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Blacks Quotes

Quotes tagged as "blacks" Showing 1-30 of 773
Ta-Nehisi Coates
“You are growing into consciousness, and my wish for you is that you feel no need to constrict yourself to make other people comfortable.”
Ta-Nehisi Coates, Between the World and Me

Ta-Nehisi Coates
“I would not have you descend into your own dream. I would have you be a conscious citizen of this terrible and beautiful world.”
Ta-Nehisi Coates, Between the World and Me

Ta-Nehisi Coates
“You must resist the common urge toward the comforting narrative of divine law, toward fairy tales that imply some irrepressible justice. The enslaved were not bricks in your road, and their lives were not chapters in your redemptive history. They were people turned to fuel for the American machine. Enslavement was not destined to end, and it is wrong to claim our present circumstance—no matter how improved—as the redemption for the lives of people who never asked for the posthumous, untouchable glory of dying for their children. Our triumphs can never compensate for this.”
Ta-Nehisi Coates, Between the World and Me

Angie Thomas
“I've seen it happen over and over again: a black person gets killed just for being black, and all hell breaks loose. I’ve tweeted RIP hashtags, reblogged pictures on Tumblr, and signed every petition out there. I always said that if I saw it happen to somebody, I would have the loudest voice, making sure the world knew what went down.

Now I am that person, and I’m too afraid to speak.”
Angie Thomas, The Hate U Give

Maya Angelou
“The Black female is assaulted in her tender years by all those common forces of nature at the same time that she is caught in the tripartite crossfire of masculine prejudice, white illogical hate and Black lack of power.

The fact that the adult American Negro female emerges a formidable character is often met with amazement, distaste and even belligerence. It is seldom accepted as an inevitable outcome of the struggle won by survivors and deserves respect if not enthusiastic acceptance.”
Maya Angelou, I Know Why the Caged Bird Sings

Angie Thomas
“My son loved working in the neighborhood," One-Fifteen's father claims. "He always wanted to make a difference in the lives there."

Funny. Slave masters thought they were making a difference in black people’s lives too. Saving them from their “wild African ways.” Same shit, different century. I wish people like them would stop thinking that people like me need saving.”
Angie Thomas, The Hate U Give

Angie Thomas
“Daddy once told me there's a rage passed down to every black man from his ancestors, born the moment they couldn't stop the slave masters from hurting their families. Daddy also said there's nothing more dangerous than when that rage is activated.”
Angie Thomas, The Hate U Give

Frederick Douglass
“I have observed this in my experience of slavery,--that whenever my condition was improved, instead of its increasing my contentment, it only increased my desire to be free, and set me to thinking of plans to gain my freedom. I have found that, to make a contented slave, it is necessary to make a thoughtless one. It is necessary to darken his moral and mental vision, and, as far as possible, to annihilate the power of reason. He must be able to detect no inconsistencies in slavery; he must be made to feel that slavery is right; and he can be brought to that only when he ceased to be a man.”
Frederick Douglass, Narrative of the Life of Frederick Douglass

Ta-Nehisi Coates
“You may have heard the talk of diversity, sensitivity training, and body cameras. These are all fine and applicable, but they understate the task and allow the citizens of this country to pretend that there is real distance between their own attitudes and those of the ones appointed to protect them. The truth is that the police reflect America in all of its will and fear, and whatever we might make of this country’s criminal justice policy, it cannot be said that it was imposed by a repressive minority. The abuses that have followed from these policies—the sprawling carceral state, the random detention of black people, the torture of suspects—are the product of democratic will. And so to challenge the police is to challenge the American people who send them into the ghettos armed with the same self-generated fears that compelled the people who think they are white to flee the cities and into the Dream. The problem with the police is not that they are fascist pigs but that our country is ruled by majoritarian pigs.”
Ta-Nehisi Coates, Between the World and Me

