Hana > Hana's Quotes

“We read to know we're not alone.”
― William Nicholson, Shadowlands: A Play

“Aziraphale collected books. If he were totally honest with himself he would have to have admitted that his bookshop was simply somewhere to store them. He was not unusual in this. In order to maintain his cover as a typical second-hand book seller, he used every means short of actual physical violence to prevent customers from making a purchase. Unpleasant damp smells, glowering looks, erratic opening hours - he was incredibly good at it.”
― Terry Pratchett, Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch

“A silent Library is a sad Library. A Library without patrons on whom to pile books and tales and knowing and magazines full of up-to-the-minute politickal fashions and atlases and plays in pentameter! A Library should be full of exclamations! Shouts of delight and horror as the wonders of the world are discovered or the lies of the heavens are uncovered or the wild adventures of devil-knows-who sent romping out of the pages. A Library should be full of now-just-a-minutes and that-can't-be-rights and scientifick folk running skelter to prove somebody wrong. It should positively vibrate with laughing at comedies and sobbing at tragedies, it should echo with gasps as decent ladies glimpse indecent things and indecent ladies stumble upon secret and scandalous decencies! A Library should not shush; it should roar!”
― Catherynne M. Valente, The Girl Who Soared Over Fairyland and Cut the Moon in Two

“Stories have a way of changing faces. They are unruly things, undisciplined, given to delinquency and the throwing of erasers. This is why we must close them up into thick, solid books, so they cannot get out and cause trouble.”
― Catherynne M. Valente, The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making

“One ought not to judge her: all children are Heartless. They have not grown a heart yet, which is why they can climb high trees and say shocking things and leap so very high grown-up hearts flutter in terror. Hearts weigh quite a lot. That is why it takes so long to grow one. But, as in their reading and arithmetic and drawing, different children proceed at different speeds. (It is well known that reading quickens the growth of a heart like nothing else.) Some small ones are terrible and fey, Utterly Heartless. Some are dear and sweet and Hardly Heartless At All. September stood very generally in the middle on the day the Green Wind took her, Somewhat Heartless, and Somewhat Grown.”
― Catherynne M. Valente, The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making

“A book is a door, you know. Always and forever. A book is a door into another place and another heart and another world.”
― Catherynne M. Valente, The Girl Who Fell Beneath Fairyland and Led the Revels There

“When one is traveling, everything looks brighter and lovelier. That does not mean it IS brighter and lovelier; it just means that sweet, kindly home suffers in comparison to tarted-up foreign places with all their jewels on.”
― Catherynne M. Valente, The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making

“When you are born,” the golem said softly, “your courage is new and clean. You are brave enough for anything: crawling off of staircases, saying your first words without fearing that someone will think you are foolish, putting strange things in your mouth. But as you get older, your courage attracts gunk, and crusty things, and dirt, and fear, and knowing how bad things can get and what pain feels like. By the time you’re half-grown, your courage barely moves at all, it’s so grunged up with living. So every once in awhile, you have to scrub it up and get the works going, or else you’ll never be brave again.”
― Catherynne M. Valente, The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making

“For there are two kinds of forgiveness in the world: the one you practice because everything really is all right, and what went before is mended. The other kind of forgiveness you practice because someone needs desperately to be forgiven, or because you need just as badly to forgive them, for a heart can grab hold of old wounds and go sour as milk over them.”
― Catherynne M. Valente, The Girl Who Fell Beneath Fairyland and Led the Revels There

“Do not ruin today with mourning tomorrow.”
― Catherynne M. Valente, The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making

“Readers will always insist on adventures, and though you can have grief without adventures, you cannot have adventures without grief.”
― Catherynne M. Valente, The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making

“... but as has been said, September read often, and liked it best when words did not pretend to be simple, but put on their full armor and rode out with colors flying.”
― Catherynne M. Valente, The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making

