Roz Kaveney

“Too often critics have taken as the sole and crucial matter of fantasy the preoccupation of Tolkien, the quest for a remedy to the world's pain that will not destroy innocence with the temptations of power. Impressive and popular as The Lord of the Rings is, it manages its landscapes, vast green-leaved or slag-heaped vistas of pathetic fallacy and implied morality, far better than its people; it leaves the impression that important issues have been turned by sleight of hand and Georgian prettiness into questions of good and bad practice in urban planning and rural conservation. After all, the Grail is only worth seeking if you can believe in a god who put it there to help those who help themselves, in an Avalon to which burned-out heroes can retire with dignity. There is another great Matter for fantasy, one of more obvious resonance for the creative artist - the reconciliation of faerie and humanity; of the passion, power and wit of a world of sensuality, magic, and danger with the requirements of kind and ordinary life.”
― Roz Kaveney

“His mother was, as they say, of good family, but the father who died before he knew him was a tradesman. And his mother's Catholic family had a trade too, to which he did not feel even the slightest bit drawn, and that trade was martyrdom. Thomas More, beheaded for refusing to condone Henry VIII's schism, was his great-grand-uncle; an uncle was imprisoned and exiled for being a Jesuit; his brother died in jail of plague for harbouring a priest.”
― Roz Kaveney, John Donne: How to Believe