Books on the Nightstand discussion
What are you currently reading? July 2011
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Ann
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Jul 02, 2011 07:42AM


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To cheer myself up, I'm now switching back and forth between a couple of light-hearted early 20th century works, both available at Google Books: Oliver Herford's This Giddy Globe and Margaret Bruening's You Know Charles. Next up: Simon Schama's new essay collection, Scribble, Scribble, Scribble, and a memoir by 1930s-'50s Cleveland newspaperwoman Doris O'Donnell, Front-Page Girl.



This is my big problem with literary fiction. Most of the time I love the writing but the stories are so depressing I regret ever reading them.
Ann wrote: "Me: just about to start Simon Van Booy's Everything Beautiful Began After.
"
I just finished a short story collection by Van Booy,The Secret Lives of People in Love, and am hooked on his writing. I must check out his novel.

I just finished a short story collection by Van Booy,The Secret Lives of People in Love, and am hooked on his writing. I must check out his novel.

I have a huge stack of immediate TBR's. I think I'm going to tackle my re-read of The Bell Jar which I read and liked in college but barely remember. Then Faithful Place and then The Paris Wife which my hairdresser loaned me. She's a big reader so it's a match made in salon heaven.




It was good overall, but seemed unfocused to me. Although the narrative was about Ambassador Dodd and his family, there were long stretches where they were not even mentioned.
I'm also reading


Richard Preston's Panic in Level 4--a collection of essays first published in the New Yorker. I'm in the part about the Russian immigrant brothers who built a supercomputer in their apartment to study patterns in the digits of pi.
Chris Hannan's Missy: prostitutes, laudanum, mayhem and gorgeous, eccentric writing set in 1862 silver-mining Nevada.
I've been spending this year gnawing my way through Joseph Lash's biography of Eleanor Roosevelt, Eleanor and Franklin, and am still at it. It's been slow going, but fascinating, as Eleanor has turned out to be far more complex, flawed and human than I ever imagined.
And just getting started on Incarceron, Catherine Fisher's dark, YA dystopian novel about a society contained in an enormous prison.

And just getting started on Incarceron, Catherine Fisher's dark, YA dystopian novel about a society contained in an enormous prison...."
I loved Incarceron. It was different from most of the YA out there despite the dystopian future.












An intriguing and fascinating book on how countries vie against each other to be top dog on the world stage. Spies, double agents, love triangles -- it’s all in a day’s work! In today’s interconnected world, this book gives one an interesting perspective on how much competition goes on behind the scenes with ambitions and stakes running high. Hearts are broken and for some power is gained.
Illuminating book on the espionage sphere. Lots of mind games involved! Great book with high drama and something for everyone to enjoy!

1) In paper -

2) In audio -

3) Later this month I'll be starting


I'll be picking up The Glass Castle in the next couple of days for book group. I'm a bit nervous about it because I've heard it's intense... should make for good conversation!


I hope you'll mention it on a BOTNS podcast - I'd love to hear what you think about it. I thought it was beautiful.

That book blew me away! What a happy accident that you found it.

That book blew me away! What a happy accident that you found it."
I loved it too!! That was such a fun read.
I'm currently about 1/2 way into Darke and I like it much more than Tiger's Curse which I just finished.




This got a good review from a friend of mine on Goodreads, and that means it is very good.

I got totally hooked on Eleanor Roosevelt (and FDR too) when I read No Ordinary Time: Franklin and Eleanor Roosevelt: The Home Front in World War II which was an excellent dual biography of the Roosevelts through the war years. I've been collecting biographies of both ever since. I picked up Lash's book at a Friends of the Library sale, but haven't read it yet. I'm a little leery of his version of Eleanor since they were such good friends. At the same time, they were really good friends, so he might be one of the more insightful authors.... There's also a multi-volume biography of Eleanor by Blanche Weisen Cook that I want to investigate.

While Mary Ann Schaffer is gone, her niece Annie Barrows, who helped finish the book (she's mostly been a children's author) now has a contract to write adult fiction. I'm eagerly awaiting whatever she writes.
Guernsey is perhaps my favorite book of the last 5 years. I love it, and when I'm feeling down, I go and read the "good parts version" i.e. avoiding some of the sad Nazi stuff. I just love the different voices of the characters.

