Mia > Mia's Quotes

“This is what I thought: for the most banal even to become an adventure, you must (and this is enough) begin to recount it. This is what fools people: a man is always a teller of tales, he sees everything that happens to him through them; and he tries to live his own life as if he were telling a story.
But you have to choose: live or tell.”
― Jean-Paul Sartre, Nausea

“Three o'clock is always too late or too early for anything you want to do.”
― Jean-Paul Sartre , Nausea

“Something is beginning in order to end: adventure does not let itself be drawn out; it only makes sense when dead. I am drawn, irrevocably, towards this death which is perhaps mine as well. Each instant appears only as part of a sequence. I cling to each instant with all my heart: I know that it is unique, irreplaceable -- and yet I would not raise a finger to stop it from being annihilated. This last moment I am spending -- in Berlin, in London -- in the arms of a woman casually met two days ago -- moment I love passionately, woman I may adore -- all is going to end, I know it. Soon I shall leave for another country. I shall never rediscover either this woman or this night. I grasp at each second, trying to suck it dry: nothing happens which I do not seize, which I do not fix forever in myself, nothing, neither the fugitive tenderness of those lovely eyes, nor the noises of the street, nor the false dawn of early morning: and even so the minute passes and I do not hold it back, I like to see it pass.”
― Jean-Paul Sartre, Nausea

“Everything has boundaries. The same holds true with thought. You shouldn't fear boundaries, but you should not be afraid of destroying them. That's what is most important if you want to be free: respect for and exasperation with boundaries.”
― Haruki Murakami, Colorless Tsukuru Tazaki and His Years of Pilgrimage

“You can hide memories, but you can't erase the history that produced them.”
― Haruki Murakami, Colorless Tsukuru Tazaki and His Years of Pilgrimage

“The aims of these three groups are entirely irreconcilable. The aim of the High is to remain where they are. The aim of the Middle is to change places with the High. The aim of the Low, when they have an aim-for it is an abiding characteristic of the Low that they are too much crushed by drudgery to be more than intermittently conscious of anything outside their daily lives -is to abolish all distinctions and create a society in which all men shall be equal.”
― George Orwell, 1984

“The essential act of war is destruction, not necessarily of human lives, but of the products of human labour. War is a way of shattering to pieces, or pouring into the stratosphere, or sinking into the depths of the sea, materials which might otherwise be used to make the masses too comfortable, and hence, in the long run, too intelligent. Even when weapons of war are not actually destroyed, their manufacture is still a convenient way of expending labour power without producing anything that can be consumed.”
― George Orwell, 1984

“There is more than one kind of freedom," said Aunt Lydia. "Freedom to and freedom from. In the days of anarchy, it was freedom to. Now you are being given freedom from. Don't underrate it.”
― Margaret Atwood, The Handmaid’s Tale

“Ignoring isn’t the same as ignorance, you have to work at it.”
― Margaret Atwood, The Handmaid's Tale

“Then we had the irises, rising beautiful and cool on their tall stalks, like blown glass, like pastel water momentarily frozen in a splash, light blue, light mauve, and the darker ones, velvet and purple, black cat's ears in the sun, indigo shadow, and the bleeding hearts, so female in shape it was a surprise they'd not long since been rooted out. There is something subversive about this garden of Serena's, a sense of buried things bursting upwards, wordlessly, into the light, as if to point, to say: Whatever is silenced will clamor to be heard, though silently.”
― Margaret Atwood, The Handmaid’s Tale

“The red is the same but there is no connection. The tulips are not tulips of blood, the red smiles are not flowers, neither thing makes a comment on the other. The tulip is not a reason for disbelief in the hanged man, or vice versa. Each thing is valid and really there.”
― Margaret Atwood, The Handmaid’s Tale

“Because when I read, I don't really read; I pop a beautiful sentence into my mouth and suck it like a fruit drop, or I sip it like a liqueur until the thought dissolves in me like alcohol, infusing brain and heart and coursing on through the veins to the root of each blood vessel.”
― Bohumil Hrabal, Too Loud a Solitude

