In the 1930s, before noir was noir (the term “film noir” was only coined—by the French—in 1946),

Europeans were making gritty, downbeat films with adult subject matter, storylines involving adultery and crime that usually culminated in death. American gangster movies covered some of this territory, and there was a fair amount of cross-fertilization between this genre, the German Expressionism of the 1920s, and what the French were calling poetic realism. Renoir hung out with the poetic realist crowd and some of his early pictures were gritty, with the deep shadows we associate with the German Expressionist style, but even when they end in murder, Renoir’s films don’t leave you in despair. You come out of them smiling, your faith in humanity restored.
Read the review on my classic movie blog,
Deathless Prose.
Published on
May 17, 2019 05:07
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renoir