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June 2021 Labyrinths and other works by Borges
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Rosemarie, Northern Roaming Scholar
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Jun 08, 2021 06:44AM

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Wikipedia:
André Maurois in the Preface of Labyrinths provides a critical overview of Borges' work. He makes three main points: first, that Borges was highly influenced by his wide and obscure reading, making the assertion that, "His sources are innumerable and unexpected. Borges has read everything, and especially what nobody reads any more: the Cabalists, the Alexandrine Greeks, medieval philosophers. His erudition is not profound ― he asks of it only flashes of lightning and ideas ― but it is vast.". Second, that Borges has many precursors, but is in the end, almost entirely unique - "... once these relationships are pointed out, it must be said that Borges's style is, like his thought, highly original". In this Maurois notes that to some extent, "'Every writer creates his own precursors'", finally noting that Borges' stories can be described by "'an absurd postulate developed to its extreme logical consequences'", making "a game for [Borges'] mind". This, he claims, reflects Borges' interest in metaphysics and philosophy, and leads to his style of magical realism.
André Maurois in the Preface of Labyrinths provides a critical overview of Borges' work. He makes three main points: first, that Borges was highly influenced by his wide and obscure reading, making the assertion that, "His sources are innumerable and unexpected. Borges has read everything, and especially what nobody reads any more: the Cabalists, the Alexandrine Greeks, medieval philosophers. His erudition is not profound ― he asks of it only flashes of lightning and ideas ― but it is vast.". Second, that Borges has many precursors, but is in the end, almost entirely unique - "... once these relationships are pointed out, it must be said that Borges's style is, like his thought, highly original". In this Maurois notes that to some extent, "'Every writer creates his own precursors'", finally noting that Borges' stories can be described by "'an absurd postulate developed to its extreme logical consequences'", making "a game for [Borges'] mind". This, he claims, reflects Borges' interest in metaphysics and philosophy, and leads to his style of magical realism.

For example, the "House of Asterion" had a really great cathartic, revelating effect on me, once I figured out that the story is about the Minotaur of Crete. But also, other stories had similar effect on me, like the Immortal.
Some stories are a bit hard to follow, but his style is unsurpassed, so it is worth to follow them up and research a bit more to get to the point.
I read the Ficciones and the Aleph stories, which pretty much sums up the stories from this collection, but I will also read the Parables and Essays, which are left to finish this book.

I'm planning on posting a review to my profile, but wanted to engage with others here first. Does anyone here have a favorite among the stories? Mine was certainly The Immortal. The only other stories (or "premises") of Borges that remained with me from my earlier reading were things like Tlön, Uqbar, Orbis Tertius and The Library of Babel -- both of which appeal to my sensibilities -- but in my view the The Immortal is on a different level.
Also, did anyone read Borges' essays included in this volume? Or the parables? I found the essays insightful, particularly Kafka and his Precursors, whence the idea that "every writer creates his own precursors" originates.
It's been a while since I read the book, so maybe it's time for a reread-at least of The Immortal.
Books mentioned in this topic
Labyrinths: Selected Stories & Other Writings (other topics)Labyrinths: Selected Stories & Other Writings (other topics)
Labyrinths: Selected Stories & Other Writings (other topics)