Dannii > Dannii's Quotes

Showing 1-30 of 300
« previous 1 3 4 5 6 7 8 9 10
sort by

  • #1
    Banana Yoshimoto
    “That's the advantage of insomnia. People who go to be early always complain that the night is too short, but for those of us who stay up all night, it can feel as long as a lifetime. You get a lot done”
    Banana Yoshimoto, N.P

  • #2
    Banana Yoshimoto
    “As I grow older, much older, I will experience many things, and I will hit rock bottom again and again. Again and again I will suffer; again and again I will get back on my feet. I will not be defeated. I won't let my spirit be destroyed.”
    Banana Yoshimoto, Kitchen

  • #3
    Banana Yoshimoto
    “But I have my life, I’m living it. It’s twisted, exhausting, uncertain, and full of guilt, but nonetheless, there’s something there.”
    Banana Yoshimoto, The Lake

  • #4
    Banana Yoshimoto
    “No matter what, I want to continue living with the awareness that I will die. Without that, I am not alive.”
    Banana Yoshimoto, Kitchen

  • #5
    Banana Yoshimoto
    “To the extent that I had come to understand that despair does not necessarily result in annihilation, that one can go on as usual in spite of it, I had become hardened. Was this what it means to be an adult, to live with ugly ambiguities? I didn't like it, but it made it easier to go on.”
    Banana Yoshimoto, Kitchen

  • #6
    Haruki Murakami
    “And once the storm is over, you won’t remember how you made it through, how you managed to survive. You won’t even be sure, whether the storm is really over. But one thing is certain. When you come out of the storm, you won’t be the same person who walked in. That’s what this storm’s all about.”
    Haruki Murakami, Kafka on the Shore

  • #7
    Haruki Murakami
    “Lost opportunities, lost possibilities, feelings we can never get back. That's part of what it means to be alive. But inside our heads - at least that's where I imagine it - there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in awhile, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.”
    Haruki Murakami, Kafka on the Shore

  • #8
    Haruki Murakami
    “Every one of us is losing something precious to us. Lost opportunities, lost possibilities, feelings we can never get back again. That’s part of what it means to be alive.”
    Haruki Murakami, Kafka on the Shore

  • #9
    Haruki Murakami
    “As I see it, you are living with something that you keep hidden deep inside. Something heavy. I felt it from the first time I met you. You have a strong gaze, as if you have made up your mind about something. To tell you the truth, I myself carry such things around inside. Heavy things. That is how I can see it in you.”
    Haruki Murakami, 1Q84

  • #10
    Haruki Murakami
    “I began to draw an invisible boundary between myself and other people. No matter who I was dealing with. I maintained a set distance, carefully monitoring the person’s attitude so that they wouldn’t get any closer. I didn’t easily swallow what other people told me. My only passions were books and music”
    Haruki Murakami, Sputnik Sweetheart

  • #11
    Haruki Murakami
    “When you are used to the kind of life -of never getting anything you want- you stop knowing what it is you want.”
    Haruki Murakami, The Wind-Up Bird Chronicle

  • #12
    Haruki Murakami
    “For me, running is both exercise and a metaphor. Running day after day, piling up the races, bit by bit I raise the bar, and by clearing each level I elevate myself. At least that’s why I’ve put in the effort day after day: to raise my own level. I’m no great runner, by any means. I’m at an ordinary – or perhaps more like mediocre – level. But that’s not the point. The point is whether or not I improved over yesterday. In long-distance running the only opponent you have to beat is yourself, the way you used to be.”
    Haruki Murakami, What I Talk About When I Talk About Running

  • #13
    Haruki Murakami
    “No matter how much time passes, no matter what takes place in the interim, there are some things we can never assign to oblivion, memories we can never rub away.”
    Haruki Murakami, Kafka on the Shore

  • #14
    Haruki Murakami
    “Autumn finally arrived. And when it did, I came to a decision. Something had to give: I couldn't keep on living like this.”
    Haruki Murakami, South of the Border, West of the Sun

  • #15
    Haruki Murakami
    “I have been told I've got a darkish personality. A few times."
    Takahashi swings his trombone case from his right shoulder to his left. Then he says, "It's not as if our lives are divided simply into light and dark. There's shadowy middle ground. Recognizing and understanding the shadows is what a healthy intelligence does. And to acquire a healthy intelligence takes a certain amount of time and effort. I don't think you have a particularly dark character.”
    Haruki Murakami, After Dark

  • #16
    Brené Brown
    “Nostalgia is also a dangerous form of comparison. Think about how often we compare our lives to a memory that nostalgia has so completely edited that it never really existed.”
    Brene Brown

  • #17
    Charles Bukowski
    “If you're going to try, go all the way. Otherwise, don't even start. This could mean losing girlfriends, wives, relatives and maybe even your mind. It could mean not eating for three or four days. It could mean freezing on a park bench. It could mean jail. It could mean derision. It could mean mockery--isolation. Isolation is the gift. All the others are a test of your endurance, of how much you really want to do it. And, you'll do it, despite rejection and the worst odds. And it will be better than anything else you can imagine. If you're going to try, go all the way. There is no other feeling like that. You will be alone with the gods, and the nights will flame with fire. You will ride life straight to perfect laughter. It's the only good fight there is.”
    Charles Bukowski, What Matters Most is How Well You Walk Through the Fire