“A word after a word after a word is power.”
― Margaret Atwood

“I should like to be the landscape which I am contemplating, I should like this sky, this quiet water to think themselves within me, that it might be I whom they express in flesh and bone, and I remain at a distance. But it is also by this distance that the sky and the water exist before me. My contemplation is an excruciation only because it is also a joy. I can not appropriate the snow field where i slide. It remains foreign, forbidden, but I take delight in this very effort toward an impossible possession. I experience it as a triumph, not as a defeat.”
― Simone de Beauvoir, The Ethics of Ambiguity

“In the face of an obstacle which it is impossible to overcome, stubbornness is stupid. If I persist in beating my fist against a stone wall, my freedom exhausts itself in this useless gesture without succeeding in giving itself a content. It debases itself in a vain contingency. Yet, there is hardly a sadder virtue than resignation. It transforms into phantoms and contingent reveries projects which had at the beginning been set up as will and freedom. A young man has hoped for a happy or useful or glorious life. If the man he has become looks upon these miscarried attempts of his adolescence with disillusioned indifference, there they are, forever frozen in the dead past. When an effort fails, one declares bitterly that he has lost time and wasted his powers. The failure condemns that whole part of ourselves which we had engaged in the effort. It was to escape this dilemma that the Stoics preached indifference. We could indeed assert our freedom against all constraint if we agreed to renounce the particularity of our projects. If a door refuses to open, let us accept not opening it and there we are free. But by doing that, one manages only to save an abstract notion of freedom. It is emptied of all content and all truth. The power of man ceases to be limited because it is annulled. It is the particularity of the project which determines the limitation of the power, but it is also what gives the project its content and permits it to be set up. There are people who are filled with such horror at the idea of a defeat that they keep themselves from ever doing anything. But no one would dream of considering this gloomy passivity as the triumph of freedom”
― Simone de Beauvoir, The Ethics of Ambiguity

“Did you really think we want those laws observed?" said Dr. Ferris. "We want them to be broken. You'd better get it straight that it's not a bunch of boy scouts you're up against... We're after power and we mean it... There's no way to rule innocent men. The only power any government has is the power to crack down on criminals. Well, when there aren't enough criminals one makes them. One declares so many things to be a crime that it becomes impossible for men to live without breaking laws. Who wants a nation of law-abiding citizens? What's there in that for anyone? But just pass the kind of laws that can neither be observed nor enforced or objectively interpreted – and you create a nation of law-breakers – and then you cash in on guilt. Now that's the system, Mr. Reardon, that's the game, and once you understand it, you'll be much easier to deal with.”
― Ayn Rand, Atlas Shrugged

“Man must not attempt to dispel the ambiguity of his being but, on the contrary, accept the task of realizing it.”
― Simone de Beauvoir, The Ethics of Ambiguity

“Men of today seem to feel more acutely than ever the paradox of their condition. They know themselves to be the supreme end to which all action should be subordinated, but the exigencies of action force them to treat one another as instruments or obstacles, as means. The more widespread their mastery of the world, the more they find themselves crushed by uncontrollable forces. Though they are masters of the atomic bomb, yet it is created only to destroy them. Each one has the incomparable taste in his mouth of his own life, and yet each feels himself more insignificant than an insect within the immense collectivity whose limits are one with the earth's. Perhaps in no other age have they manifested their grandeur more brilliantly, and in no other age has this grandeur been so horribly flouted. In spite of so many stubborn lies, at every moment, at every opportunity, the truth comes to light, the truth of life and death, of my solitude and my bond with the world, of my freedom and my servitude, of the insignificance and the sovereign importance of each man and all men.”
― Simone de Beauvoir, The Ethics of Ambiguity

“Some men, instead of building their existence upon the indefinite unfolding of time, propose to assert it in its eternal aspect & to achieve it as an absolute. They hope, thereby, to surmount the ambiguity of their condition. Thus, many intellectuals seek their salvation in either in critical thought or creative activity.”
― Simone de Beauvoir, The Ethics of Ambiguity

