Marijo
asked
Circa24:
I loved your sequel, , but I see that some people have trouble with the degradation endured by Tissi. Can you comment on why you made it so intense?
Circa24
In the beginning, I had intended to take an entirely different path, but Tissi dragged me into her world. That's why I warn people up front that the book will be unsettling.
Too often, enslavement is portrayed as little more than a form of forced labor. However, the greater horror is in its dehumanization, and that was the aspect I wanted to drive home. Every dehumanizing torture and every degradation in the book has precedence in one or more systems of enslavement. I chose the bakery setting because it was one of the most feared fates an enslaved person could endure in the Roman era. Like a sentence to the mines, it hailed a short life and tortuous death. Even the Romans acknowledged this, and it formed a core theme in the picaresque story by Apuleius, The Golden Ass where, in the 9th book, Lucius is sold into labor to drive a baker's mill-wheel.
Torture and degradation of the enslaved have been an accepted form of amusement through the ages and, as in American lynchings, have served as a bonding ritual to unite the empowered community against the subjugated one. I tried to leave out the torture reserved for Deilos, that was reportedly employed by several of the guards at Auschwitz-Birkenau and by the DINA at Villa Grimaldii under Pinochet (hence the names Birki and Rimm). More recently, one American army sergeant was convicted for a similar act of torture (Dishneau 2006, cited in: https://muse.jhu.edu/article/402871/s...). I tried to leave that bit out, but ultimately, I could not ignore the abjections of these victims. (When I substituted a less vial passage, the story didn't read right. However, I tried to temper it with his Harrie "name," Dielos, a double nod, first to the cult of Dionysus and Leto, the twin gods of love whose cult was centered at Delos. Second to Daedalus, the son of Icarus who flew too close to the sun and was a metaphor for truth (Remember: Deilos was a political prisoner, and they are often singled out for more horrific abuses.)
I also wanted to make the terror of the resistance palpable and the acceptance by most of society shocking. Each person who fights the system could be charged with an energy crime and become subject to the same filth and humiliation. Rather than a clear-cut good-guy bad-guy dichotomy, I have some characters awaken slowly to the horrors and others who experience sudden revelations. Like most of us, who don't give two thoughts about the people who make our cheap consumer goods, most people in Silent Consent and Endured just accept the conditions of the Nameless without thinking about their roles, Perhaps our world would be a little better if we asked how and who supports our quality of life, and include future generations in those computations.
Too often, enslavement is portrayed as little more than a form of forced labor. However, the greater horror is in its dehumanization, and that was the aspect I wanted to drive home. Every dehumanizing torture and every degradation in the book has precedence in one or more systems of enslavement. I chose the bakery setting because it was one of the most feared fates an enslaved person could endure in the Roman era. Like a sentence to the mines, it hailed a short life and tortuous death. Even the Romans acknowledged this, and it formed a core theme in the picaresque story by Apuleius, The Golden Ass where, in the 9th book, Lucius is sold into labor to drive a baker's mill-wheel.
Torture and degradation of the enslaved have been an accepted form of amusement through the ages and, as in American lynchings, have served as a bonding ritual to unite the empowered community against the subjugated one. I tried to leave out the torture reserved for Deilos, that was reportedly employed by several of the guards at Auschwitz-Birkenau and by the DINA at Villa Grimaldii under Pinochet (hence the names Birki and Rimm). More recently, one American army sergeant was convicted for a similar act of torture (Dishneau 2006, cited in: https://muse.jhu.edu/article/402871/s...). I tried to leave that bit out, but ultimately, I could not ignore the abjections of these victims. (When I substituted a less vial passage, the story didn't read right. However, I tried to temper it with his Harrie "name," Dielos, a double nod, first to the cult of Dionysus and Leto, the twin gods of love whose cult was centered at Delos. Second to Daedalus, the son of Icarus who flew too close to the sun and was a metaphor for truth (Remember: Deilos was a political prisoner, and they are often singled out for more horrific abuses.)
I also wanted to make the terror of the resistance palpable and the acceptance by most of society shocking. Each person who fights the system could be charged with an energy crime and become subject to the same filth and humiliation. Rather than a clear-cut good-guy bad-guy dichotomy, I have some characters awaken slowly to the horrors and others who experience sudden revelations. Like most of us, who don't give two thoughts about the people who make our cheap consumer goods, most people in Silent Consent and Endured just accept the conditions of the Nameless without thinking about their roles, Perhaps our world would be a little better if we asked how and who supports our quality of life, and include future generations in those computations.
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