Our Shared Shelf discussion
Nov & Dec - Rebecca Solnit Books
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Thoughts on Cinderella Liberator?
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But I actually liked the original illustrations, I feel like it is somehow a way to keep it connected to the classic fairytale and compre the two versions.

I feel that most young readers tend to hate Cinderella’s stepsisters, as I did when I was younger, because they think that they were naturally evil. However, by telling us that they were taught to be the way they were, Rebecca also teaches young readers that evil people aren’t born evil, but are taught to be evil, and that anyone is capable of becoming as cruel as Cinderella’s stepmother if they aren’t careful, as ‘most of us have some of that hunger in our hearts’, which I think is something young children should understand.
On the other hand, Rebecca also writes about how ‘not all magic needs me (a fairy godmother)’, and that ‘Everyone can be a fairy godmother if they help someone who needs help’, which I feel is something children will take away with them after reading Cinderella Liberator.


I am exploring setting up a poverty therapy workgroup and might be able to use your input (and the book as well as the fairy tale) for that. Thanks!

Just as a feminist who doesn't have much of an interest in children, I'm slightly peeved that we've been set a children's book, even one by Rebecca Solnit.

One of them, as others have voiced here, is the definition of beauty she sets and at the same time the definition of love derived from it. I think it’s really good for children to see it and even for as an adult to read it. I deeply believe that a lot of the fairy tales or “children stories” have so much to teach regardless of the age you have. I really like how she explained how beauty is in the eye of the beholder using the step sisters as examples of what they thought was beautiful and that there was a thought process involved in their choices.
I also really liked how she addressed the topic of trying new things without fear of later realizing you don’t like it enough and going back is fine. I particularly loved this as explained by the animal transformation. I also like how she included the ideal of older women who can want a change/more out of life once child raising is over. This idea of life chapters being completed and giving way to new experiences is very fulfilling. I like how some of the animals refused to keep the change because they loved their life as is.
I liked how she addresses very subtly self sabotage which is very common in women as exemplified by Cinderella leaving the ball.
Bits that I felt were forced into the story:
- Cinderella asking only for the lizards if they liked the change that was happening to them but not for the rats.
- The fact that for some reason she had to have a “good” set of parents. Why not just leave her orphaned? I think it would have added strength to the character if that had been the case.
- The nurturing woman depiction of her because of her rescuing children seems too pushy on the women have to be good/like children.


I think she did a great job of updating this story. The book in my opinion quite accurately reflects how times have changed - such as Cinderella emancipating, and her and the prince choosing not to marry - and with that the nuances of our morals.
I think the story also added more depth to the characters compared to other versions (although this was still limited) - I really liked how Solnit also paid attention to the animals that helped Cinderella. Though with regards to the prince I felt that his part ended a bit abruptly - perhaps a line or two extra when he tells his parents he wants to be a farmer would have solved that.
Some parts felt slightly pushed, like what Laura said with regards to the lizards and her parents. I think adding in the parents made it a bit messy: her mother is lost at sea, so her father finds a new wife and now the mother's back. That's a whole other story on its own.
There was also a part in which the importance of asking for help is emphasised and so Cinderella asks why the fairy godmother did not tell her she was free earlier. She answers that she was busy helping other children and that she lost the directions to Cinderella's house. I thought that to be a bit odd - with her being a fairy and all. Other than that, I felt she quite nicely weaved lessons into the story. Like the points Clara maid concerning the sisters and being a liberator.
To conclude, I think it's really impressive how much Solnit managed to fit in so much into such a tiny book.



I like the idea that children can have empowerment teachings, they will learn that they can do what they like most and be who they want, that we go through different seasons of/in life and we can change if we want, that we are not stuck in place.
I liked that she gave the prince a purpose outside royalty, that the two are not obligated two marry each other and that they are "not old enough to get married".
As Clara said, in regard to the stepsisters, I also liked how they distanced themselves from their mother's teachings and became their own selves.
I too have concerns in regard to Cinderella's parents, as Laura and Artisan Geek said: was it necessary to give her important parents in order to render her valuable?
Yeah, maybe it's done to boost her self esteem, but if the message is that we are all unique and valuable for who we are, and not for our parents, then, couldn't they be normal?
And, yes, their comeback it's a bit messy.

I liked the way the sisters changed their fates and found jobs of their own, and how you don't have live up to all the expectations that others have to you. So I appreciated the book :)

I loved how Solnit analyzed the original Cinderella's message being centered on the joy of getting a husband which naturally leaves much to be desired for in life as per self-determination & fulfillment of one's potential let alone basic autonomy.
I loved that Cinderella's shop & her presence in society in general became positive forces for the social fabric of the town; this is a much more inspiring version than the typical helpless princess fairytale & one I'll be happy to read to my future daughter one day.
But I found the Cinderella Liberator was done with respect and intelligence, cause you really don’t feel the feminist side of it prevailing on the story*, it’s just an amazing version of a timeless tale. And then, only in retrospective, and with the author comment at the end, you can catch of all the subtleties it contains.
*i don’t like when this happens cause I feel it almost goes against the cause, people can get pretexts to go against it. Cinderella Liberator is presented is such a “normal” way that you can’t disagree with. Does it make sense? Hope I was clear 🥰