  • #18
    Jalal ad-Din Muhammad ar-Rumi
    “Your hand opens and closes, opens and closes. If it were always a fist or always stretched open, you would be paralysed. Your deepest presence is in every small contracting and expanding, the two as beautifully balanced and coordinated as birds' wings.”
    Jelaluddin Rumi , The Essential Rumi

  • #19
    Jalal ad-Din Muhammad ar-Rumi
    “God turns you from one feeling to another and teaches by means of opposites so that you will have two wings to fly, not one”
    Rumi, The Essential Rumi

  • #20
    Jalal ad-Din Muhammad ar-Rumi
    “How will you know the difficulties of being human, if you are always flying off to blue perfection? Where will you plant your grief seeds? Workers need ground to scrape and hoe, not the sky of unspecified desire.”
    Rumi

  • #21
    Cormac McCarthy
    “Where you've nothing else, construct ceremonies out of the air, and breathe upon them.”
    Cormac McCarthy, The Road

  • #22
    Chuck Palahniuk
    “Yes, terrible things happen, but sometimes those terrible things- they save you.”
    Chuck Palahniuk, Haunted

  • #23
    Cormac McCarthy
    “Listen to me, he said, when your dreams are of some world that never was or some world that never will be, and you're happy again, then you'll have given up. Do you understand? And you can't give up, I won't let you.”
    Cormac McCarthy, The Road

  • #24
    Cormac McCarthy
    “Query: How does the never to be differ from what never was?”
    Cormac McCarthy, The Road

  • #25
    “Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”
    Ira Glass

  • #26
    Augusten Burroughs
    “You would be amazed by what you can give up, lose, or break, and yet still be a person who gets happy over brownies.”
    Augusten Burroughs

  • #27
    Charles Bukowski
    “Things get bad for all of us, almost continually, and what we do under the constant stress reveals who/what we are.”
    Charles Bukowski, What Matters Most is How Well You Walk Through the Fire

  • #28
    Charles Bukowski
    “The Laughing Heart

    your life is your life
    don’t let it be clubbed into dank submission.
    be on the watch.
    there are ways out.
    there is a light somewhere.
    it may not be much light but
    it beats the darkness.
    be on the watch.
    the gods will offer you chances.
    know them.
    take them.
    you can’t beat death but
    you can beat death in life, sometimes.
    and the more often you learn to do it,
    the more light there will be.
    your life is your life.
    know it while you have it.
    you are marvelous
    the gods wait to delight
    in you.”
    Charles Bukowski, Betting on the Muse: Poems & Stories
    tags: life

  • #29
    Jack Gilbert
    “Failing and Flying"

    Everyone forgets that Icarus also flew.
    It's the same when love comes to an end,
    or the marriage fails and people say
    they knew it was a mistake, that everybody
    said it would never work. That she was
    old enough to know better. But anything
    worth doing is worth doing badly.
    Like being there by that summer ocean
    on the other side of the island while
    love was fading out of her, the stars
    burning so extravagantly those nights that
    anyone could tell you they would never last.
    Every morning she was asleep in my bed
    like a visitation, the gentleness in her
    like antelope standing in the dawn mist.
    Each afternoon I watched her coming back
    through the hot stony field after swimming,
    the sea light behind her and the huge sky
    on the other side of that. Listened to her
    while we ate lunch. How can they say
    the marriage failed? Like the people who
    came back from Provence (when it was Provence)
    and said it was pretty but the food was greasy.
    I believe Icarus was not failing as he fell,
    but just coming to the end of his triumph.”
    Jack Gilbert, Refusing Heaven: Poems

  • #30
    Jack Gilbert
    “The Forgotten Dialect of the Heart

    How astonishing it is that language can almost mean,
    and frightening that it does not quite. Love, we say,
    God, we say, Rome and Michiko, we write, and the words
    get it all wrong. We say bread and it means according
    to which nation. French has no word for home,
    and we have no word for strict pleasure. A people
    in northern India is dying out because their ancient
    tongue has no words for endearment. I dream of lost
    vocabularies that might express some of what
    we no longer can. Maybe the Etruscan texts would
    finally explain why the couples on their tombs
    are smiling. And maybe not. When the thousands
    of mysterious Sumerian tablets were translated,
    they seemed to be business records. But what if they
    are poems or psalms? My joy is the same as twelve
    Ethiopian goats standing silent in the morning light.
    O Lord, thou art slabs of salt and ingots of copper,
    as grand as ripe barley lithe under the wind's labor.
    Her breasts are six white oxen loaded with bolts
    of long-fibered Egyptian cotton. My love is a hundred
    pitchers of honey. Shiploads of thuya are what
    my body wants to say to your body. Giraffes are this
    desire in the dark. Perhaps the spiral Minoan script
    is not language but a map. What we feel most has
    no name but amber, archers, cinnamon, horses, and birds.”
    Jack Gilbert, The Great Fires



Rss
« previous 1 3 4 5 6 7 8 9 10