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Heid E. Erdrich

Heid E. Erdrich’s Followers (103)

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Sarah
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Heid E. Erdrich

Goodreads Author


Born
The United States
Website

Genre

Influences

Member Since
September 2007

URL


Heid E. Erdrich writes and publishes poetry and non-fiction. Her NEW book of poems, Cell Traffic, a new and selected from University of Arizona Press, IS NOW AVAILABLE. Please consider buying it from www.birchbarkbooks.com

Heid's most recent book of poems, National Monuments from Michigan State University Press, won the 2009 Minnesota Book Award. Heid Erdrich teaches writing workshops, often as a guest at various colleges and universities. Each year she leads the Turtle Mountain Writers Workshop on her home reservation in North Dakota. Heid also works with American Indian visual artists as a curator and arts advocate. Author of the play "Curiosities," she collaborates broadly on multi-discilinary performances of other artists as well.

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Average rating: 4.4 · 3,471 ratings · 558 reviews · 13 distinct worksSimilar authors
New Poets of Native Nations

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4.40 avg rating — 668 ratings — published 2018 — 2 editions
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Little Big Bully

4.06 avg rating — 251 ratings — published 2020 — 5 editions
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Sister Nations: Native Amer...

by
4.29 avg rating — 112 ratings — published 2002 — 6 editions
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National Monuments

4.28 avg rating — 101 ratings — published 2008 — 7 editions
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Original Local: Indigenous ...

4.36 avg rating — 67 ratings — published 2013 — 3 editions
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Curator of Ephemera at the ...

really liked it 4.00 avg rating — 57 ratings3 editions
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Cell Traffic: New and Selec...

4.30 avg rating — 50 ratings — published 2012 — 3 editions
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Fishing for Myth

4.32 avg rating — 37 ratings — published 1997 — 2 editions
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Verb Animate: Poetry and Pr...

4.50 avg rating — 6 ratings2 editions
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Maria Tallchief

3.75 avg rating — 4 ratings — published 1992
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More books by Heid E. Erdrich…
Motorcycles & Swe...
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Where the Dead Si...
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If I Ever Get Out...
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Quotes by Heid E. Erdrich  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“It has seemed to me that, unless our poetry conforms to some stereotypical notion of Native American history and culture in the past tense or unless it depicts spiritual relationship to the natural world of animals and plants and landscape, it goes unrecognized. We do and we do not write of treaties, battles, and drums. We do and we do not write about eagles, spirits, and canyons. Native poetry may be those things, but it is not only those things.”
Heid E. Erdrich, New Poets of Native Nations

“A people on fire has no time to fan other people's flames.”
Heid E. Erdrich, A Good Time for the Truth: Race in Minnesota

“She was the kind
To tell it like it is
To kiss and tell
To kiss and kill
To kill with kindness

She was the kind
To get things through her thick skull
To work her fingers to the bone
To work on her back
To never take it lying down

She was the kind
To lay down the law
To get down on her knees
To get up on her feet
To give an inch and take a mile

She was the kind
To stand up for herself
To sit down strike
To go to the wall
To take it to the limit

She was the kind
To take it too far
To drop off the face of the earth
To face the music
To hit rock bottom

She was the kind
To get back on that horse and ride it
To get up on her high horse
To get down to business
To turn the world upside down”
Heid E. Erdrich, National Monuments

Topics Mentioning This Author

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“Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”
Ira Glass

“What finally turned me back toward the older traditions of my own [Chickasaw] and other Native peoples was the inhumanity of the Western world, the places--both inside and out--where the culture's knowledge and language don't go, and the despair, even desperation, it has spawned. We live, I see now, by different stories, the Western mind and the indigenous. In the older, more mature cultures where people still live within the kinship circles of animals and human beings there is a connection with animals, not only as food, but as 'powers,' a word which can be taken to mean states of being, gifts, or capabilities.

I've found, too, that the ancient intellectual traditions are not merely about belief, as some would say. Belief is not a strong enough word. They are more than that: They are part of lived experience, the on-going experience of people rooted in centuries-old knowledge that is held deep and strong, knowledge about the natural laws of Earth, from the beginning of creation, and the magnificent terrestrial intelligence still at work, an intelligence now newly called ecology by the Western science that tells us what our oldest tribal stories maintain--the human animal is a relatively new creation here; animal and plant presences were here before us; and we are truly the younger sisters and brothers of the other animal species, not quite as well developed as we thought we were. It is through our relationships with animals and plants that we maintain a way of living, a cultural ethics shaped from an ancient understanding of the world, and this is remembered in stories that are the deepest reflections of our shared lives on Earth.

That we held, and still hold, treaties with the animals and plant species is a known part of tribal culture. The relationship between human people and animals is still alive and resonant in the world, the ancient tellings carried on by a constellation of stories, songs, and ceremonies, all shaped by lived knowledge of the world and its many interwoven, unending relationships. These stories and ceremonies keep open the bridge between one kind of intelligence and another, one species and another.

(from her essay "First People")”
Linda Hogan, Intimate Nature: The Bond Between Women and Animals

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Allison HedgeCoke Snow in sunshine here. Crows lining wire with wing, tails spread to fan the glistening white world below. A black dog skips drifts; heels to the heavens. His loftiness lifting spiked ears, full maned fur, hosting crow jet on blank ground-- sounding.

Any of these books below would be fantastic gifts for wintering:

Sister Nations: Native American Women Writers On Community (Native Voices) Edited by Heid E. Erdrich and Laura Tohe

The Mother's Tongue(Earthworks S.)
by Heid E. Erdrich

Fishing for Myth: Poems by Heid E. Erdrich

I recommend!

Allison Hedge Coke



message 2: by Paula

Paula Thank you, Heid!


message 1: by Kathryn (last edited Aug 25, 2016 01:35PM)

Kathryn Congrats on the Sovereign Bones anthology publication!


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