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Natalia Ginzburg

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Natalia Ginzburg


Born
in Palermo, Italy
July 14, 1916

Died
October 07, 1991

Genre


Natalia Ginzburg (née Levi) was an Italian author whose work explored family relationships, politics during and after the Fascist years and World War II, and philosophy. She wrote novels, short stories and essays, for which she received the Strega Prize and Bagutta Prize. Most of her works were also translated into English and published in the United Kingdom and United States. An activist, for a time in the 1930s she belonged to the Italian Communist Party. In 1983 she was elected to Parliament from Rome as an Independent.

Average rating: 4.02 · 94,176 ratings · 10,481 reviews · 127 distinct worksSimilar authors
Lessico famigliare

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3.90 avg rating — 23,315 ratings — published 1963
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The Dry Heart

3.99 avg rating — 11,935 ratings — published 1947 — 46 editions
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The Little Virtues

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4.09 avg rating — 10,156 ratings — published 1962 — 71 editions
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All Our Yesterdays

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3.99 avg rating — 4,780 ratings — published 1952 — 70 editions
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Happiness, as Such

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3.98 avg rating — 4,539 ratings — published 1973 — 57 editions
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Voices in the Evening

3.73 avg rating — 4,043 ratings — published 1952 — 5 editions
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The Road to the City

3.73 avg rating — 2,836 ratings — published 1942 — 37 editions
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The City and the House

4.13 avg rating — 1,792 ratings — published 1984 — 4 editions
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Valentino

3.93 avg rating — 1,771 ratings — published 1957 — 23 editions
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Sagittarius

3.83 avg rating — 1,675 ratings — published 1957 — 19 editions
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Quotes by Natalia Ginzburg  (?)
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“Every day silence harvests its victims. Silence is a mortal illness.”
Natalia Ginzburg

“Noi siamo cinque fratelli. Abitiamo in città diverse, alcuni di noi stanno all'estero: e non ci scriviamo spesso. Quando c'incontriamo, possiamo essere, l'uno con l'altro, indifferenti o distratti. Ma basta, fra noi, una parola. Basta una parola, una frase: una di quelle frasi antiche, sentite e ripetute infinite volte, nel tempo della nostra infanzia. [...] Quelle frasi sono il nostro latino, il vocabolario dei nostri giorni andati, sono come i geroglifici egiziani o degli assiro-babilonesi, la testimonianza d'un nucleo vitale che ha cessato di esistere, ma che sopravvive nei suoi testi, salvati dalla furia delle acque, dalla corrosione del tempo. Quelle frasi sono il fondamento della nostra unità familiare, che sussisterà finché saremo al mondo, ricreandosi e risuscitando nei punti più diversi della terra.”
Natalia Ginzburg, Lessico famigliare

“When I write something I usually think it is very important and that I am a very fine writer. I think this happens to everyone. But there is one corner of my mind in which I know very well what I am, which is a small, a very small writer. I swear I know it. But that doesn't matter much to me. Only, I don't want to think about names: I can see that if I am asked 'a small writer like who?' it would sadden me to think of the names of other small writers. I prefer to think that no one has ever been like me, however small, however much a mosquito or a flea of a writer I may be. The important thing is to be convinced that this really is your vocation, your profession, something you will do all your life.”
Natalia Ginzburg, The Little Virtues

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