Jonathan  Lovelace

year in books

Jonathan Lovelace’s Followers (40)

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Dylan West
536 books | 211 friends

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Jake
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Jaymes
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Jonathan Lovelace

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Born
in The United States
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January 2013

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Jonathan Lovelace is a thirty-something writer from Michigan. A software developer and technical writer by training, worldbuilder by inclination, and poet by inspiration, he published his first collection of poetry in 2014.

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A Year in Verse

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0.00 avg rating — 0 ratings — published 2014 — 2 editions
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“Revision”

If there’s a word or line you fondly think
Your fledgling poem cannot live without,
Some turn of phrase you could not bear to cut,
Then steel yourself and cut it nonetheless
(And save it in your archives if you must);
‘Tis nearly certain that your heart was wrong,
And fond affection did your verse no good,
So cruel pruning must have strengthened it.
Many an author loves the book she writes
Alm

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Published on June 28, 2025 06:00
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More of Jonathan's books…
Dorothy L. Sayers
“Perhaps [the critics are right and] the drama is played out now and Jesus is safely dead and buried. Perhaps. It is ironical and entertaining to consider that at least once in the world’s history those words might have been said with complete conviction, and that was on the eve of the Resurrection.”
Dorothy L. Sayers, The Whimsical Christian: 18 Essays

Charles   Williams
“I generally give the title-page a fair chance," Roger said. "Once can't always judge books merely by the cover.”
Charles Williams, Shadows of Ecstasy
tags: books

Charles   Williams
“, Stanhope delayed a moment behind Miss Fox to add: "The substantive, of course, governs the adjective; not the other way round."
"The substantive?" Pauline asked blankly.
"Good. It contains terror, not terror good. I'm keeping you. Good-bye, Periel," and he was gone.”
Charles Williams, Descent into Hell

Charles   Williams
“An hour's conversation on literature between two ardent minds with a common devotion to a neglected poet is a miraculous road to intimacy.”
Charles Williams, War in Heaven

Charles   Williams
“There was presented to him at once and clearly an opportunity for joy--casual, accidental joy, but joy. If he could not manage joy, at least he might have managed the intention of joy, or (if that also were too much) an effort towards the intention of joy. The infinity of-grace could have been contented and invoked by a mere mental refusal of anything but such an effort. He knew his duty--he was no fool--he knew that the fantastic recognition would please and amuse the innocent soul of Sir Aston, not so much for himself as in some unselfish way for the honour of history. Such honours meant nothing, but they were part of the absurd dance of the world, and to be enjoyed as such. Wentworth knew he could share that pleasure. He could enjoy; at least he could refuse not to enjoy. He could refuse and reject damnation.

With a perfectly clear, if instantaneous, knowledge of what he did, he rejected joy instead. He instantaneously preferred anger, and at once it came; he invoked envy, and it obliged him. He crushed the paper in a rage, then he tore it open, and looked again and again-there it still was. He knew that his rival had not only succeeded, but succeeded at his own expense; what chance was there of another historical knighthood for years? Till that moment he had never thought of such a thing. The possibility had been created and withdrawn simultaneously, leaving the present fact to mock him. The other possibility--of joy in that present fact--receded as fast. He had determined, then and for ever, for ever, for ever, that he would hate the fact, and therefore facts.”
Charles Williams, Descent into Hell

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