“Wishes of one's old life wither and shrivel like old leaves if they are not replaced with new wishes when the world changes. And the world always changes. Wishes get slimy, and their colors fade, and soon they are just mud, like all the rest of the mud, and not wishes at all, but regrets. The trouble is, not everyone can tell when they ought to launder their wishes. Even when one finds oneself in Fairyland and not at home at all, it is not always so easy to remember to catch the world in it's changing and change with it.”
― Catherynne M. Valente, The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making

“Of course not. No one is chosen. Not ever. Not in the real world. You chose to climb out of your window and ride on a leopard. You chose to get a witch’s Spoon back, and to make friends with a wyvern. You chose to trade your shadow for a child’s life. You chose not to let the Marquess hurt your friend--you chose to smash her cages! You chose to face your own Death, not to balk at a great sea to cross and no ship to cross it in. And twice now you have chosen not to go home when you might have, if only you abandoned your friends. You are not the chosen one, September. Fairyland did not choose you--you chose yourself. You could have had a lovely holiday in Fairyland and never met the Marquess, never worried yourself with local politics, had a romp with a few brownies and gone home with enough memories for a lifetime’s worth of novels. But you didn’t. You chose. You chose it all. Just like you chose your path on the beach: to lose your heart is not a path for the faint and fainting.”
― Catherynne M. Valente, The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making

“She did not know yet how sometimes people keep parts of themselves hidden and secret, sometimes wicked and unkind parts, but often brave or wild or colorful parts, cunning or powerful or even marvelous, beautiful parts, just locked up away at the bottom of their hearts. They do this because they are afraid of the world and of being stared at, or relied upon to do feats of bravery or boldness. And all of those brave and wild and cunning and marvelous and beautiful parts they hid away and left in the dark to grow strange mushrooms—and yes, sometimes those wicked and unkind parts, too—end up in their shadow.”
― Catherynne M. Valente, The Girl Who Fell Beneath Fairyland and Led the Revels There

“How can I give you nothing? Do you seriously expect me to buy nothing, wrap up nothing, stick a gift tag on nothing, send a card saying I really hope you like your nothing and lie awake worrying that the nothing I got you was the right color nothing you always anted? Have a heart!”
― Hilary McKay, Caddy Ever After

“Rose had the sort of eyes that manage perfectly well with things close by, but entirely blur out things far away. Because of this even the brightest stars had only appeared as silvery smudges in the darkness. In all her life, Rose had never properly seen a star.
Tonight there was a sky full.
Rose looked up, and it was like walking into a dark room and someone switching on the universe.”
― Hilary McKay, Indigo's Star

“Kiran says (the shelf) is full of stories. If it is, then I like fairy stories. Fairy stories are fair. In them wishes are granted, words are enchanted, the honest and brave make it safely through to the last page and the baddies either have to give up their wickedness for ever and ever, no going back, or get ruthlessly written out of the story, which they hardly ever survive. Also in fairy stories there are hardly any of those half-good half-bad people that crop up so constantly in real life and are so difficult to believe in...”
― Hilary McKay, Forever Rose

“Humans cannot fly, but they can get the flying feeling. All they need to do is go out at night into a wild storm where the thunder roars like applause and the lightning throws itself in daggers of light at your bare feet and you suddenly find you are not afraid.”
― Hilary McKay, Caddy Ever After

“I love people who play guitars on roofs!" said Rose, hopping along the pavement in one of her sudden happy moods. "Don't you?"

"Never knew anyone else who did it!"

"Don't you like Tom?"

"Of course I do. But I don't know about all the other guitar-on-roof players! They might be really awful people, with just that one good thing about them. Playing guitars on roofs... or bagpipes... Or drums... Sarah would like that, and Saffy could have the bagpipes! Caddy could have a harp.... What about Mum?"

"One of those gourds filled with beans!" said Rose at once. "And Daddy could have a grand piano. On a flat roof. With a balcony and pink flowers in pots around the edge! And I'll have a very loud trumpet! What about you?"