Viet Thanh Nguyen
“Country music was the most segregated kind of music in America, where even whites played jazz and even blacks sang in the opera. Something like country music was what lynch mobs must have enjoyed while stringing up their black victims. Country music was not necessarily lynching music, but no other music could be imagined as lynching’s accompaniment. Beethoven’s Ninth was the opus for Nazis, concentration camp commanders, and possibly President Truman as he contemplated atomizing Hiroshima, classical music the refined score for the high-minded extermination of brutish hordes. Country music was set to the more humble beat of the red-blooded, bloodthirsty American heartland. It was for fear of being beaten to this beat that black soldiers avoided the Saigon bars where their white comrades kept the jukeboxes humming with Hank Williams and his kind, sonic signposts that said, in essence, No Niggers.
Viet Thanh Nguyen, The Sympathizer

Percival Everett
“I had never seen a white man filled with such fear. The remarkable truth, however, was that it was not the pistol, but my language, the fact that I didn’t conform to his expectations, that I could read, that had so disturbed and frightened him.”
Percival Everett, James

Claudia Rankine
“Nobody notices, only you've known,

you're not sick, not crazy,
not angry, not sad--

It's just this, you're injured.”
Claudia Rankine, Citizen: An American Lyric

W.E.B. Du Bois
“Daily the Negro is coming more and more to look upon law and justice, not as protecting safeguards, but as sources of humiliation and oppression. The laws are made by men who have little interest in him; they are executed by men who have absolutely no motive for treating the black people with courtesy or consideration; and, finally, the accused law-breaker is tried, not by his peers, but too often by men who would rather punish ten innocent Negroes than let one guilty one escape.”
W.E.B. Du Bois, The Souls of Black Folk

James Weldon Johnson
“It’s no disgrace to be black, but it’s often very inconvenient.”
James Weldon Johnson, The Autobiography of an Ex-Coloured Man

W.E.B. Du Bois
“To be a poor man is hard, but to be a poor race in a land of dollars is the very bottom of hardships.”
W.E.B. Du Bois, The Souls of Black Folk

Ibram X. Kendi
“One of racism’s harms is the way it falls on the unexceptional Black person who is asked to be extraordinary just to survive—and, even worse, the Black screwup who faces the abyss after one error, while the White screwup is handed second chances and empathy. This shouldn't be surprising: One of the fundamental values of racism to White people is that it makes success attainable for even unexceptional Whites, while success, even moderate success, is usually reserved for extraordinary Black people.”
Ibram X. Kendi, How to Be an Antiracist

Clint   Smith
“The history of slavery is the history of the United States. It was not peripheral to our founding; it was central to it. It is not irrelevant to our contemporary society; it created it. This history is in our soil, it is in our policies, and it must, too, be in our memories.”
Clint Smith, How the Word Is Passed: A Reckoning with the History of Slavery Across America

Angie Thomas
“That's the hate they're giving us, baby, a system designed against us. That's Thug Life.”
Angie Thomas, The Hate U Give

Martin Luther King Jr.
“Nonviolence is a powerful and just weapon. It is a weapon unique in history, which cuts without wounding and ennobles the man who wields it. It is a sword that heals.”
Martin Luther King Jr., Why We Can't Wait

Maya Angelou
“The Black woman in the South who raises sons, grandsons and nephews had her heartstrings tied to a hanging noose. Any break from routine may herald for them unbearable news.”
Maya Angelou, I Know Why the Caged Bird Sings

Percival Everett
“I considered the northern white stance against slavery. How much of the desire to end the institution was fueled by a need to quell and subdue white guilt and pain? Was it just too much to watch? Did it offend Christian sensibilities to live in a society that allowed that practice? I knew that whatever the cause of their war, freeing slaves was an incidental premise and would be an incidental result.”
Percival Everett, James

Paul Beatty
“I understand now that the only time black people don't feel guilty is when we've actually done something wrong, because that relieves us of the cognitive dissonance of being black and innocent, and in a way the prospect of going to jail becomes a relief.”
Paul Beatty, The Sellout

