Felicia > Felicia's Quotes

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  • #1
    Friedrich Nietzsche
    “Be careful, lest in casting out your demon you exorcise the best thing in you.”
    Friedrich Nietzsche

  • #2
    Virginia Woolf
    “Nothing thicker than a knife's blade separates happiness from melancholy.”
    Virginia Woolf, Orlando

  • #3
    Oscar Wilde
    “There is a luxury in self-reproach. When we blame ourselves, we feel that no one else has a right to blame us. It is the confession, not the priest, that gives us absolution.”
    Oscar Wilde, The Picture of Dorian Gray

  • #4
    Anna Burns
    “No longer did I want to explain, for I could see myself in the moment, exactly as she was seeing me, as all of them were seeing me.”
    Anna Burns, Milkman

  • #5
    Natsuki Takaya
    “We're all born with selfish desires, so we can all relate to those feelings in others. But kindness is something made individually by each person...so it's easy to misunderstand when others are trying to be kind to you.”
    Natsuki Takaya, Fruits Basket Ultimate Edition, Vol. 3

  • #6
    Virginia Woolf
    “No passion is stronger in the breast of a man than the desire to make others believe as he believes. Nothing so cuts at the root of his happiness and fills him with rage as the sense that another rates low what he prizes high.”
    Virginia Woolf, Orlando

  • #7
    Oscar Wilde
    “Nothing makes one so vain as being told that one is a sinner.”
    Oscar Wilde

  • #8
    C.G. Jung
    “Nothing has a stronger influence psychologically on their environment and especially on their children than the unlived life of the parent.”
    C.G. Jung

  • #9
    Oscar Wilde
    “Experience is merely the name men gave to their mistakes.”
    Oscar Wilde, The Picture of Dorian Gray

  • #10
    Oscar Wilde
    “The basis of optimism is sheer terror.”
    Oscar Wilde, The Picture of Dorian Gray

  • #11
    Oscar Wilde
    “The basis of optimism is sheer terror. We think that we are generous because we credit our neighbour with the possession of those virtues that are likely to be a benefit to us. We praise the banker that we may overdraw our account, and find good qualities in the highwayman in the hope that he may spare our pockets.”
    Oscar Wilde, The Picture of Dorian Gray

  • #12
    Anna Burns
    “Thing was though, before I´d gained the understanding of what was happening, my seemingly flattened approach to life became less a pretence and more and more real as time went on. At first an emotional numbness set it. Then my head, which initially had reassured with, 'Excellent. Well done. Successfully am I fooling them in that they do not know who I am or what I'm thinking or what I'm feeling', now began itself to doubt I was even there. 'Just a minute', it said. 'Where is our reaction? We were having a privately expressed reaction but now we're not having it. Where is it?' This my feelings stopped existing. And now this numbance from nowhere had come so far on in its development that along with others in the area finding me inaccessible, I, too, came to find me inaccessible. My inner world, it seemed, had gone away.”
    Anna Burns, Milkman

  • #13
    Anna Burns
    “What if one person happened to be sane, longest friend, against a whole background, a race mind, that wasn't sane, that person would probably be viewed by the mass consciousness as mad - but would that person be mad?”
    Anna Burns, Milkman

  • #14
    Stephen        King
    “Faith is a great thing, and really religious people would like us to believe that faith and knowing are the same thing, but I don't believe that myself. Because there are too many different ideas on the subject. What we know is this: When we die, one of two things happens. Either our souls and thoughts somehow survive the experience of dying or they don't. If they do, that opens up every possibility you could think of. If they don't, it's just blotto. The end.”
    Stephen King, Pet Sematary
    tags: faith

  • #15
    Stephen        King
    “Louis stared at her, nonplussed. He more than half suspected that one of the things which had kept their marriage together when it seemed as if each year brought the news that two or three of their friends' marriages had collapsed was their respect of the mystery--the half-grasped but never spoken idea that maybe, when you got right down to the place where the cheese binds, there was no such thing as marriage, no such thing as union, that each soul stood alone and ultimately defied rationality. That was the mystery. And no matter how well you thought you knew your partner, you occasionally ran into blank walls or fell into pits. And sometimes (rarely, thank God) you ran into a full-fledged pocket of alien strangeness, something like the clear-air turbulence that can buffet an airliner for no reason at all. An attitude or belief which you had never suspected, one so peculiar (at least to you) that it seemed nearly psychotic. And then you trod lightly, if you valued your marriage and your peace of mind; you tried to remember that anger at such a discovery was the province of fools who really believed it was possible for one mind to know another.”
    Stephen King, Pet Sematary

  • #16
    Kazuo Ishiguro
    “Until recently, I didn’t think that humans could choose
    loneliness. That there were sometimes forces more powerful than the wish to avoid loneliness.”
    Kazuo Ishiguro, Klara and the Sun

  • #17
    Margaret Atwood
    “No mother is ever, completely, a child's idea of what a mother should be, and I suppose it works the other way around as well. But despite everything, we didn't do too badly by one another, we did as well as most.”
    Margaret Atwood, The Handmaid’s Tale

