SUPER involved. Solange provided a bunch of options, scene by scene that she was into, and then me, Melina and Prentice would make choices. Sometimes we’d have our own suggestions for songs. 

And Raphael was the composer, so he would submit drafts for the scenes we needed music, then we’d give notes. Some of the songs in our score I wish were full songs.

Working with both of them was AMAZING.