Ben Newton
asked
Lois McMaster Bujold:
Good morning, Ms. Bujold! I'm a huge fan of your writing, thank you! I'm far from a writer myself, but like many people, I do have to write some for my job. Most writers say the trick is to just get your thoughts on paper, then go back later and make them good, which is pretty much the exact opposite of what I do. Is that how you do it? And if so, do you think it has affected the way you think and talk as well?
Lois McMaster Bujold
Mm, I get my thoughts on paper, any old how, at the notes-and-outlines pre-writing stage. Jotted in pencil on lined paper in a 3-ring binder, which I keep around my house open pretty much all the time when I'm into a project, ready to capture passing thoughts. Pencil and paper are, somehow, non-binding, allowing brainstorming (or brain-drizzling, or brain light-Scotch-misting.) I think of it as my prosthetic memory on paper, because otherwise things would all evaporate before I needed to remember them. I also do a certain amount of shoving things around on paper to get them into a sensible order.
When words actually start to flow, it's out of the basis of this pre-writing. At that stage, I find it enormously easier to do it right the first time than try to fix it later. I hate doing revisions because, first, my prose sets up like concrete and takes a jackhammer to change, and second, I always worry I'm making it worse not better. (I still revise, mind you, as needed.)
Note that I do this in succeeding scene-sized chunks, not the whole at once. By the end of a project, I'll have accumulated about as many pages of scribbled notes as I have of finished story.
However, more recently, I'm slipping more and more to wholly paperless production, a medium in which fixing becomes easier. I do way more micro-editing when I'm working paperless. (As I have just spent several minutes doing on this very answer.) I still need my notes, but they've been getting sketchier.
So there isn't just one way for even one writer to do things all the time.
As ever, I rec https://pcwrede.com/blog/ for the best stock of writing tips on the net. Don't overlook the very useful search function.
Ta, L.
Mm, I get my thoughts on paper, any old how, at the notes-and-outlines pre-writing stage. Jotted in pencil on lined paper in a 3-ring binder, which I keep around my house open pretty much all the time when I'm into a project, ready to capture passing thoughts. Pencil and paper are, somehow, non-binding, allowing brainstorming (or brain-drizzling, or brain light-Scotch-misting.) I think of it as my prosthetic memory on paper, because otherwise things would all evaporate before I needed to remember them. I also do a certain amount of shoving things around on paper to get them into a sensible order.
When words actually start to flow, it's out of the basis of this pre-writing. At that stage, I find it enormously easier to do it right the first time than try to fix it later. I hate doing revisions because, first, my prose sets up like concrete and takes a jackhammer to change, and second, I always worry I'm making it worse not better. (I still revise, mind you, as needed.)
Note that I do this in succeeding scene-sized chunks, not the whole at once. By the end of a project, I'll have accumulated about as many pages of scribbled notes as I have of finished story.
However, more recently, I'm slipping more and more to wholly paperless production, a medium in which fixing becomes easier. I do way more micro-editing when I'm working paperless. (As I have just spent several minutes doing on this very answer.) I still need my notes, but they've been getting sketchier.
So there isn't just one way for even one writer to do things all the time.
As ever, I rec https://pcwrede.com/blog/ for the best stock of writing tips on the net. Don't overlook the very useful search function.
Ta, L.
More Answered Questions
Antipoet
asked
Lois McMaster Bujold:
I just did my annual rerad of Komarr/ACC and wanted to thank you for writing. I've gotten a bunch of friends into your work and there's almost always a Vorkosigan or Pen/Des readthrough happening in my Discord server's liveblog channel. You've enriched all our lives immeasurably; thank you again. Here is a question mark to satisfy Goodreads?
Peter Meek
asked
Lois McMaster Bujold:
I note that Gentleman Jole and the Red Queen is available for pre-order on Amazon (done), but no Kindle version. Is a Kindle version planned? I haven't quite given up on "real" books (I still get hardcovers from my favorite authors, among whom you are included) but my preferred method of reading these days is on my iPad. I don't process verbal communication very well, so audiobooks are of no use to me.
Gabi
asked
Lois McMaster Bujold:
I'm a Kobo ereader user. (As an overseas librarian, I dislike Kindle's proprietary attitude, and avoid them.) I noticed only a few of your books were available in the Kobo store. I remember years ago there was an independent site that had many of your ebooks, but I'm not sure they're still working. Is there a chance that Spirit Ring and the Baen books would be available in non-Kindle epub format sometime soon?
About Goodreads Q&A
Ask and answer questions about books!
You can pose questions to the Goodreads community with Reader Q&A, or ask your favorite author a question with Ask the Author.
See Featured Authors Answering Questions
Learn more