“Goodness is something chosen. When a man cannot choose he ceases to be a man.”
― Anthony Burgess, A Clockwork Orange

“If he can only perform good or only perform evil, then he is a clockwork orange—meaning that he has the appearance of an organism lovely with colour and juice but is in fact only a clockwork toy to be wound up by God or the Devil.”
― Anthony Burgess, A Clockwork Orange

“Oh it was gorgeousness and gorgeosity made flesh. The trombones crunched redgold under my bed, and behind my gulliver the trumpets three-wise silverflamed, and there by the door the timps rolling through my guts and out again crunched like candy thunder. Oh, it was wonder of wonders. And then, a bird of like rarest spun heavenmetal, or like silvery wine flowing in a spaceship, gravity all nonsense now, came the violin solo above all the other strings, and those strings were like a cage of silk round my bed. Then flute and oboe bored, like worms of like platinum, into the thick thick toffee gold and silver. I was in such bliss, my brothers.”
― Anthony Burgess, A Clockwork Orange

“The important thing is moral choice. Evil has to exist along with good, in order that moral choice may operate. Life is sustained by the grinding opposition of moral entities.”
― Anthony Burgess, A Clockwork Orange

“Does God want goodness or the choice of goodness? Is a man who chooses to be bad perhaps in some way better than a man who has the good imposed upon him?”
― Anthony Burgess, A Clockwork Orange

“What I do I do because I like to do.”
― Anthony Burgess, A Clockwork Orange

“But I drank the water, that's certain, while convincing myself that the others needed me more than this fellow who was going to die anyway and that I had a duty to keep myself alive for them. Thus, cher, empires and churches are born under the sun of death.”
― Albert Camus, The Fall

“[Bus ride through The Strand]:


A puff of wind (in spite of the heat, there was quite a wind) blew a thin black veil over the sun and over the Strand. The faces faded; the omnibuses suddenly lost their glow. For although the clouds were of mountainous white so that one could fancy hacking hard chips off with a hatchet, with broad golden slopes, lawns of celestial pleasure gardens, on their flanks, and had all the appearance of settled habitations assembled for the conference of gods above the world, there was a perpetual movement among them. Signs were interchanged, when, as if to fulfil some scheme arranged already, now a summit dwindled, now a whole block of pyramidal size which had kept its station inalterably advanced into the midst or gravely led the procession to fresh anchorage. Fixed though they seemed at their posts, at rest in perfect unanimity, nothing could be fresher, freer, more sensitive superficially than the snow-white or gold-kindled surface; to change, to go, to dismantle the solemn assemblage was immediately possible; and in spite of the grave fixity, the accumulated robustness and solidity, now they struck light to the earth, now darkness.

Calmly and competently, Elizabeth Dalloway mounted the Westminster omnibus.”
― Virginia Woolf, Mrs. Dalloway

“For this is the truth about our soul, he thought, who fish-like inhabits deep seas and plies among obscurities threading her way between the boles of giant weeds, over sun-flickered spaces and on and on into gloom, cold, deep, inscrutable; suddenly she shoots to the surface and sports on the wind-wrinkled waves; that is, has a positive need to brush, scrape, kindle herself, gossiping.”
― Virginia Woolf, Mrs. Dalloway

“She wore ear-rings, and a silver-green mermaid's dress. Lolloping on the waves and braiding her tresses she seemed, having that gift still; to be; to exist; to sum it all up in the moment as she passed; turned, caught her scarf in some other woman's dress, unhitched it, laughed, all with the most perfect ease and air of a creature floating in its element. But age had brushed her; even as a mermaid might behold in her glass the setting sun on some very clear evening over the waves.”
― Virginia Woolf, Mrs. Dalloway

“It is the time you have wasted for your rose that makes your rose so important.”
― Antoine de Saint-Exupéry, The Little Prince