Yee Widger

“Employment in the Small Bookstore"
Twelve Poems, 1975

The dust is almost motionless
in this narrowness, this stillness,
yet how unlike a coffin
it is, sometimes letting a live one in,
sometimes out
and the air,
though paused, impends not a thing,
the silence isn't sinister,
and in fact not much goes on
at the Ariel Book Shop today,
no one weeps in the back
room full of books, old books, no one
is tearing the books to shreds, in fact
I am merely sitting here
talking to no one, no one being here,
and I am blameless,
More,
I am grateful for the job,
I am fond of the books and touch them,
I am grateful that King St. goes down
to the river, and that the rain
is lovely, the afternoon green.
If the soft falling away of the afternoon
is all there is, it is nearly
enough, just
let me hear the beautiful clear voice
of a woman in song passing
toward silence, and then
that will be all for me
at five o'clock
I will walk
down to see the untended
sailing yachts of the Potomac
bobbing hopelessly in another silence,
the small silence that gets to be a long
one when the past stops talking
to you because it is dead,
and still you listen,
hearing just the tiny
agonies of old boats
on a cloudy day, in cloudy water.
Talk to it. Men are talking to it
by Cape Charles, for them it's the same
silence with fishing lines in their hands.
We are all looking at the river bearing the wreckage
so far away. We wonder how
the river ever came to be so
grey, and think that once there were
some very big doings on this river,
and now that is all over.”
― Denis Johnson, The Throne of the Third Heaven of the Nations Millennium General Assembly

“Mummy was a swine: a scum-cunted, likkered-up, brain-sick swine. She was lazy and slothful and dirty and belligerent and altogether evil. Ma was a soak - a drunk - a piss-eyed hell-bag with a taste for the homebrew.”
― Nick Cave, And the Ass Saw the Angel

“The stuff of nightmare is their plain bread. They butter it with pain. They set their clocks by deathwatch beetles, and thrive the centuries. They were the men with the leather-ribbon whips who sweated up the Pyramids seasoning it with other people's salt and other people's cracked hearts. They coursed Europe on the White Horses of the Plague. They whispered to Caesar that he was mortal, then sold daggers at half-price in the grand March sale. Some must have been lazing clowns, foot props for emperors, princes, and epileptic popes. Then out on the road, Gypsies in time, their populations grew as the world grew, spread, and there was more delicious variety of pain to thrive on. The train put wheels under them and here they run down the log road out of the Gothic and baroque; look at their wagons and coaches, the carving like medieval shrines, all of it stuff once drawn by horses, mules, or, maybe, men.”
― Ray Bradbury, Something Wicked This Way Comes

“The best writers tend to look the roughest in photos. At least that's the excuse I use for why I look so bad in mine.”
― R.D. Ronald