Literary Horror discussion
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Edit: Oh, and I've read J. M. Dillard, but only one of her Star Trek novels, which was fine. Oh my goodness! Looked it up and was surprised to discover the John Byrne who wrote Whipping Boy apparently *is* the same one of comic book fame.

I thought Melanie Tem's (solo) books for the line were superb, and don't think she ever managed to equal them. Tanith Lee's are excellent as well (Dark Dance was the book that made me a fan.)
Many of them do reach the heights Abyss strove for (that sounds funny) but there were some mediocre entries and some downright stinkers. I would say that Tanith Lee, Michael McDowell, and Kathe Koja come closest to being considered "literary."

Too bad this group doesn't do challenges because reading these 43 would be a hell of one. Scott would win though. He has quite the head start.


I have read 25 of them. :)
These are the ones I'd recommend the most:
The Cipher, Kathe Koja
Prodigal, Melanie Tem
Toplin, Michael McDowell
Bad Brains, Kathe Koja
Lost Futures, Lisa Tuttle
Anthony Shriek, Jessica Amanda Salmonson
Wilding, Melanie Tem
Dark Dance, Tanith Lee
Heart-Beast, Tanith Lee
Revenant, Melanie Tem






The softcover ISBN is 9780751500868, 9780440212744 (Dell), or a 2017 reprint ISBN 9781907737855 from Immanion Press / Magalithica Books.
Immanion Press puts out a number of interesting looking horror books, by the way: https://www.immanion-press.com/. I'd never heard of Tanith Lee's Love in a Time of Dragons and Other Rare Tales before.

Alternately, it could be a book club edition. Is there a price on it?




I suspect most of us who wanted to read the book already read it as a buddy read in March: https://www.goodreads.com/topic/show/...
The consensus at that time was that it's a pretty terrible book, so caveat emptor and all that.

Koja had written and published about ten short stories before this novel. They were really highly regarded and appeared in the top mags of the day like F&SF. Some three or four either won awards or were nominated for them. She wrote all sorts of speculative fiction, not just horror. She writes Weird too. A story in her second short story collection, just published last month, featured in the November 2008 issue of Weird Tales, for example.
I am surprised reactions here were so negative. It's true, she did have a hard time placing the novel at first. The main Dell editor turned it down, but the editor of the Abyss line liked it so much she picked it up for the purpose of starting Abyss with it. I read somewhere that the Abyss line was just an idea floating around Dell until that editor found this book. It won awards and sort of started (or re-started) the psychological literary horror this group is known to love. From the sound of your comments, I'm thinking maybe it's too primitive. Its success spawned a movement that passed it up?
I've got to read this, but I really want to read a print version. Maybe it makes a big difference for this book if it's print.

If you haven't read anything previously by Koja and want to start with one of her earlier, non-fantasy works, I think Skin is good. It has a lot of the same body-horror and art scene weirdness featured in 'The Cipher' but with a much better story and pacing.

Extremeties is Koja's first story collection. Her most recent (second) story collection is Velocities, published just a couple weeks ago. The second collection has three stories in it never before published, nine published this century in various venues, and one from the late 1990s. Koja's earlier collection, of course, has earlier stories. However, neither collection publishes any of her well-regarded stories from the late 1980s. She has a number of other uncollected short stories too. I finally tracked down a copy of "Happy Birthday, Kim White," her first published story, from an obscure magazine: the Jan-Feb 1987 issue of SF International. It's coming to me from England, so I have to wait some, but I will review it once I can read it.

California Gothic by Dennis Etchison Jan. ‘95, and Sins of the Blood by [author:Kristine Kathryn Rusch|..."
Wow! That's super useful, Randolph. I've added your finds in the series to my list up in message #1. I'll keep updating the list as more discoveries, if any, are made. Thanks!

Eek! Yeah, I meant Velocities. I preordered the ebook and just downloaded it to my Kindle a couple of weeks ago. Haven't had a chance to even glance at it yet, though.

I loved Dark Dance and it was what hooked me on Lee's work. She's been a favorite ever since.

Also, on Shadowman, the book Scott and Randall both agree to hate, I have a further consideration to offer. Shadowman got some rave reviews on Amazon, guys. One dude says this about it: "This is, in my opinion, the best example of Etchison's writing. Other reviewers have complained about his meandering plots, but I believe that this aspect is what makes Etchison so great. He only writes what needs to be said, leaves the rest up to the reader's imagination, then "meanders" on."
Not convinced you missed something yet? Another reviewer has this to say: "Jack Martin, the protagonist of Etchison's award-winning masterpiece "The Dark Country" materializes again in what is both a horror novel and a meditation on Etchison's favorite theme: alienation. Each character suffers from some sort of self-disconnect. A master of atmosphere, with just a surgically placed comma Etchison can make a Styrofoam cup appear menacing. The novel's plot skirts the penumbral edges of a series of child murders/disappearances in California. If there is one fault with this novel, it's that the characters find themselves more victims than agents of freewill; but this really isn't a fault, since it stems from a writer who has developed his own unique vision of the dystopic world he lives in. J.G. Ballard and Kathe Koja are the only other modern writers I have come across with this gift."
Scott and Randall, may I suggest a reread is in order? It's clear you have failed to appreciate the novel's finer qualities.

