The Mookse and the Gripes discussion
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I wasn’t sure which press to subscribe to, but I thought it was a good choice. I will resubscribe to Galley Beggar when this subscription is up. As you mentioned overseas shipping is quite a bit extra, but Galley Beggar is worth it and it will be the only UK press I will subscribe to. I’ll also subscribe to nyrb.

This is what I noticed too when I was looking for a press to subscribe to (in addition to my current subscription to Fitzcarraldo), and so I decided on Two Lines.
Also their lineup for next year looks very good. My fiancée (Swedish-speaking Finn) loves the novels they’re publishing by Bjørn Rasmussen and Johannes Anyuru so I’m eager to read those finally. The latter I also heard talking at an event recently and seemed like an interesting author.

FYI here are the Goodreads links for 5 of the 6 books in 2019 - only one currently has the English edition there, so I've added originals for other 4
Lord
Oltre Babilonia
Huden er det elastiske hylster der omgiver hele legemet
De kommer att drunkna i sina mödrars tårar
Un temps de saison Suivi de La Trublionne de Pierre Lepape
I can't yet find the 6th - Bright by Duanwad Pimwana (tr. Mui Poopoksakul) - on Goodreads


A lot of smaller publishers operate a subscription model.
Typical way it works is one pays an amount up front (usually close to cost of books plus postage less a small discount), then receives all of the books that publisher produces in the year as they come out.
Some offer variations - e.g. subscribing for next x books, or paying in instalments, or only certain defined books in subscription (eg fiction only) etc.
Sometimes perks - free tote bags, advanced proof or free e-copies, name printed in back of book, special editions etc.
For publisher gives them certainly of sales and upfront cashflows - indeed a number of small independent publishers rely on subscriptions to keep going.
Some more discussion - and suggestions - here from another forum where the members tend to subscribe to presses as a group so they can buddy read the books:
https://www.goodreads.com/topic/show/...
https://www.goodreads.com/topic/show/...
You can only do this if the publisher offers a subscription, and it is done by small presses which may not be financially viable if everyone bought their books via discount from Amazon - presses which have a specialist or artistic mission that means most of their output will appeal to the same set of readers. You can't subscribe to Penguin for instance.
They seem to have grown in popularity in recent years with the number of small presses.
The publishers often offer different numbers of books for various prices, or perhaps selected divisions of their books, such as Fitzcarraldo's fiction or non-fiction subscriptions:
https://fitzcarraldoeditions.com/subs...
And Other Stories has hypothecated subscriptions where the money goes to support specfic books the subscriber will receive: https://www.andotherstories.org/subsc...
One of the US publishers that seems to have been doing it for longer is Open Letter: https://www.openletterbooks.org/colle...
They are also a way for better-off readers to support these publishers - the prices via subscription are pretty high as prices for paperback books go and won't be affordable for everyone.
They seem to have grown in popularity in recent years with the number of small presses.
The publishers often offer different numbers of books for various prices, or perhaps selected divisions of their books, such as Fitzcarraldo's fiction or non-fiction subscriptions:
https://fitzcarraldoeditions.com/subs...
And Other Stories has hypothecated subscriptions where the money goes to support specfic books the subscriber will receive: https://www.andotherstories.org/subsc...
One of the US publishers that seems to have been doing it for longer is Open Letter: https://www.openletterbooks.org/colle...
They are also a way for better-off readers to support these publishers - the prices via subscription are pretty high as prices for paperback books go and won't be affordable for everyone.

The pay-in-advance model sounds a lot like various sorts of crowdfunding which has been successful in other media. No reason it shouldn't work with books.

And several are quite major publishers - indeed Tramp Press, Fitzcarraldo and Galley Beggar between them have won pretty much every UK literary prize.
1000 books is actually a good sales figure for literary fiction (in the UK) - most Booker longlist books aren't on that until longlisted.
As an example Galley Beggar (Women’s Prize for Fiction, The Wellcome Book Prize, The Goldsmiths Prize, The Desmond Elliott Prize, The The Folio Prize, The Geoffrey Faber Memorial Prize) have about 150 subscribers. That gives them a head start on cashflows and sales each time they publish a new book.

Sadly, David, shipping to CA from US presses is quite steep. Nyrb classics is $150 for US subscribers and $240 for Canadian subscribers.

I am excited about their 2020 schedule:
b, Book, and Me
Lake Like a Mirror
That We May Live: Speculative Chinese Fiction
On Lighthouses
Echo on the Bay- super excited about this one!
That Time of Year by Marie NDiaye
Home: New Arabic Poems on Everyday Life (the 2nd in their Calico series)
Harmada by João Gilberto Noll

My first book of 2021 is Rabbit Island and as a subscriber I received the edition that comes in a white fur slipcase. It’s silly, but fun.

I read about a third of the book and it just isn’t for me.

There are some wonderful books in their backlist and also forthcoming.



Also is it only me that finds themselves singing "Two Lines on a shirt" everytime someone mentions this publisher?



They do a lot for subscribers, in 2021 we received 8 books, two of which were hard covers, 4 of the Calico series of poetry, and little gifts: bookmarks with every book, totes, a fur covered slipcase for one book, and three prints (which I didn’t care for, but perhaps I’m more philistine than I know.)
Here’s what’s planned for 2022 https://www.catranslation.org/shop/su...



And yes I could do both. Isn’t so much cost as reading capacity - I don’t like not reading books I receive or having a growing TBR pile.
The seeming demise of the BTBA (have to assume it is dead as no news whatsoever) is unfortunate in that it tended to highlight the work of all these presses in the translated sphere. Indeed it was essentially Open Letter who ran it.


https://www.worldliteraturetoday.org/...

Yes I feel they may have been a bit squeezed out - as we've discussed elsewhere the newish NBA Translated Literature award is doing a great job.
Vs those, the TBA was more at the small press / innovative end of the spectrum. But then the USRofC will likely fill that gap.


Books mentioned in this topic
My Heart Hemmed In (other topics)The Interim (other topics)
Nancy (other topics)
Rabbit Island (other topics)
That We May Live (other topics)
More...
Authors mentioned in this topic
Wolfgang Hilbig (other topics)Marie NDiaye (other topics)
Marie NDiaye (other topics)
João Gilberto Noll (other topics)
The biannual journal Two Lines amplifies the aims of the press by capturing the most exciting work being done today by the world’s best translators—and by forging a space to celebrate the art of translation. Within our pages you’ll find work by writers such as Yuri Herrera, Kim Hyesoon, Christos Ikonomou, Rabee Jaber, Emmanuel Moses, Anne Parian, Chika Sagawa, Enrique Vila-Matas, and Jan Wagner—in translations by Lisa Dillman, Don Mee Choi, Karen Emmerich, Kareem Abu-Zeid, Marilyn Hacker, Emma Ramadan, Sawako Nakayasu, Margaret Jull Costa, and David Keplinger, respectively. You’ll also encounter arresting insights on language, literature, and translation from the point of view of writers such as Lydia Davis, Johannes Göransson, Wayne Miller, and Jeffrey Yang.