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Book cover for The Hunger Games (The Hunger Games, #1)
“Yes, and I’m sure the arena will be full of bags of flour for me to chuck at people. It’s not like being able to use a weapon. You know it isn’t,” he shoots back. “He can wrestle,” I tell Haymitch.
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Ottessa Moshfegh
“On September 11, I went out and bought a new TV/VCR at Best Buy so I could record the news coverage of the planes crashing into the Twin Towers. Trevor was on a honeymoon in Barbados, I'd later learn, but Reva was lost. Reva was gone. I watched the videotape over and over to soothe myself that day. And I continue to watch it, usually on a lonely afternoon, or any other time I doubt that life is worth living, or when I need courage, or when I am bored. Each time I see the woman leap off the seventy-eighth floor of the North Tower—one high-heeled shoe slipping off and hovering up over her, the other stuck on her foot as though it were too small, her blouse untucked, hair flailing, limbs stiff as she plummets down, one arm raised, like a dive into a summer lake—I am overcome by awe, not because she looks like Reva, and I think it's her, almost exactly her, and not because Reva and I had been friends, or because I'll never see her again, but because she is beautiful. There she is, a human being, diving into the unknown, and she is wide awake.”
Ottessa Moshfegh, My Year of Rest and Relaxation

Ottessa Moshfegh
“It was lunacy, this idea, that I could sleep myself into a new life. Preposterous. But there I was, approaching the depths of my journey”
Ottessa Moshfegh, My Year of Rest and Relaxation

Ottessa Moshfegh
“I did crave attention, but I refused to humiliate myself by asking for it.”
Ottessa Moshfegh, My Year of Rest and Relaxation

Ottessa Moshfegh
“The notion of my future suddenly snapped into focus: it didn't exist yet. I was making it, standing there, breathing, fixing the air around my body with stillness, trying to capture something—a thought, I guess—as though such a thing were possible, as though I believed in the delusion described in those paintings—that time could be contained, held captive.”
Ottessa Moshfegh, My Year of Rest and Relaxation

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