  • #18
    Margaret Atwood
    “When I was younger, imagining age, I would think, Maybe you appreciate things more when you don't have much time left. I forgot to include the loss of energy. Some days I do appreciate things more, eggs, flowers, but then I decide I'm only having an attack of sentimentality, my brain going pastel Technicolor, like a beautiful-sunset greeting cards they used to make so many of in California. High-gloss hearts.
    The danger is grayout.”
    Margaret Atwood, The Handmaid’s Tale

  • #19
    Margaret Atwood
    “By telling you anything at all I'm at least believing in you, believe you're there, I believe you into being. Because I'm telling you this story I will your existence. I tell, therefore you are. So I will go on. So I will myself to go on.”
    Margaret Atwood, The Handmaid’s Tale

  • #20
    Anne Brontë
    “The gentlemen seemed better, but, perhaps, it was because I knew them less - perhaps, because they flattered me; but I did not fall in love with any of them; and, if their attentions pleased me one moment, they provoked me the next, because they put me out of humour with myself, by revealing my vanity and making me fear I was becoming like some of the ladies I so heartily despised.”
    Anne Bronte, The Tenant of Wildfell Hall

  • #21
    Alain de Botton
    “It’s not just children who are childlike. Adults, too, are – beneath the bluster – intermittently playful, silly, fanciful, vulnerable, hysterical, terrified, and pitiful and in search of consolation and forgiveness.
    We’re well versed at seeing the sweet and the fragile in children and offering them help and comfort accordingly. Around them, we know how to put aside the worst of our compulsions, vindictiveness and fury. We can recalibrate our expectations and demand a little less than we normally do; we’re slower to anger and a bit more aware of unrealised potential. We readily treat children with a degree of kindness that we are oddly and woefully reluctant to show to our peers.
    It is a wonderful thing to live in a world where so many people are nice to children. It would be even better if we lived in one where we were a little nicer to the childlike sides of one another.”
    Alain de Botton, The Course of Love

  • #22
    Haruki Murakami
    “The role of a story was, in the broadest terms, to transpose a single problem into another form. ... It was like a piece of paper bearing the indecipherable text of a magic spell.”
    Haruki Murakami, 1Q84

  • #23
    Haruki Murakami
    “I'm tired of living unable to love anyone. I don't have a single friend - not one. And, worst of all, I can't even love myself. Why is that? Why can't I love myself? It's because I can't love anyone else. A person learns how to love himself through the simple acts of loving and being loved by someone else. Do you understand what I am saying? A person who is incapable of loving another cannot properly love himself.”
    Haruki Murakami, 1Q84

  • #24
    Haruki Murakami
    “Where there is light, there must be shadow, and where there is shadow there must be light. There is no shadow without light and no light without shadow. Karl Jung said this about 'the Shadow' in one of his books: 'It is as evil as we are positive... the more desperately we try to be good and wonderful and perfect, the more the Shadow develops a definite will to be black and evil and destructive... The fact is that if one tries beyond one's capacity to be perfect, the shadow descends to hell and becomes the devil. For it is just as sinful from the standpoint of nature and of truth to be above oneself as to be below oneself.”
    Haruki Murakami, 1Q84

  • #25
    Gustave Flaubert
    “She had purchased for herself a blotting-case, stationery, a penholder and some envelopes, although she had no one to write to; she wiped the dust off her shelves, looked at herself in the mirror, took down a book, then, dreaming between the lines, let it fall in her lap. She had a desire to travel, or to go back and live at her convent. She wished both to die and to live in Paris.”
    Gustave Flaubert, Madame Bovary

  • #26
    “Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”
    Ira Glass

  • #27
    Friedrich Nietzsche
    “One repays a teacher badly if one always remains nothing but a pupil.”
    Friedrich Nietzsche, Thus Spoke Zarathustra

  • #28
    Haruki Murakami
    “Memory is like fiction; or else it's fiction that's like memory.”
    Haruki Murakami, The Elephant Vanishes

  • #29
    Haruki Murakami
    “Enough of trying to write this all down. It’s going nowhere. Say I write the word “coincidence”. What you read in the word “coincidence” could be utterly different—even opposite—from what the very same word means to me. This is unfair, if I may say so. Here I am stripped to my underpants while you’ve only undone three button of your blouse. An unfair turn of events if there ever was one.
    Hence I bought myself a cassette tape, having decided to directly record my letter to you.”
    Haruki Murakami, The Elephant Vanishes

  • #30
    Haruki Murakami
    “Our city, these streets, I don't know why it makes me so depressed. That old familiar gloom that befalls the city dweller, regular as due dates, cloudy as mental Jell-O. The dirty facades, the nameless crowds, the unremitting noise, the packed rush-hour trains, the gray skies, the billboards on every square centimeter of available space, the hopes and resignation, irritation and excitement. And everywhere, infinite options, infinite possibilities. An infinity, and at the same time, zero. We try to scoop it all up in our hands, and what we get is a handful of zero.”
    Haruki Murakami



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