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SideRead Gaskell's North&South
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Chapters 40 - end
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Alicia
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Jun 02, 2010 01:03PM

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Alicia, I completely agree with you; I think Henry generally only thinks of how he can improve his situation.
Do we feel that there is anything that is fairly creditable in Henry Lennox, let's say in comparison to the rest of the London family -- who all seem to be kind of background furnishings to me? My answer to this question alludes to a spoiler of the end though. This item from the end of the story --and the fact that there may have been enough uniqueness or weightier qualities to Henry for Margaret to single him out as a friend in her earlier days.
And I believe many people of that era would have not understood a minister leaving his place due to matters of his own views.
And I believe many people of that era would have not understood a minister leaving his place due to matters of his own views.



I know what you are saying about Henry. I wasn't speaking of him as being a worthy suitor for Margaret, but it is interesting to me that Gaskell in the end makes him someone slightly different, although he is still hoping to be her husband. As her legal adviser he comes to share at least a part of the understanding that Margaret has developed of the worth of the Milton people. He still has an eye for success and money, but at least a respect for Milton society and ultimately John Thornton I think.
One of my favorite parts of the story is Henry at the beginning of the last chapter -- ok it is a SPOILER--
Henry leaves the house suddenly but first asks Edith to let the back drawing room be undisturbed for their meeting next day with John. Henry never returns. So John is alone next day with Margaret. Henry has learned the truth but looks out that Margaret and John have time to be alone to finally have the conversation they need to have.
I just think that is a subtle beautiful way to give credit to a character -- saying that he hasn't always been perfect, but he has value. I like that this is a part of the last chapter of the story.
One of my favorite parts of the story is Henry at the beginning of the last chapter -- ok it is a SPOILER--
Henry leaves the house suddenly but first asks Edith to let the back drawing room be undisturbed for their meeting next day with John. Henry never returns. So John is alone next day with Margaret. Henry has learned the truth but looks out that Margaret and John have time to be alone to finally have the conversation they need to have.
I just think that is a subtle beautiful way to give credit to a character -- saying that he hasn't always been perfect, but he has value. I like that this is a part of the last chapter of the story.

What do you think are the qualities that make Mr. Thornton a good mate for Margaret? He's pretty ambitious, but the fact that he wants to study classics with Mr. Hale, and the fact that the two men have so many things to talk about, show that money is not the only thing he cares about. I don't think he wanted an education in order to improve his social status, because in Milton, that wasn't necessary; I think he valued learning for its own sake. He is a loving son and a good brother. He has the highest integrity. I think he has the qualities of humility and compassion all along, but these are heightened by the events of the book.
How do you think Margaret will get along with her mother-in-law? Do you think Mrs. Thornton will ever like her? Is it possible that they could grow close?