I would love to hear what you think of Russian Winter when you finish. It is a wonderful story, however,I had some issues with time transitions.
Alexia wrote: "This month I'm reading:
1) In paper -

2) In audio - [bookcover..."


I'm listening to Maine and so far the narrator is annoying me. I'm a born and raised New Englander and when someone tries to duplicate a Boston accent it's usually not good. The story seems good though so I'm going to stick to it. Has anyone else read/listened to it?

No I haven't read The Soldier's Wife yet...I do, however, have it on my "To Read" list. If anybody has a comment to share on this title, I would love to hear about it.
Sharman wrote: "It will be interesting to see what she does. Have any of you read The Soldier's Wife? It seems to take place in the same time period and location."


Why is that? The book looks pretty but sounded too much like this remake of Beauty and the Beast called Beast, which IMO, was a terrible book. Awful. Hated it. One of the few books I've ever wanted to burn.

Katharine wrote: "I am reading The Invisible Bridge, which is stunning, and listening to When the Killing's Done, which is a tough subject for me (animal rights) but poses some really i..."

Started something in a totally different vein today- A Dirty Job, narrated by Fisher Stevens. It is hilarious so far, in a really dark way.


Joanne wrote: "I am primarily reading The Bells: A Novel by Richard Harvell, which is amazing! I tried finding a playlist for the book, but only found two links that didn't work, one from BOTNS pod..."
Hmm, I checked the link from the podcast and it seems to work: It launches into iTunes and you can preview from there.
But no, I couldn't get the playlist from Richard Harvell's site to work either :-(
Hmm, I checked the link from the podcast and it seems to work: It launches into iTunes and you can preview from there.
But no, I couldn't get the playlist from Richard Harvell's site to work either :-(

I read Galore when it was first published in Canada. My mother-in-law sent it to me for Christmas & I absolutely loved it! As an ex-pat from NL, the sights described and the folktales referenced, made me so homesick, I had to book tickets for a visit. I guess that was probably the reason I received the gift in the first place. Glad to hear that others love it as much as I do.
Callie wrote: "Finished Galore yesterday. Do you ever get so transported into a book (or audiobook, as was the case here) that you start to experience it through all of your senses? To me, listening to this book ..."
Callie wrote: "Finished Galore yesterday. Do you ever get so transported into a book (or audiobook, as was the case here) that you start to experience it through all of your senses? To me, listening to this book ..."
I finished
There are a lot of laughs in this book, as you would expect. Knowing that Fey made her bones as a comedy writer, you know that this isn't one of those ghost-written celebrity books. At least until the end of the book, though, she goes out of her way not to be too self-revealing. And hey, as long as she has funny anecdotes to relate, and one-liners to deliver, that's fine. I'd have enjoyed whole books on her Second City touring period and her SNL period, each of which I'm sure could have yielded a fat memoir. While there are funny anecdotes here, it seems Fey is holding back. I get the impression her loyalty to friends keeps her from telling a lot of stories that, no matter how entertaining, might show a friend in a bad light. Thus her stories are more self-deprecating than otherwise, without going out of her way to be revealing. For some reason she goes out of her way to tell us about a scar on her face (presumably covered by makeup on her TV appearances, because I've never noticed it). Then she says she's not going to tell us how she got the scar. She doesn't owe us that. Okay.
After keeping her personal life close to the vest for most of the book, she over-shares in the last part. She's already told us that her work on 30 Rock leaves her precious little one-on-one time with her daughter, and I'm not in any position to judge that. But the last fifth of the book is her agonizing about whether or not she's doing the right thing: being simultaneously fulfilled by the work and missing the motherhood she should be enjoying. And also agonizng about whether she she should have another child. I think Yoda would tell her "do or do not" and leave her to her own devices on that one. But I find one "excuse" for not giving up the show pretty lame. She says 200 people and their families depend on her for their livelihoods. While this may be true, if they were competent enough to be hired in the first place, they're competent enough to get other work. After all, this is show business. Nobody in show biz expects to have a job for life, do they? Make your own decisions about your life, Tina! Don't throw in phony guilt as a reason for your decisions! This final portion was a little unsettling and made me a bit uncomfortable. I suppose because the initial stance of the book was "I don't owe anyone an explanation of myself" and the last part was "please don't judge me". The end result is ultimately endearing, though. The whole picture is of a middle class girl who makes it, not only through talent, but through luck and the action of a couple of people who took a chance on her. (Chiefly Lorne Michaels) She feels distanced both from the middle class life she left and from the pretentious entertainers she often deals with.
Speaking of women "having it all", she makes some excellent points about gender politics in the media, and perhaps rightly (I wouldn't know) takes credit for transforming SNL from the boys' club it had been into a more inviting platform for women comedians.

