.
Oddly enough, I actually like the adaptations which use JA's books as inspiration and come up with an original take on them, like 'Clueless'. I even enjoyed 'P & P and Zombies' (the movie) and would love to watch the Brazilian telenovela that I read about today!
(https://www.bbc.com/news/world-latin-...)
I think these pay a more sincere tribute to JA than those versions which purport to be faithful adaptations but in fact miss the novel's subtleties altogether, or push their own agenda disguised as an Austen novel.

https://www.amazon.com/dp/B07JM7WJ58
The Mansfield Park done by the BBC in the early 80s wasn't perfect, but at least it was faithful to the original novel. And Anna Massey was a perfect Mrs. Norris (also a great Mrs. Danvers in the BBC Rebecca that no one has ever seen from the 70s)!

Agreed!

Yes, she is the best Mrs. Norris, hands-down!


https://www.willowandthatch.com/emma-...

I think it looks promising from the trailer, but Knightly looks a bit young! He's supposed to be old enough to have seen Emma grow up, so he must be at least fifteen years older than her. That said, of course, it's unlikely any actress playing Emma would actually be her age, ie, twenty-one, so that 'warps' the age difference in the actors a bit I guess.
I think the dastardly Frank is being played by the equally dastardly Anatole in the recent War and Peace???
I'm afraid Bill Nighy is probably miscast, mainly because whatever role he plays it's always just Bill Nighy.....he's very marmite to my mind, OK in some roles (where being Bill Nighy is right!) but not in others, and I suspect Mr Woodhouse is NOT Bill Nighy! (The best Mr W to my mind was Michael Gambon in the Romola xxx TV version - for the first time he seemed truly pitiable, nor just immensely irritating, his fears for Emma, and everyone else, grounded in the tragedy of losing his wife)
Not sure how Miranda xxxx (sorry, can't remember her surname either!) is going to play as Miss Bates - she'll get the 'sad genteel' bit OK I would think, but is far too 'strapping' physically.
Harriet Smith looks OK - she has to be 'crushable' by Emma, that's essential.
Emma herself looks irritating enough to be plausible (my least favourite Austen heroine.)

Knightley is too young, personally I find him v unattractive and I’m not keen on how he is portrayed in this.
Beth, you’re spot on about Nighy and Gambon was certainly the best Mr W.
YMMV but unfortunately the actress who plays Emma has a face that is so weird, I found it incredibly distracting. Ok in terms of acting skills but Romola Garai was a much much better choice.
It plays up the romance aspects of the story quite a bit, but we get much less Frank/Jane Fairfax.
Stylistically it’s pleasant to look at but it feels sooo style over substance.
Personally, I’d give it 2.5/5.


Speaking of the Romola Garai one (thank you for the surname!), I flicked the telly on today and lo and behold, it's being shown on a rerun channel, so I've recorded it. The bit I watched reminded me of how good it is. It was the Christmas party at the Westons which ends with the excruciating marriage proposal to Emma by Mr Elton (I skipped that bit - just too too ghastly!). I do like Mr K in it - he's lively and older but not too old, and you can see the 'spark' between him and Emma.
I think Tamsin Greig as Miss Bates plays her too low-key - she needs to rabbit-on and be incredibly irritating, even if pitiable.
Emilia, what did you think of Miranda Hart (that's her surname I think) as Miss Bates in the new film version?