Alicia wrote: "What do you think about the fact that Margaret can't look Mr. Thornton in the face when he tells her he loves her? Elizabeth Bennet also could't look Darcy in the eye when he asks her if her feeli..."
Alicia, I have just been going back over the novel and made a comment relating to this in the Ch 24 section. I think Margaret deals with guilt about her own being as a woman. You are right in that she is not shy in so many things. But she seems to not be able to reconcile her sexuality. I think by the final scene, she knows she has screwed up by not reaching out to John more rationally and ultimately that she could have confided in him about Frederick the whole time. I think she is ashamed, but my goodness weren't women conflicted in that day -- now too really? I think that is why it was so important to her to reach out to help him with the investment. Even if it was true what he told her earlier, that his feelings had died, she was trying to make amends for not being to John who she could have been all along.
And this goes along with my comment in the other thread -- relating it to Elizabeth Bennet -- she and Elizabeth both made cruel responses to the proposals of these men -- outbursts really. On later reflection, even with circumstances of misunderstanding in Lizzie's case, they knew they had been very harsh to these men. After all, even if Darcy or John had been ungentlemanly, these ladies knew by the end that the men were genuine and speaking from their hearts.
What are your thoughts Alicia?
Alicia, I have just been going back over the novel and made a comment relating to this in the Ch 24 section. I think Margaret deals with guilt about her own being as a woman. You are right in that she is not shy in so many things. But she seems to not be able to reconcile her sexuality. I think by the final scene, she knows she has screwed up by not reaching out to John more rationally and ultimately that she could have confided in him about Frederick the whole time. I think she is ashamed, but my goodness weren't women conflicted in that day -- now too really? I think that is why it was so important to her to reach out to help him with the investment. Even if it was true what he told her earlier, that his feelings had died, she was trying to make amends for not being to John who she could have been all along.
And this goes along with my comment in the other thread -- relating it to Elizabeth Bennet -- she and Elizabeth both made cruel responses to the proposals of these men -- outbursts really. On later reflection, even with circumstances of misunderstanding in Lizzie's case, they knew they had been very harsh to these men. After all, even if Darcy or John had been ungentlemanly, these ladies knew by the end that the men were genuine and speaking from their hearts.
What are your thoughts Alicia?
Alicia wrote: "You're right. And even if Henry had developed into someone who was suitable for Margaret, by that time, Margaret was already in love with John Thornton.
What do you think are the qualities that..."
I have been looking at this point again too Alicia! When I read back through, in so many different parts of the book, you see this amazing constancy in John. Margaret harshly turns him down, he goes straight home and his mother says I hate her and he just says I love her more then. Later convinced that Margaret has another lover, he tells his mother that he will in no way speak against her character. And on and on.
I agree with what you said Alicia about his interest in education and thought. I think he has a good grasp on the world, but he has been blinded to the plight of others by the fact of having to work so hard as such a young man. But he becomes open to seeing things and part of that is due to the exposure to the Hales and Margaret's questioning things. She starts out as snobbish about it, but after a while he sees that she questions real problems. He knew she was right when she told him he must go down and talk to the men who were forming a riot. I think he is able to respect her and she starts to realize this too very soon after the proposal -- and she is devastated that he finds her in the lie about the incident at the train station.
Oh, gee I don't about Mrs. Thornton. She has had so much snobbery about her too. She is jealous of John. She has had a very odd relationship with her own daughter. I think she has too many issues -- I don't know how that will ever go smoothly. Let's hope they don't live next door to each other. And at least they live in the days before telephone.
What about Mrs. T and Fanny anyway? Mrs. Thornton is so opposed to weakness but it seems she has encouraged Fanny's weakness and spoiled nature. She has allowed Fanny to grow up without a respect for how hard John has worked to bring the family back up in life. She is really a complaining shallow person, but it seems much Mrs. T's fault.
I love this comment from John discussing the incident at the train station:
"I see a great deal of difference between Miss Hale and Fanny. I can imagine that one may have weighty reasons, which may and ought to make her overlook any seeming impropriety in her conduct. I never knew Fanny have weighty reasons for anything. Other people must guard her. I believe Miss Hale is a guardian to herself."
What do you think are the qualities that..."
I have been looking at this point again too Alicia! When I read back through, in so many different parts of the book, you see this amazing constancy in John. Margaret harshly turns him down, he goes straight home and his mother says I hate her and he just says I love her more then. Later convinced that Margaret has another lover, he tells his mother that he will in no way speak against her character. And on and on.
I agree with what you said Alicia about his interest in education and thought. I think he has a good grasp on the world, but he has been blinded to the plight of others by the fact of having to work so hard as such a young man. But he becomes open to seeing things and part of that is due to the exposure to the Hales and Margaret's questioning things. She starts out as snobbish about it, but after a while he sees that she questions real problems. He knew she was right when she told him he must go down and talk to the men who were forming a riot. I think he is able to respect her and she starts to realize this too very soon after the proposal -- and she is devastated that he finds her in the lie about the incident at the train station.
Oh, gee I don't about Mrs. Thornton. She has had so much snobbery about her too. She is jealous of John. She has had a very odd relationship with her own daughter. I think she has too many issues -- I don't know how that will ever go smoothly. Let's hope they don't live next door to each other. And at least they live in the days before telephone.
What about Mrs. T and Fanny anyway? Mrs. Thornton is so opposed to weakness but it seems she has encouraged Fanny's weakness and spoiled nature. She has allowed Fanny to grow up without a respect for how hard John has worked to bring the family back up in life. She is really a complaining shallow person, but it seems much Mrs. T's fault.
I love this comment from John discussing the incident at the train station:
"I see a great deal of difference between Miss Hale and Fanny. I can imagine that one may have weighty reasons, which may and ought to make her overlook any seeming impropriety in her conduct. I never knew Fanny have weighty reasons for anything. Other people must guard her. I believe Miss Hale is a guardian to herself."



