

“LULL
(November, 1939)
The winds of hatred blow
Cold, cold across the flesh
And chill the anxious heart;
Intricate phobias grow
From each malignant wish
To spoil collective life.
Now each man stands apart.
We watch opinion drift,
Think of our separate skins.
On well-upholstered bums
The generals cough and shift
Playing with painted pins.
The arbitrators wait;
The newsmen suck their thumbs.
The mind is quick to turn
Away from simple faith
To the cant and fury of
Fools who will never learn;
Reason embraces death,
While out of frightened eyes
Still stares the wish to love.”
― The Collected Poems
(November, 1939)
The winds of hatred blow
Cold, cold across the flesh
And chill the anxious heart;
Intricate phobias grow
From each malignant wish
To spoil collective life.
Now each man stands apart.
We watch opinion drift,
Think of our separate skins.
On well-upholstered bums
The generals cough and shift
Playing with painted pins.
The arbitrators wait;
The newsmen suck their thumbs.
The mind is quick to turn
Away from simple faith
To the cant and fury of
Fools who will never learn;
Reason embraces death,
While out of frightened eyes
Still stares the wish to love.”
― The Collected Poems

“OPEN HOUSE
My secrets cry aloud.
I have no need for tongue.
My heart keeps open house,
My doors are widely swung.
An epic of the eyes
My love, with no disguise.
My truths are all foreknown,
This anguish self-revealed.
I'm naked to the bone,
With nakedness my shield.
Myself is what I wear:
I keep the spirit spare.
The anger will endure,
The deed will speak the truth
In language strict and pure.
I stop the lying mouth:
Rage warps my clearest cry
To witless agony.”
―
My secrets cry aloud.
I have no need for tongue.
My heart keeps open house,
My doors are widely swung.
An epic of the eyes
My love, with no disguise.
My truths are all foreknown,
This anguish self-revealed.
I'm naked to the bone,
With nakedness my shield.
Myself is what I wear:
I keep the spirit spare.
The anger will endure,
The deed will speak the truth
In language strict and pure.
I stop the lying mouth:
Rage warps my clearest cry
To witless agony.”
―

“Does a man of sense run after every silly tale of hobgoblins or fairies, and canvass particularly the evidence? I never knew anyone, that examined and deliberated about nonsense who did not believe it before the end of his enquiries.”
― The Letters of David Hume
― The Letters of David Hume

“In Islam, and especially among the Sufi Orders, siyahat or 'errance' - the action or rhythm of walking - was used as a technique for dissolving the attachments of the world and allowing men to lose themselves in God. The aim of a dervish was to become a 'dead man walking': one whose body stays alive on the earth yet whose soul is already in Heaven. A Sufi manual, the Kashf-al-Mahjub, says that, toward the end of his tourney, the dervish becomes the Way not the wayfarer, i.e. a place over which something is passing, not a traveller following his own free will...it was quite similar to an Aboriginal concept, 'Many men afterwards become country, in that place, Ancestors.' By spending his whole life walking and singing his Ancestor's Songline, a man eventually became the track, the Ancestor and the song. The Wayless Way, where the Sons of God lose themselves and, at the same time, find themselves.”
―
―
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