The other key role to get right is that of Mrs Elton - ('caro sposo'!). In one version I saw (Gwyneth Paltrow perhaps??) it was played by Juliet Stevenson, who is a very 'powerful' actress - but she was totally hopeless as Mrs E!! (Mr E was Alec Cumming, and he was slimily excellent!!!)
I think I remember an ancient TV version with a very good Mrs E, and I think it must be the 1972 one, now I look it up, and it was Fiona Walker?? Confusingly, I keep thinking it was Anna Massey, who was so superb as the dreadful Aunt Norris in the outstanding Sylvestra Le Touzel version of Mansfield Park.
I do think the toughest role to play in Emma is actually poor Jane Fairfax, as she has to spend the entire series being 'repressed'.....she can't tell or display the truth and has to suppress everything about herself (except, perhaps, her heartfelt diatribe about governnessing!). It's always been questionable why she accepts Frank (whose very name is a lie!), but I suspect it is a mix of both 'prudence' (as in, financial prudence - shades of Aunt Gardiner's famous 'where does prudence end and avarice begin' warning to Lizzie Bennet in P and P), and perhaps being charmed by his charm...sort of 'swept away' by him falling for her??
It would be nice to think that once finally married, Frank will 'see Miss and Mrs Bates right', and move them into a nice house, and make sure they want for nothing for the rest of their lives.
I appreciate that it's crucial for Emma's painful self-education that Frank Crawford leads her on so merrily, and that of course it is his throwing dust in the suspicious eyes of his aunt, who would NOT approve of his marrying penniless Jane Fairfax but who could not object to handsome, clever and rich Emma Woodhouse (!), but at the same time I think he could have simply appeared 'heart free' to his aunt, and she would still have not cut him out of her will.
Thinking about it, he is a version of Willoughby, isn't he, except that he is a Willoughby that plays his cards right, and trails a false heiress to deceive his rich aunt, and then the moment the latter is dead, rushes off to claim his poor but true love! (That said, because Mr Weston his father had prospered, he was never going to be as penniless as Willoughby even if his Aunt Churchill hadn't died in time.)

Maybe, in his defence, he thinks he can't do Emma any harm - except humiliate her perhaps, but she is sufficiently handsome clever and rich to bounce back from that anyway. He probably genuinely enjoys her witty company too - he just was not 'free' to enjoy it, and that is why he is morally suspect.

https://a.msn.com/r/2/BB10djnE?m=en-u...
The main things I object to
(view spoiler)
also (view spoiler)
I'm also not crazy about the (view spoiler)



I'm probably a bit hypocritical in that some 'updates' or 'errors' I don't mind too much, but others really jar! (I couldn't bear in the Keira Knightley - gosh, just spotted her surname, weird! - version of P and P, the director had so little understanding of the English class system that he thought having pigs running around loose was 'realisatic'. Er, no. End of.) (But then I was prejudiced against that version from the off as thought KK really irritating)(plus the appalling miscasting of Donald Sutherland....and even DJD was miscast as Lady C)
It will be interesting too see whether the 'updates' that you warn us about put my back up or not!
(The trailer's 'hilarious joke' (not!) about 'Mother you simply MUST try the tart' by poor Miss Bates is not a good omen, alas, but who knows, perhaps in context it is less stupid.)


I thought the actress playing the insufferably irritating Mary Elliot was beyond brilliant.
Not sure about MP - apart from the old Sylvestra Le Touzel version for TV decades ago, all the adaptations since have been dreadful. It's a difficult one too translate to screen in the first place, plus Fanny is too 'good but dull' to 'show'....we need to see inside her head as the novel allows to have any understanding or sympathy.



There's a screening of Emma tomorrow night in Boston, Massachusetts but I can't go. It's too far to go at night and come back. (Yes I'm a New Englander, an hour is far away!) I got a nice goody bag yesterday though at Jane Austen in Boston's book club meeting. Anyone in the U.S. want a paper Emma bookmark (movie poster)? Send me a private message.

Not for me, the Ann Firbank/Bryan Marshall version of Persuasion is THE Persuasion ;)
I do agree that Northanger Abbey with Felicity Jones and J.J. Feild is the best version of NA though, the 80's version was weirdly vulgar.
For me it's Mansfield Park that needs a remake, but not if they're going to make it like Sanditon.



Meh... as a millennial myself, I found it wanting. To me it seemed more like an attempt to make it sexy, but, in all honesty, it was unappetising. The actor who plays Mr Knightley, though I really enjoyed his portrayal of William Dobbin in Vanity Fair, is too young, not nearly handsome enough to make me actually interested in seeing his naked rear end, and his chemistry with Emma is frantic and romantic and sexy almost from the start, which is not at all like the original, and which honestly put me off. In that sense I think maybe it was actually aimed at people who either don't know the original at all, or know it only vaguely, or loved Clueless but don't fancy reading an old book, so will go and see this instead.
QNPoohBear wrote: "It doesn't sound much like the Jane Austen we know"
Yes, that's true. I guess all adaptations have to leave stuff out and include other things, to tell a coherent story. This one made choices which I found bizarre, personally. But I'll re-watch when it inevitably lands on Netflix and, knowing now what to expect, I'd be willing to re-assess.
QNPoohBear wrote: "but it sounds entertaining and still in the neighborhood of Regency fiction, unlike Sanditon."
While I do think everybody here should see it and make up their own mind, and while I agree it is better than Sanditon (IMHO an unmitigated disaster), but honestly... I was kind of bored. At some point the movie just completely lost and tired me. But again, I'd re-watch it to see if, knowing what to expect, I'll be able to focus more on the good parts and not on the parts that bewildered me.