"I'll just listen," said Indigo.”
― Hilary McKay, Indigo's Star

“Oh, Caddy," said Saffron miserably.
"I know. It's awful. But I'm going. We all should."
"It will be so sad."
"You have to be sad sometimes," said Caddy. "Whatever Dad says. He may be right. Granddad probably had totally lost his marbles, but I am still sad and I'm still going to the funeral. I shall be as unhappy as I like and I shall where black.”
― Hilary McKay, Saffy's Angel

“There are all sorts of families," Tom's grandmother had remarked, and over the following few weeks Tom became part of the Casson family, as Micheal and Sarah and Derek-from-the-camp had done before him.
He immediately discovered that being a member of the family was very different from being a welcome friend. If you were a Casson family member, for example, and Eve drifted in from the shed asking, "Food? Any ideas? Or shall we not bother?" then you either joined in the search of the kitchen cupboards or counted the money in the housekeeping jam jar and calculated how many pizzas you could afford. Also, if you were a family member you took care of Rose, helped with homework (Saffron and Sarah were very strict about homework), unloaded the washing machine, learned to fold up Sarah's wheelchair, hunted for car keys, and kept up the hopeful theory that in the event of a crisis Bill Casson would disengage himself from his artistic life in London and rush home to help.”
― Hilary McKay, Indigo's Star

“The real voyage of discovery consists not in seeking new landscapes, but in having new eyes.”
― Marcel Proust

“Maybe I was destined to forever fall in love with people I couldn’t have. Maybe there’s a whole assortment of impossible people waiting for me to find them. Waiting to make me feel the same impossibility over and over again.”
― Carol Rifka Brunt, Tell the Wolves I'm Home

“I really wondered why people were always doing what they didn't like doing. It seemed like life was a sort of narrowing tunnel. Right when you were born, the tunnel was huge. You could be anything. Then, like, the absolute second after you were born, the tunnel narrowed down to about half that size. You were a boy, and already it was certain you wouldn't be a mother and it was likely you wouldn't become a manicurist or a kindergarten teacher. Then you started to grow up and everything you did closed the tunnel in some more. You broke your arm climbing a tree and you ruled out being a baseball pitcher. You failed every math test you ever took and you canceled any hope of being a scientist. Like that. On and on through the years until you were stuck. You'd become a baker or a librarian or a bartender. Or an accountant. And there you were. I figured that on the day you died, the tunnel would be so narrow, you'd have squeezed yourself in with so many choices, that you just got squashed.”
― Carol Rifka Brunt, Tell the Wolves I'm Home

“That's the secret. If you always make sure you're exactly the person you hoped to be, if you always make sure you know only the very best people, then you won't care if you die tomorrow.”
― Carol Rifka Brunt, Tell the Wolves I'm Home

“I felt like I had proof that not all days are the same length, not all time has the same weight. Proof that there are worlds and worlds and worlds on top of worlds, if you want them to be there.”
― Carol Rifka Brunt, Tell the Wolves I'm Home

“That's what being shy feels like. Like my skin is too thin, the light too bright. Like the best place I could possibly be is in a tunnel far under the cool, dark earth. Someone asks me a question and I stare at them, empty-faced, my brain jammed up with how hard I'm trying to find something interesting to say. And in the end, all I can do is nod or shrug, because the light of their eyes looking at me, waiting for me, is just too much to take. And then it's over and there's one more person in the world who thinks I'm a complete and total waste of space.
The worst thing is the stupid hopefulness. Every new party, every new bunch of people, and I start thinking that maybe this is my chance. That I'm going to be normal this time. A new leaf. A fresh start. But then I find myself at the party, thinking, Oh, yeah. This again.
So I stand on the edge of things, crossing my fingers, praying nobody will try to look me in the eye. And the good thing is, they usually don't.”
― Carol Rifka Brunt, Tell the Wolves I'm Home

“Nothing had changed. I was the stupid one again. I was the girl who never understood who she was to people.”
― Carol Rifka Brunt, Tell the Wolves I'm Home

“I knew the way lost hopes could be dangerous, how they could turn a person into someone they never thought they'd be.”
― Carol Rifka Brunt, Tell the Wolves I'm Home