James Baldwin
“For, you see, he had found his center, his own center, inside him: and it showed. He wasn’t anybody’s nigger. And that’s a crime, in this fucking free country. You’re suppose to be somebody’s nigger. And if you’re nobody’s nigger, you’re a bad nigger: and that’s what the cops decided when Fonny moved downtown.”
James Baldwin, If Beale Street Could Talk

Percival Everett
“It’s a horrible world. White people try to tell us that everything will be just fine when we go to heaven. My question is, Will they be there? If so, I might make other arrangements.”
Percival Everett, James

Martin Luther King Jr.
“Even today there still exists in the South--and in certain areas of the North--the license that our society allows to unjust officials who implement their authority in the name of justice to practice injustice against minorities. Where, in the days of slavery, social license and custom placed the unbridled power of the whip in the hands of overseers and masters, today--especially in the southern half of the nation--armies of officials are clothed in uniform, invested with authority, armed with the instruments of violence and death and conditioned to believe that they can intimidate, maim or kill Negroes with the same recklessness that once motivated the slaveowner. If one doubts this conclusion, let him search the records and find how rarely in any southern state a police officer has been punished for abusing a Negro.”
Martin Luther King Jr., Why We Can't Wait

Clint   Smith
“Just as he did during the Slavery at Monticello tour, David did not mince words. "There’s a chapter in Notes on the State of Virginia,” he said to the five of us, standing in front of the east wing of Jefferson’s manor, “that has some of the most racist things you might ever read, written by anyone, anywhere, anytime, in it. So sometimes I stop and ask myself, 'If Gettysburg had gone the wrong way, would people be quoting the Declaration of Independence or Notes on the State of Virginia?' It’s the same guy writing.”
Clint Smith, How the Word Is Passed: A Reckoning with the History of Slavery Across America

Octavia E. Butler
“When I began to do a little public speaking, one of the questions I heard most often was, "What good is science fiction to Black people?" I was usually asked this by a Black person...

What good is any form of literature to Black people?

What good is science fiction's thinking about the present, the future, and the past? What good is its tendency to warn or to consider alternative ways of thinking and doing? What good is its examination of the possible effects of science and technology, or social organization and political direction? At its best, science fiction stimulates imagination and creativity. It gets reader and writer off the beaten track, off the narrow, narrow footpath of what "everyone" is saying, doing, thinking -- whoever "everyone" happens to be this year.

And what good is all this to Black people?”
Octavia E. Butler, Bloodchild and Other Stories

Angie Thomas
“It would be easy to quit if it was just about me, Khalil, that night, and that cop. It's about way more than that though. It's about Seven. Sekani. Kenya. DeVante.

It's also about Oscar.
Aiyana.
Trayvon.
Rekia.
Michael.
Eric.
Tamir.
John.
Ezell.
Sandra.
Freddie.
Alton.
Philando.

It's even about that little boy in 1955 who nobody recognized at first--Emmett.

The messed-up part? There are so many more.

Yet I think it'll change one day. How? I don't know. When? I definitely don't know. Why? Because there will always be someone ready to fight. Maybe it's my turn.”
Angie Thomas, The Hate U Give

Saeed Jones
“Being black can get you killed.

Being gay can get you killed.

Being a black gay boy is a death wish.

And one day, if you’re lucky, your life and death will become some artist’s new “project.”
Saeed Jones, How We Fight For Our Lives

Harriet Ann Jacobs
“I remained abroad ten months, which was much longer than I had anticipated. During all that time, I never saw the slightest symptom of prejudice against color. Indeed, I entirely forgot it, till the time came for us to return to America....

We had a tedious winter passage, and from the distance spectres seemed to rise up on the shores of the United States. It is a sad feeling to be afraid of one's native country.”
Harriet Ann Jacobs, Incidents in the Life of a Slave Girl

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