We've seen the same actor cast as the dastardly Anatole in the recent TV War and Peace, now cast as (almost as dastardly!)Frank Churchill in the new movie Emma.
We've seen Prince Andrei from the same TV War and Peace reappear as well Meg's John Brooke in the new Little Women
We've also seen Lilly James who was the ingénue Lady Rose in Downton Abbey morph into the ingénue Natasha in W and P
We also saw the doomed Rawdon Crawley reappear as the Anglo-Indian John Beecham in Beecham House (the East India Company saga which was I think sadly underestimated alas)
And now Emilia mentions that Mr Knightley in the new Emma was also dear old Dobbin in Vanity Fair! (Which I hadn't spotted at all!)
Sometimes the historical period is so close the disparate characters really start to blur as the costumes all look pretty identical!
Has anyone else spotted any more 'sideways casting' I wonder??

This is exactly the problem! I think it's because most TV producers and directors (and probably actors too!) are at heart extroverts themselves, and therefore simply cannot comprehend 'The Power of Quiet' (as the recent pro-introvert book calls it!). To extroverts, Fanny is just a dead bore, end of (who would want Fanny at a party? Total loss!), so they just don't get her. Instead, of course, they want Mary Crawford to be the heroine (she's great a parties!), completely missing that MC is fundamentally 'immoral' (or at the least 'amoral'), and that she is a 'damned soul' for that reason, who cannot be redeemed, not even by the saintly Edmund (!).
To me, the most chilling thing about Mary, proving her 'damned' status, is when Edmund recounts to Fanny that she casually said to him that it was a shame his brother Tom hadn't died of his Caribbean fever, as 'Sir Edmund Bertram' sounded just as well as 'Sir Tom'....it really is a chilling comment to make, that she wished a harmless young man dead so SHE could be 'Lady Bertram' if she married Edmund. She's also far too lenient of Henry's ruin of stupid, selfish Maria.
It would be interesting maybe to see if a sequel to MP could be shaped around 'What happens to Mary Crawford?' In a way, she's a sort of forerunner perhaps of Becky Sharp (though BS had more excuse for her behaviour, as she was poor!)
QNPoohBear wrote: "Booo Emma's release has been pushed back a week here in this corner of the U.S.!"
I know! It doesn't open nationwide until this weekend, but I can't wait to see it!
I know! It doesn't open nationwide until this weekend, but I can't wait to see it!

(Speaking of DA, here in the UK the TV station is advertising the Julian Fellowe's novel, Belgravia, which seems to be another lavish costume drama - looking forward to it!)
Saw Emma. today! (I love that period in the title-- like Miss Woodhouse is writing her name!)
Here's my tweet review: https://twitter.com/MovieMaiden/statu...
And my Letterboxd review: https://letterboxd.com/themoviemaiden...
4 1/2 diamonds out of 5 for me! I thought the cast was wonderful, and I was iffy about some of them going in, and I LOVED the production values.
Here's my tweet review: https://twitter.com/MovieMaiden/statu...
And my Letterboxd review: https://letterboxd.com/themoviemaiden...
4 1/2 diamonds out of 5 for me! I thought the cast was wonderful, and I was iffy about some of them going in, and I LOVED the production values.


* Mr. Knightly was a mis-cast character. Too young and immature. They try to show his passion, but it falls short when he falls on the floor like a little boy in a tantrum. The actor doesn’t seem to really understand his character.
* What’s with the bloody nose? Was it an attempt at humor? It fell flat and ruined the scene. Designed to take you by surprise? For what?
* This Emma was unlikable. She treats Miss Bates with contempt throughout. You never see the charm that Gwyneth Paltrow portrayed in spite of her character’s foibles. We know her heart is always in the right place, but this Emma is a snob.
The sets and the clothing are wonderful. That’s about it. I wouldn’t bother to watch this again.
https://www.hollywoodreporter.com/amp...