It does seem that John has been encouraged in all his strengths and Fanny moreso in the areas of finery and charm. She has had the music lessons and the dance instructor and I guess the training to make her very marriageable. It seems that she has been matched to the man she married for some time according to something I had read in the book last night. Wasn't he described as a gray-haired older gentleman? Yes, I guess it was the difference in the male child and the female child of the family, Alicia and Chris.



Oh, I don't think Mrs. Thornton's dislike of Margaret had anything to do with Fanny. It had everything to do with that Mrs. Thornton perceived Margaret to be a legitimate threat toward removing John from the mother's nest. Her real issue was that she knew, deep down, that John liked Margaret.


You know, Linda, I do believe that Mrs. Thornton did respect Margaret Hale; quite a lot actually. I think it grew on her slowly, but she eventually came to realize that Margaret had grown herself and had matured and did understand what 'life' in the 'north' was all about. It took a while, but I think Mrs. Thornton also realized that Margaret was a lot tougher inside than she originally credited, and that Margaret was, in fact, ultimately true to herself. I think she continually measured Margaret Hale against herself and found Margaret not lacking eventually.
While she may have feared losing her son to Margaret, and she may never have ultimately 'liked' Margaret, I do think, at the end, that she developed a grudging admiration and respect for Margaret. Mind you, this is just my opinion and interpretation.

"Margaret fancied that [Mr. Bell:] could not be well; but, in answer to some inquiry of hers as to his health, he sent her a short note, saying there was an old-fashioned complaint called the spleen; that he was suffering from that, and it was for her to decide if it was more mental or physical; but that he should like to indulge himself in a little grumbling, without being obliged to send a bulletin every time."
Thank you Mrs. Gaskell--I adore this kind of droll humour!
Joy, we should discuss Bell's portrayal in the film when we switch over to that thread. The film makers saw some need to change his character, didn't they?

Chris I totally agree with you about the Oedipus thing with Mrs. Thornton. She overtly inserts herself and her thoughts into John's business. I think her dislike of Margaret definitely helped in John's heart staying true to her. (Her meaning Margaret) His mom had to constantly bring her up and how unworthy of a person she was and all that jazz - it just made John's feelings for Margaret stronger. (In my opinion)
I also see the argument on Fanny being either neglected or spoiled. I have to side on the neglected side of the argument. John is the apple of Mrs. Thornton's eye. I do however think that John does have a fondness for his sister. There is a line in there about Fanny's wedding saying that John spent too much money on the wedding. I think he realized that he was everything to their mother and wanted to send her off well.
In my message #12 I talked about what I thought was one of the strongest cases of John and Mr. Thornton at odds about Margaret. Even though he loves, respects, and is closely bonded with his mother, I think the more she tries to diminish Margaret, the more John sees this as a big flaw in his mother's nature.
I always think of feeling sorry for Margaret that she will have to deal with this woman for years to come, but maybe my sympathy should be with John because he will be in the middle of this and trying to adapt the way he deals with his mom. That's got to be very hard.
That is a good point about John spending the money on Fanny's wedding. He probably does much of that out of kindness toward her, his only sibling.
I always think of feeling sorry for Margaret that she will have to deal with this woman for years to come, but maybe my sympathy should be with John because he will be in the middle of this and trying to adapt the way he deals with his mom. That's got to be very hard.
That is a good point about John spending the money on Fanny's wedding. He probably does much of that out of kindness toward her, his only sibling.

