Nick B

“The most interesting of the classic movie genres to me are the indigenous ones: the Western, which was born on the Frontier, the Gangster Film, which originated in the East Coast cities, and the Musical, which was spawned by Broadway. They remind me of jazz: they allowed for endless, increasingly complex, sometimes perverse variations. When these variations were played by the masters, they reflected the changing times; they gave you fascinating insights into American culture and the American psyche.”
― Martin Scorsese, A Personal Journey With Martin Scorsese Through American Movies

“I sensed a mutual indifference behind polite smiles and had the overwhelming impression that, more and more frequently, I was watching people who didn't really know why they were living.”
― Krzysztof Kieślowski, Kieslowski on Kieslowski

“By the early 1920s, the America of Jefferson, Lincoln, Whitman, and the young William Jennings Bryan had ceased to exist. It had been replaced by the world of McKinley, Teddy Roosevelt, J. Edgar Hoover, and Woodrow Wilson.”
― Oliver Stone, The Untold History of the United States

“Regardless of the subject of my films … I am looking for a way of evoking in audiences feelings similar to my own: the physically painful impotence and sorrow that assail me when I see a man weeping at the bus stop, when I observe people struggling vainly to get close to others, when I see someone eating up the left-overs in a cheap restaurant, when I see the first blotches on a woman's hand and know that she too is bitterly aware of them, when I see the kind of appalling and irreparable injustice that so visibly scars the human face. I want this pain to come across to my audience, to see this physical agony, which I think I am beginning to fathom, to seep into my work.”
― Krzysztof Kieślowski