Like Randolph, I'm not inclined to re-read something I didn't like the first time, at least if it's in the fairly recent past when my tastes were probably about the same as they are now.

I agree with you Randolph on liking Second and Charles. I like Augusta, Georgia's branch even more than Columbia's. They take almost all my trade-in books. Columbia's branch is so particular. The rebel in me rather admires the courage of your civilly disobedient book vendor. These could not have been easy times for him.
I've never read Dennis Etchison. I wonder if I ever will.

Little Deaths by Ellen Datlow September 1995
Covenant with the Vampire by [author:Jeanne Kalogridis|491..."
Little Deaths is great.
I haven't read the others.

The author of the last book you mention is a pseudonym for J.M. Dillard. The first book you mention was up for some serious awards, surprising for how little it has been reviewed here at GR.


I tweaked the list. We now have 48 books listed. I'll be pleasantly surprised if another is discovered. I truly think four dozen is it.



Books mentioned in this topic
Specters (other topics)Covenant with the Vampire (other topics)
Covenant with the Vampire (other topics)
Grave Markings (other topics)
Shadowman (other topics)
More...
Authors mentioned in this topic
J.M. Dillard (other topics)Michael A. Arnzen (other topics)
Dennis Etchison (other topics)
Dennis Etchison (other topics)
Kathe Koja (other topics)
More...
This got me curious. Exactly what books were printed in the Abyss line? How long did it last? The list is quite short, less than 50 titles (if the list is complete):
Feb '91: The Cipher, Kathe Koja
Mar '91: Nightlife, Brian Hodge
Apr '91: Dusk, Ron Dee
May '91: Specters, J. M. Dillard
Jun '91: Prodigal, Melanie Tem
Jul '91: Obsessed, Rick Reed
Aug '91: Toplin, Michael McDowell
Sep '91: Mastery, Kelley Wilde
Oct '91: Descent, Ron Dee
Nov '91: Tunnelvision, R. Patrick Gates
Dec '91: Shadow Twin, Dale Hoover
Jan '92: Post Mortem: New Tales of Ghostly Horror, Paul F. Olson & David B. Silva, eds.
Feb '92: The Orpheus Process, Daniel H. Gower
Mar '92: Whipping Boy, John Byrne
Apr '92: Bad Brains, Kathe Koja
May '92: Lost Futures, Lisa Tuttle
Jun '92: Deathgrip, Brian Hodge
Jul '92: MetaHorror, Dennis Etchison, ed.,
Aug '92: Stitch, Mark Morris
Sep '92: Anthony Shriek, Jessica Amanda Salmonson
Oct '92: Lost Souls, Poppy Z. Brite
Oct '92: Death’s Door, John Wooley & Ron Wolfe
Nov '92: Wilding, Melanie Tem
Dec '92: Dark Dance, Tanith Lee
Jan '93: Penance, Rick R. Reed
Feb '93: Personal Darkness
Feb '93: Shadowman, Dennis Etchison
Mar '93: Skin, Kathe Koja
Mar '93: Façade, Kristine Kathryn Rusch
Apr '93: Rapid Growth, Mary L. Hanner
May '93: Angel Kiss, Kelley Wilde
Jun '93: The Making of a Monster, Gail Petersen
Jul '93: The Darker Saints, Brian Hodge
Aug '93: Making Love, Melanie Tem & Nancy Holder
Sep '93: Heart-Beast, Tanith Lee
Nov '93: Drawing Blood, Poppy Z. Brite
Nov '93: X, Y, Michael Blumlein
Dec '93: Harrowgate, Daniel H. Gower
Mar '94: Deadweight, Robert Devereaux
Apr '94: 65mm, Dale Hoover
Jun '94: Dead in the Water, Nancy Holder
Sep '94: Revenant, Melanie Tem
Oct '94: Grave Markings, Michael A. Arnzen
Dec ‘94: Sins of the Blood, Kristine Kathryn Rusch
Jan '95: California Gothic, Dennis Etchison
Feb '95: The Language of Fear, Del James
Mar '95: Deathwalker, R. Patrick Gates
Aug '95: Little Deaths, ed. Ellen Datlow
Are these titles sufficiently literary to be of interest?
Just found an article that has many of the covers in one spot: http://toomuchhorrorfiction.blogspot....