The Fall of Hyperion
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Now, obviously Hyperion and Fall are vastly different stylistically. Hyperion is far more literate and probably the best part of that first book is the way Simmons really demonstrates his chops by writing each pilgrim story in basically different literary styles. That was the most fun part for me at least. I personally loved the overt Noir sections of Brawne and I feel like his Gibsonian storytelling is often better than Gibson himself.
That being said, I think I ENJOYED Fall of Hyperion more. I totally agree about not really connecting to any of the characters, but it was the unfolding story that I was most interested. I ravaged this book trying to get to the bottom of what was the Strike and who sent him, the obviously looming downfall of the Hegemony (how would it happen - what would it look like), and frankly when it came to the battle of ultimate intelligences it blew my ever loving mind.
I didnt connect with the characters either - and yes, everything was alien, but that's exactly what got me into it - I was wrapped up in the intrigue of the complex storyline and the epic scope of it all. I just loved every minute of it. Even if the identity of Moneta was the single most obvious 'surprise' in recent literary memory.
I've made it through Endymion, which I also enjoyed but is my least favorite of the three so far. Absolutely though - it was The Fall that I enjoyed best due almost entirely on the scope of the story itself which just sucked me in.


The Hyperion cycle are two of the best SF books I've read in years; I think I liked the first more, but they each have their strengths.

That's so incredibly true. Dan Simmons is easily one of my favorites, probably a top three at least. I even enjoyed Fires of Eden!

In the first Hyperion book, as Zac said, it was fun to watch Simmons play with different styles. It was also fun to try to ferret out connections between the books and the poems by Keats and to discover Simmons's playful literary references: Brawne Lamia, for example. Brawne is the last name of Keats's beloved, Fanny Brawne, and Lamia means "vampire."

In fairness, I should point out that I was not dismissing the Endymion books; I enjoyed Endymion but I'm only JUST NOW reading The Rise of Endymion since this thread reminded me I needed to get back into it to cap off an incredible series. I'm not quite 200 pages in yet but I'm enjoying it immensely...

I've got to say - I totally loved it and it only reinforced my earlier sentiments. Namely: Dan Simmons is king and the guy is so incredible of a writer and storyteller that despite the fact that both major outstanding 'surprises' being supremely and utterly predictable, they remained vastly fullfilling and just an incredible read.
I truly mean it - I'm usually immediately turned off by predictability, but Simmons managed to be just terribly predictable in The Fall of Hyperion with the Moneta 'shocker' and again in The Rise of Endymion on a couple of major 'in-your-face' topics, and yet I loved every minute of them and found them to be totally satisfying. Strange but awesome.
Not sure where I go next, but thought I'd share that.

I am a true sci-fi afficionado... Simmons went to the bottom of the ocean in this series! He got me interested in Teilhard De Chardin's theories of Omega point with the concept of the Machine God and the Human God at the end of time battling backwards via the time-tombs, the shrikes...and then the way he wove the story lines of his characters into one epic drama. This is a series I love to read again and again.
Re-readability is very important to me. There are many good stories but few Great ones. This is such.
thats all I have to say.


That's what I loved. There's so much we DON'T understand; the nature of faith and the shrike, the power of the time tombs, the power of the core and their awareness. Simmons was writing about "big ideas" and we, humans, don't and can't understand those. Having his characters come in contact with them, and try and wrap their minds around the inconcevable, mirrored our--the readers--inability to understand God and time and the universe, and I was with them all the way while they tried to put together an equasion far beyond human reckoning and managed little pieces of it.
I found it thrilling. And fascinating. Although I totally get where your frustration comes from, don't get me wrong.
-Elizabeth Reuter
Author, Demon of Renaissance Drive
I absolutely adored both Hyperion and Fall. I read the second one in two days because it was exciting exhilarating and extremely suspenseful. It's truly epic space opera in that its scale is absolutely massive. The time travel elements were well-done and the Shrike will always be one of the memorable creatures in sci-fi's history. The Endymion books were okay; I enjoyed them at the time, but as the years have gone by, my opinion of them has slowly decreased, but not enough for me to dismiss them.
Ilium and Olympos are also very good: complex, galaxy spanning, and extremely literary. Fans of Hyperion should definitely read those.
Ilium and Olympos are also very good: complex, galaxy spanning, and extremely literary. Fans of Hyperion should definitely read those.

I totally agree with you about needing an editor! The time in the kayak was way way way too long and detailed as were several other passages. It's a good story that gets bogged down in his psychedelic dreams..

Thanks, Macgregor. I'm currently about halfway through the Rise of Endymion and finding it the better of the two. I shall put Ilium higher up the 'to read' list.

Alfred wrote: Teilhard De Chardin's theories of Omega point.
I'm new to this author so thanks for mentioning him. I've come across the idea before in different books, but have not read any of Teilhard's work. Any particular works you'd recommend to start with?
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I just had a terrible time reading this book. I read the first one and found it enjoyable and decided to continue the series. The Fall of Hyperion just killed it for me. It took me months to read (I think I read about 3 other books while I was reading this one because I was bored) and I never really felt grounded. Everything was so completely alien to me I couldn't sympathize with any of the characters.
I was able to read the first book because I found the style very interesting - the whole Canterbury Tales style of writing was intriguing, but that was the device keeping me interested in the book. It was gone in this book and I just wasn't interested any more.
Most frustratingly of all, I was reading to find some answers. I'm not sure exactly what I wanted to know, but I left the book feeling very unsatisfied like my questions weren't answered at all.