Michael Adam-Smith

“That's just how it is. You get halfway through your life and realize you've done it all wrong. You've picked the wrong jobs and followed the wrong dreams. Every decision from your cradle to the counter of an upscale children's boutique in Portland, Oregon gratingly names little fig where you now stand tethered at the age of thirty-seven for thirteen-dollars-an-hour-plus-commission has been all wrong.”
― Jennifer Vandever, American Tango

“OK! Let's get started," Mariela announced brightly. "Now, can anyone tell me the meaning of 'tango'--the actual word?"

Helen, of course, knew. "In Latin, it means 'I touch."

Mariela nodded emphatically. "'I touch.' Or 'I play.' As in playing an instrument only here our instrument is ourselves," Mariela paused, allowing this insight to sink in. "And it means, 'I touch. I touch my partner in embrace," Dan and Mariela faced each other in an opening stance, "also called an abrazo--" and danced a simple eight step.

"And I touch my inner life. I touch the core of my essence. Tango is not just learning or following steps."

"It's improvisation," Barry said in a deep baritone.

"That's right. There's a saying that tango is a 'sad thought danced.' But that's only part of it. It's touching the sadness in you, the pain, yes--but also the joy, the humor, the everything life has. It's touching everything.”
― Jennifer Vandever, American Tango

“And the horrible thing was: what if they were right? What if she lived her whole life and never really knew what love was? What if it was deeper than she ever imagined? What if she died without ever knowing what she missed? How would she know to even miss it? Love--deep, profound, soul-stirring love--happened on this planet, in this life. And she missed it.

On the other hand, her mother had a point: babies were awful. They were selfish, greedy, expensive and ultimately resentful of what they later would decide you had withheld from them. You were, in effect, creating someone uniquely fine-tuned to discern your slightest faults and broadcast them from the highest point.”
― Jennifer Vandever, American Tango

“And who would advocate for her? Who would arrange her doctor appointments and throw out rotting bananas as she drifted into old age? Who would keep her photos, her jewelry, her horrible shadowboxes full of undergraduate angst, her hummingbird paintings, or even her tango shoes? Who would care about all the random junk she accumulated over the years and the stories that had attached to them?”
― Jennifer Vandever, American Tango