Dual timeline story – one set in present-day Istanbul at a dinner party and the other in the early 2000s at Oxford (told via flashback) during protagonist Peri’s university days, where she was heavily influenced by a charismatic and unorthodox professor. Peri is a young Turkish woman caught in an identity struggle between her mother’s traditional religious beliefs and her father’s modern secularity. While at Oxford, she meets Shirin, an Iranian feminist, and Mona, an Egyptian-American devout Muslim.
“Is there really no other way, no other space for things that fall under neither belief nor disbelief – neither pure religion nor pure reason? A third path for people such as me? For those of us who find dualities too rigid and don’t wish to conform to them? Because there must be others who feel as I do.”
As with most dual timelines, I preferred one over the other. In this case, the storyline based in Oxford is more compelling. The three daughters, Peri, Shirin, and Mona, form a friendship that is strained by their differing outlooks. They take a philosophy class called “The Mind of God” by eccentric Professor Azur – and what a great character! He comes across as rather full of himself but also challenges his students to expand their viewpoints.
“He had wanted to develop God into a language that was, if not spoken, at least understood and shared by many. God, not as a transcendental being or a vengeful judge or a tribal totem, but as a unifying idea, a common quest. Could the search for God, when stripped of all labels and dogmas, be turned into a neutral space where everyone, including atheists and non-monotheists, could find a discussion of value? Could God unite people, simply as an object of study?”
The Istanbul dinner party segment, held by a wealthy businessman, is less riveting, but provides a platform for discussing business, political, religious, and cultural forces that influence life in modern Turkey. But at the heart of this novel is Peri’s personal struggle:
“She always knew that she was different. A strangeness she must do her best to hide; a scar that would remain forever etched on her skin. She put so much effort into being normal that often she had no energy left to be anything else, leaving her with feelings of worthlessness.”
Shafak is one of my favorite authors. Her writing is stellar. She knows how to craft a story to maintain interest while commenting on today’s social issues. Themes include feminism, spirituality, and multiculturalism. Highly recommended!
Dual timeline story – one set in present-day Istanbul at a dinner party and the other in the early 2000s at Oxford (told via flashback) during protagonist Peri’s university days, where she was heavily influenced by a charismatic and unorthodox professor. Peri is a young Turkish woman caught in an identity struggle between her mother’s traditional religious beliefs and her father’s modern secularity. While at Oxford, she meets Shirin, an Iranian feminist, and Mona, an Egyptian-American devout Muslim.
“Is there really no other way, no other space for things that fall under neither belief nor disbelief – neither pure religion nor pure reason? A third path for people such as me? For those of us who find dualities too rigid and don’t wish to conform to them? Because there must be others who feel as I do.”
As with most dual timelines, I preferred one over the other. In this case, the storyline based in Oxford is more compelling. The three daughters, Peri, Shirin, and Mona, form a friendship that is strained by their differing outlooks. They take a philosophy class called “The Mind of God” by eccentric Professor Azur – and what a great character! He comes across as rather full of himself but also challenges his students to expand their viewpoints.
“He had wanted to develop God into a language that was, if not spoken, at least understood and shared by many. God, not as a transcendental being or a vengeful judge or a tribal totem, but as a unifying idea, a common quest. Could the search for God, when stripped of all labels and dogmas, be turned into a neutral space where everyone, including atheists and non-monotheists, could find a discussion of value? Could God unite people, simply as an object of study?”
The Istanbul dinner party segment, held by a wealthy businessman, is less riveting, but provides a platform for discussing business, political, religious, and cultural forces that influence life in modern Turkey. But at the heart of this novel is Peri’s personal struggle:
“She always knew that she was different. A strangeness she must do her best to hide; a scar that would remain forever etched on her skin. She put so much effort into being normal that often she had no energy left to be anything else, leaving her with feelings of worthlessness.”
Shafak is one of my favorite authors. Her writing is stellar. She knows how to craft a story to maintain interest while commenting on today’s social issues. Themes include feminism, spirituality, and multiculturalism. Highly recommended!
4.5