Isaac Fielden

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Candace L. Talmadge
“Her body faded away so far, she almost lost her connection to it. Utter
blackness enveloped her, shutting off all warmth. All light. All love. All
support. All hope. She was pinned, alone, naked, and freezing before a
beast so terrifying she struggled to avert her gaze but could not.
Horns arose from the top of what had to be a head. Fangs protruded
obscenely from a frowning hole that must have been a mouth.
Unsheathed claws threatened instant evisceration. Horrifying eyes.
Two cesspits of black fury in which red flames churned like burning
blood. They bore down on Helen, intensifying the pressure on her to
the point of agony.
Inside her head a message played over and over. You are helpless.
Helen’s fragmented thoughts spun wildly. What to do? How to stop
this nightmare?
The wretched voice roared again, like nails clashing against slate.
“Give me the stone! Now!”
Candace L. Talmadge, Stoneslayer: Book One Scandal

Elizabeth Tebby Germaine
“Jeremy, I’ll say this once,’ he (Jonathan) began, ‘I’m not going to be drawn into any silly squabble you want to invent. I am not going to defend my recent behaviour in the village or anywhere else. I am not going to tell you my plans, I have had reasons for everything I’ve done and a great deal of thinking has gone into my recent very painful decisions…”
Elizabeth Tebby Germaine, A MAN WHO SEEMED REAL: A story of love, lies, fear and kindness

John Berendt
“In Treasure Island, Savannah is the place where Captain John Flint, the murderous pirate with the blue face, has died of rum before the story begins. It is on his death bed in Savannah that Flint bellows his last command - "Fetch aft the rum, Darby!" - and hands Billy Bones a map of Treasure Island. "He gave it me at Savnnah," says Bones, "when he lay a-dying." The book has a drawing of Flint's map in it with an X marking the location of the buried treasure.”
John Berendt, Midnight in the Garden of Good and Evil

Natalie Babbitt
“I don’t want to die.”
“No,” said Tuck calmly. “Not now. Your time’s not now. But dying’s part of the wheel, right there next to being born. You can’t pick the pieces you like and leave the rest. Being part of the whole thing, that’s the blessing. But it’s passing us by us Tucks. Living’s heavy work, but off to one side, the way we are, it’s ‘useless, too. It doesn’t make sense. If I knowed how to climb back on the wheel, I’d do it in a minute. You can’t have living without dying. So you can’t call it living, what we got. We just are, we just be, like rocks beside the road.”
Natalie Babbitt, Tuck Everlasting

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