Eric Keys

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Eric Keys

Goodreads Author


Genre

Influences

Member Since
December 2011

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Average rating: 4.01 · 174 ratings · 42 reviews · 10 distinct works
Grave Hauntings: Where Sexy...

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3.64 avg rating — 98 ratings — published 2014 — 2 editions
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Grace & Blood

4.10 avg rating — 20 ratings — published 2014 — 2 editions
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For the Glory: An Erotic BD...

4.50 avg rating — 14 ratings — published 2014 — 2 editions
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Tales of the Undead - Suffe...

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4.82 avg rating — 11 ratings — published 2013 — 3 editions
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Mstislav

4.90 avg rating — 10 ratings — published 2014 — 2 editions
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Infernal Ink Magazine (vol....

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4.50 avg rating — 10 ratings — published 2014 — 2 editions
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Plague

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4.43 avg rating — 7 ratings — published 2014 — 3 editions
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A Light In The Darkness: An...

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4.25 avg rating — 4 ratings — published 2012 — 2 editions
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Until the End: An Anthology...

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it was amazing 5.00 avg rating — 1 rating — published 2013 — 4 editions
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Integrated Land-Change Scie...

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0.00 avg rating — 0 ratings — published 2004 — 2 editions
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More books by Eric Keys…

Truth that only monsters were at liberty to tell

She knew he was telling the truth, the kind of unsavory truth that only monsters were at liberty to tell. He had no need to flatter or cajole; he had no philosophy to debate, or sermon to deliver. His awful nakedness was a kind of sophistication. Past the lies of faith, and into purer realms.



Clive Barker – The Hellbound Heart


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Published on September 24, 2014 12:51
The Illustrated G...
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Storm Front
Eric Keys is currently reading
by Jim Butcher (Goodreads Author)
bookshelves: currently-reading
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David Foster Wallace
“Good fiction’s job is to comfort the disturbed and disturb the comfortable.”
David Foster Wallace

Thomas Ligotti
“This, then, is the ultimate, that is only, consolation: simply that someone shares some of your own feelings and has made of these a work of art which you have the insight, sensitivity, and — like it or not — peculiar set of experiences to appreciate. Amazing thing to say, the consolation of horror in art is that it actually intensifies our panic, loudens it on the sounding-board of our horror-hollowed hearts, turns terror up full blast, all the while reaching for that perfect and deafening amplitude at which we may dance to the bizarre music of our own misery.”
Thomas Ligotti, The Nightmare Factory




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