Sami
asked
Lauren Willig:
Lauren, you are such a prolific writer, how do you manage to produce as many titles as you do, while putting in the time to research historical context?
Lauren Willig
That's a great question, Sami. A lot depends on the type of book and type of research: with my Pink books, I had already done a lot of basic research on the Napoleonic Wars, so, with each book, the research was limited to the specific details I needed to know for that particular setting and plot-line. That could still mean rather a lot of research (for example, "The Betrayal of the Blood Lily", for which I gave myself a crash course on late eighteenth century India), but it meant a basic familiarity with the larger historical picture. The same was true of "The Other Daughter". I'd already read a great deal about World War I and 1920s London for "The Ashford Affair", so I was able to start with a pre-existing knowledge base and build off that, which meant that I was able to get to the writing faster.
With other books, such as "That Summer", where the historical terrain is less familiar to me, I've had to take longer. Right now, for example, we've pushed off the publication of my next stand alone novel from summer 2016 to summer 2017 so I'll have time to research three new time periods for an epic set in Belle Epoque Paris, World War I Picardy, and Paris just before World War II. Those were periods I knew very little about, so much more intensive research was required and I didn't want to skimp on it.
With other books, such as "That Summer", where the historical terrain is less familiar to me, I've had to take longer. Right now, for example, we've pushed off the publication of my next stand alone novel from summer 2016 to summer 2017 so I'll have time to research three new time periods for an epic set in Belle Epoque Paris, World War I Picardy, and Paris just before World War II. Those were periods I knew very little about, so much more intensive research was required and I didn't want to skimp on it.
More Answered Questions
Freya
asked
Lauren Willig:
I'm a devoted fan of the Pink Carnation series. (Even if you didn't clearly share my passions for Shakespeare, Blackadder, and Wodehouse, I'd still adore every volume.) I'm an aspiring novelist, and I definitely desire this woman's art, and her scope. How you go about constructing your plots? What are your outlines like? Do you start with the end? How do you make your middles so taut and exciting?
Kathy Reichbach
asked
Lauren Willig:
I just read the first Pink Carnation book, actually listened to it on CD during a road trip. I earned a J.D. a few years ago at a very competitive law school, but nothing like Harvard. How on earth did you find time to also write a terrific historical novel, requiring no small amount of research? I'm impressed!
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