Q&A with M.L. Hamilton discussion
What do you look for in a sequel? What makes it good or bad?
date
newest »

message 1:
by
M.L.
(last edited Aug 03, 2011 05:05PM)
(new)
Aug 03, 2011 04:51PM


reply
|
flag

1. Cohesive with the previous book(s) - Either makes sense with connecting with plot arcs, or gives reasons why there are new developments
2. Characters are either more developed, or new characters that differ from previous characters are introduced / group dynamics change.
3. If stereotypes are used for newly introduced characters, they are accepted (and somewhat expected) stereotypes for the target audience, and still contain some points that makes them unique (exception for characters that exist for parody, such as Joe Buckley being killed http://jiltanith.thefifthimperium.com...-
)
Bad:
1. Very similar repetition of plot points / style... Predictable in execution.
2. Contains Jar Jar Binks. Yes, that's a prequel, and arguably a movie more than a book, but really... He's just that terrible.
3. Has one of these names connected with it somehow: Disney, Paris Hilton, or Uwe Boll. Theoretically a good book could be related to one of these three, but given all their products so far, unlikely.
4. No real plot development(s), or more arcs are added without actually completing or advancing any previous arcs.
Great response. Love your answer to Bad #2. I completely agree with the good points. I either want new characters that are related in some way to the previous book or characters that have a new depth.
ML
ML

And I rarely like it when a sequel has multiple points of views when the first one didn't, or a singular point of view when the first one had multiple ones. Sometimes an author can pull it off, but more oft than not, it bothers me.
I think it's hard to make sequels meaningful. Too often they are done poorly and don't live up to the original.

My major dislike is when it seems like every book has to end with some sort of major cliff hanger. I don't mind a couple in a series, but some authors seem to feel like they have to end every book in the middle of the action to keep you reading, and it seems like sort of a cheap tactic to me. It ends up frustrating me, and I have put down most every series that made me feel this way.
I agree. I think a sequel should probably be a stand alone with maybe an epilogue to hook you into the next books, so the reader can decide whether to read on or not.