Kim, I have re-watched the movie more since spring too. and I agree. Each ending was fitting. The ending scene of the movie was visually interesting and of course the sites of sounds and just the symbolism of the train station -- you really can't beat that to help with a movie version of a story like this. I can see why they preferred it to the ending scene of the novel.
But I still prefer the novel ending -- it seems to affect me more and it really allows you to see that Henry was a better guy than the movie portrayed him -- I didn't think they needed to portray him as antagonist. North and South isn't a good guy-bad guy story. The whole story is about the transitions of our feelings and assumptions, so I like that Gaskell's original story showed an imperfect but redeemable Henry.
But I still prefer the novel ending -- it seems to affect me more and it really allows you to see that Henry was a better guy than the movie portrayed him -- I didn't think they needed to portray him as antagonist. North and South isn't a good guy-bad guy story. The whole story is about the transitions of our feelings and assumptions, so I like that Gaskell's original story showed an imperfect but redeemable Henry.

As for the endings, I loved the movie ending until I read the book and the book ending was so powerful and so romantic. That being said I have watched the movie ending more than once. I am always a sucker for a good movie kiss!

They definitely didn't need to make John violent and punch that guy in the beginning of the film. Henry didn't need to be such a jerk, Mr. Bell didn't need to be creepy and ask Margaret to marry him!
I do have to say I thought the Hale's in the movie were a lot nicer than the book. I think they treated Margaret better in the movie than the book. Mr. Hale took more of an interest in Margaret and her mother, and her mother wasn't so ugh about everything in the movie. Book Mrs. Hale drove me crazy. I got the sense that she really did love Mr. Hale more in the movie than I did the book.

Mr. Bell asking Margaret to marry him was the worst. What was that? He was like 80!

When the film script just adds too much and makes the story go off base, I don't really care for it, like in this example of Bell. Because he essentially withheld telling John the secret of the night at the railway station due to being aggravating and jealous. It doesn't happen like that in the book, thus totally changes the personality of the character of Bell. Several of the elements in this script do that.
Jeannette and I were just talking about script changes like that. Some are just scene and set changes (which apparently I don't always catch, right Jeannette? ha ha) But some of a different type just throw me off -- just like how John also didn't have another girl he was courting or being matched with -- Miss Latimer or whoever. So that was rivaly/jealousy in two more cases, I didn't think it really helped.
Are the film makers just tryihg to keep us readers on our toes!?! Maybe they are laughing behind studio doors!
Jeannette and I were just talking about script changes like that. Some are just scene and set changes (which apparently I don't always catch, right Jeannette? ha ha) But some of a different type just throw me off -- just like how John also didn't have another girl he was courting or being matched with -- Miss Latimer or whoever. So that was rivaly/jealousy in two more cases, I didn't think it really helped.
Are the film makers just tryihg to keep us readers on our toes!?! Maybe they are laughing behind studio doors!

I agree Kim, I am a most liberal movie viewer of books-to-film because I honestly love to see artistic changes even of the most classic stories. But those North & South changes we mentioned didn't seem as enjoyable.
So have you, Linda, or others seen the Wives and Daughters film? You may have seen it is on the new movie list for this group, to be discussed this fall/winter. Maybe we can compare our thoughts on that one then. I have to catch up because I haven't even read the book yet!
So have you, Linda, or others seen the Wives and Daughters film? You may have seen it is on the new movie list for this group, to be discussed this fall/winter. Maybe we can compare our thoughts on that one then. I have to catch up because I haven't even read the book yet!

I'd love to start a discussion of that novel as well!



Robin, thanks for the movie suggestions. Let's keep this thread to specifically discuss Gaskell though, just so we keep the threads organized. But sure to keep your movie suggestions coming in the movie thread in the other folder though, we always appreciate your comments!
Here is the direct link to that thread here in the Jane Austen group, Robin. If you look for it later, it is in The Tea Tray folder.
Lots of our group members have added movie suggestions in there and please feel free to do the same.
Must-See Classic Movies
Lots of our group members have added movie suggestions in there and please feel free to do the same.
Must-See Classic Movies