There are a lot of laughs in this book, as you would expect. Knowing that Fey made her bones as a comedy writer, you know that this isn't one of those ghost-written celebrity books. At least until the end of the book, though, she goes out of her way not to be too self-revealing. And hey, as long as she has funny anecdotes to relate, and one-liners to deliver, that's fine. I'd have enjoyed whole books on her Second City touring period and her SNL period, each of which I'm sure could have yielded a fat memoir. While there are funny anecdotes here, it seems Fey is holding back. I get the impression her loyalty to friends keeps her from telling a lot of stories that, no matter how entertaining, might show a friend in a bad light. Thus her stories are more self-deprecating than otherwise, without going out of her way to be revealing. For some reason she goes out of her way to tell us about a scar on her face (presumably covered by makeup on her TV appearances, because I've never noticed it). Then she says she's not going to tell us how she got the scar. She doesn't owe us that. Okay.
After keeping her personal life close to the vest for most of the book, she over-shares in the last part. She's already told us that her work on 30 Rock leaves her precious little one-on-one time with her daughter, and I'm not in any position to judge that. But the last fifth of the book is her agonizing about whether or not she's doing the right thing: being simultaneously fulfilled by the work and missing the motherhood she should be enjoying. And also agonizng about whether she she should have another child. I think Yoda would tell her "do or do not" and leave her to her own devices on that one. But I find one "excuse" for not giving up the show pretty lame. She says 200 people and their families depend on her for their livelihoods. While this may be true, if they were competent enough to be hired in the first place, they're competent enough to get other work. After all, this is show business. Nobody in show biz expects to have a job for life, do they? Make your own decisions about your life, Tina! Don't throw in phony guilt as a reason for your decisions! This final portion was a little unsettling and made me a bit uncomfortable. I suppose because the initial stance of the book was "I don't owe anyone an explanation of myself" and the last part was "please don't judge me". The end result is ultimately endearing, though. The whole picture is of a middle class girl who makes it, not only through talent, but through luck and the action of a couple of people who took a chance on her. (Chiefly Lorne Michaels) She feels distanced both from the middle class life she left and from the pretentious entertainers she often deals with.
Speaking of women "having it all", she makes some excellent points about gender politics in the media, and perhaps rightly (I wouldn't know) takes credit for transforming SNL from the boys' club it had been into a more inviting platform for women comedians.


Melissa W wrote: "I am currently reading Sing You Home, House Arrest: A Novel, The Girl with the Dragon Tattoo, The Frog Princess and [book:The Tea Rose|1306..."


I read a book about SNL in the 70's which was fascinating and pretty much if you weren't Gilda Radner, it was rough. Tina deserves credit but so do Molly Shannon and a bunch of others (but not Victoria Jackson who is dead to me.)
I'm reading The Lost Language of Cranes by the way in honor of Gay Pride Month. I'm a little bit late. I'm still reading The Art of the Comic Book: An Aesthetic History. And on a recommend from the comics thread, I'm reading Outsiders/Checkmate: Checkout by Greg Rucka and Judd Winick.
The comics thread is swelling my to read list to the bursting point.


There are a lot of laughs in this book, as you would expect. Knowing that Fey made her bones as a comedy writer, you know that this isn't one of those gho..."
I loved Bossy Pants. My improv and community theater friends also loved it.
I had a different reaction to Fey's concerns about having to lay off 200 people if she leaves 30 Rock. I thought that she was being a thoughtful human being rather than a self-involved star (think Charlie Sheen).
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