Sheila Distasio

“He stared at me. "She liked you, boy." The intensity of his voice and eyes made me blink.
"Yes," I said.
"She did it for you, you know."
"What?"
"Gave up her self, for a while there. She loved you that much. What an incredibly lucky kid you were."
I could not look at him. "I know."
He shook his head with a wistful sadness. "No, you don't. You can't know yet. Maybe someday..."
I knew he was tempted to say more. Probably to tell me how stupid I was, how cowardly, that I blew the best
chance I would ever have. But his smile returned, and his eyes were tender again, and nothing harsher
than cherry smoke came out of his mouth.”
― Jerry Spinelli, Stargirl

“We have a language that is full of ambiguities; we have a way of expressing ourselves that is often complex and elusive, poetic and modulated; all our thoughts can be rendered with absolute clarity if we bother to put the right dots and squiggles between the words in the right places. Proper punctuation is both the sign and the cause of clear thinking. If it goes, the degree of intellectual impoverishment we face is unimaginable.”
― Lynne Truss, Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation

“I walked past Malison, up Lower Main to Main and across the road. I didn’t need to look to know he was behind me. I entered Royal Wood, went a short way along a path and waited. It was cool and dim beneath the trees. When Malison entered the Wood, I continued eastward. 
I wanted to place his body in hallowed ground. He was born a Mearan. The least I could do was send him to Loric. The distance between us closed until he was on my heels. He chose to come, I told myself, as if that lessened the crime I planned. He chose what I have to offer.
We were almost to the cemetery before he asked where we were going. I answered with another question. “Do you like living in the High Lord’s kitchens?”
He, of course, replied, “No.”
“Well, we’re going to a better place.”
When we reached the edge of the Wood, I pushed aside a branch to see the Temple of Loric and Calec’s cottage. No smoke was coming from the chimney, and I assumed the old man was yet abed. His pony was grazing in the field of graves. The sun hid behind a bank of clouds.
Malison moved beside me. “It’s a graveyard.”
“Are you afraid of ghosts?” I asked.
“My father’s a ghost,” he whispered.
I asked if he wanted to learn how to throw a knife. He said, “Yes,” as I knew he would.  He untucked his shirt, withdrew the knife he had stolen and gave it to me. It was a thick-bladed, single-edged knife, better suited for dicing celery than slitting a young throat. But it would serve my purpose. That I also knew. I’d spent all night projecting how the morning would unfold and, except for indulging in the tea, it had happened as I had imagined. 
Damut kissed her son farewell. Malison followed me of his own free will. Without fear, he placed the instrument of his death into my hand. We were at the appointed place, at the appointed time. The stolen knife was warm from the heat of his body. I had only to use it. Yet I hesitated, and again prayed for Sythene to show me a different path.
“Aren’t you going to show me?” Malison prompted, as if to echo my prayer.”
― K. Ritz, Sheever's Journal, Diary of a Poison Master

“Mother says she doesn't need the medication anymore, that the only cure for cancer is having a daughter who won't cut her hair and wears dresses too high above the knee even on a Sunday, because how knows what tackiness I'd do to myself if she died.”
― Kathryn Stockett, The Help