Beh Noosh

“I have long feared for the country of my birth, What kind of country has this become now?”
― Qamar Rafiq

“Motherland. Madre Patria. We are born of a nation, and we are shaped by its features. Whatever that nation offers — whether it’s hardship or opportunity — is our inheritance.

When we see ourselves belonging wholly to our nation, it can be difficult to decipher its flaws and shortcomings. We make excuses for its failures and contradictions, just as family members sometimes cover for one another. It’s a form of denial.

Conversely, when your own nation lets you down, when it leaves you vulnerable, when it fails to make good on the promises of citizenship, the sense of betrayal you’re left with is nothing short of traumatic.”
― Tracy K. Smith

“I don’t know when I started to realize that my country’s past was incomprehensible and obscure to me, a real shadowy terrain, nor can I remember the precise moment when all that i’d believed so trustworthy and predictable—the place I’d grown up, whose language I speak and customs I know, the place whose past I was taught in school and in university, whose present I have become accustomed to interpreting and pretending I understand—began to turn into a place of shadows out of whcih jumped horrible creatures as soon as we dropped our guard. With time I have come to think that this is the true reason why writers write aboutn the places of childhood and adolescence and even their early touth: you don’t write about what you know and understand, and much less do you write because you know and understand, but because you understand that all your knowledge and comprehension is false, a mirage and an illusion, so your books are not, could not be, more than elaborate displays of disorientation: extensive and multifarious declarations of preplexity. All that I thought was so clear, you then think, now turns out to be full of duplicities and hidden intentions, like a friend who betrays us. To that revelation, which is always annoying and often frankly painful, the writer responds in the only way one knows how: with a book. And that’s how you try to mitigate your disconcertion, reduce the space between what you don’t know and what can be known, and most of all resolve your profound disagreement with that unpredictable reality. “Out of the quarrel with others we make rhetoric,” wrote Yeats. “Out of the quarrel with ourselves we make poetry.” And what happens when both quarrels arise at the same time, when fighting with the world is a reflection or a transfiguration of the subterranean but constant confrontation you have with yourself? Then you write a book like the one I’m writing now, and blindly trust that the book will mean something to somebody else.”
― Juan Gabriel Vásquez, La forma de las ruinas

“The power of the army is his weapon, the power of the homeland is his lovers”
― Azadshah Ganjali