Archie Kell

“But this story ends when you open the door. It doesn’t matter if you managed to guess which room is mine, which door I closed behind me. You put your hand on the door handle, you knock, it’s all over. End of story. By choosing one, you chose the other, too. Do you understand why? Those two consequences are joined at the hip, they’re Siamese twins. Even if you picked the door with the lady behind it—all questions answered, all explanations given, your life solved for you—it’s still true that you gave the tiger permission to jump. You gave your assent to catastrophe, you invited tragedy and horror to walk right in. You got lucky, that’s all. Mallon”
― Peter Straub, A Dark Matter

“I liked my job, but I didn’t have a glittering career, and even if I had, let’s be honest: women are still only really valued for two things—their looks and their role as mothers. I’m not beautiful, and I can’t have kids, so what does that make me? Worthless.”
― Paula Hawkins, The Girl on the Train

“I believe it is the duty of science, of humanity, to discover as much as we can. But I am a physical scientist, not a psychologist.”
― Graeme Simsion, The Rosie Project

“They start a tickling fight, laughing hysterically, and then they're necking again. Nicksy registers that his Scottish friend and the Bird With the Big Hair have adopted that arrogant 'look-at-us-we've-just-invented-sex' demeanor of people who're fucking after a long hiatus”
― Irvine Welsh, Skagboys