Blame It On Don Quotes Quotes
Quotes tagged as "blame-it-on-don-quotes"
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“Think through your actions before you introduce shenanigans against your opponent in the name of politics. It can come back around to haunt you in your pursuit of justice or otherwise.”
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“Life is short. It’s precious. We often take it for granted or forget how incredible life can be while we’re stuck in peak seasons or trying to finish a project for our bosses. Take time off to really appreciate what you have. It could all be gone in an instant.”
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“If I don't wake up tomorrow just know;
1. I love you all!
2. The trouble I caused was just me
3. From JAH I came, unto JAH I shall return”
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1. I love you all!
2. The trouble I caused was just me
3. From JAH I came, unto JAH I shall return”
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“When the choice is no longer between quality or numbers or both, then a decision can be postponed.”
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“Political conmanship has no place in Umoja, Nairobi, Kenya, or anywhere in the world. Let's avoid politicians and vote for leaders who will work hard and smart to ensure progress and sustainability.”
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“Conflicts acquire a life of their own until the combatants forget what, it is, that they are fighting about. They are just engaged in combat.”
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“Life is a cinema. Live it, ignore or scroll on if it ain’t that interesting, be patient sometimes, and most importantly remember the Klassik Trinity.”
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“Every musical session, every moment of it, and every feeling that leaves you saying That's Kalpop is golden.”
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“My view on marketing is, that it is the art of identifying a market and choosing what to do with it.”
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“There is a need for leadership that recognises the value and essence of creating and promoting a good and sustainable business environment.”
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“It’s okay to be an Antichrist, but coming to me with the “I’ve read the Holy Bible well and there’s no where…” then add an ignorant line after is an unwarranted bullshit.”
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“It’s okay to be an Antichrist, but coming to me with the “I’ve read the Holy Bible well and there’s nowhere…” then adding an ignorant line after is an unwarranted bullshit.”
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“Dating is like a game without a rule book—every move is a gamble, every strategy uncertain. Yet, it's in the unpredictability that the magic of connection or disconnection unfolds.”
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“Experience is the professor who never gives pop quizzes but always delivers the most memorable lessons.”
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“Preamble
The Klassik Era was a cultural and musical revolution that swept through Kenya and East Africa in the early 2010s. It was a time of bold experimentation, fearless expression, and unapologetic individuality that challenged the norms of mainstream music and culture. For the first time, young people from the ghettos and slums of Nairobi, Mombasa, and Kisumu could see themselves represented and celebrated in the music and arts scene, and their voices and stories were given a platform like never before.
The Klassik Era was characterized by a fusion of different musical genres and styles, from hip-hop and reggae to dancehall and afro-pop, to create a sound that was uniquely Kenyan and African. It was a time when young artists and producers like Blame It On Don (DON SANTO), Kingpheezle, Jilly Beatz, Tonnie Tosh, Kenny Rush, and many others came together under Klassik Nation, a record label that would change the face of Kenyan music forever.
The Klassik Era was also marked by a sense of community and camaraderie, with young people from all walks of life coming together to support each other's art and creativity. It was a time when collaborations and features were the norm, and when artists and producers worked together to create something new and exciting.
But the Klassik Era was not without its challenges and controversies. It was a time when the Kenyan music industry was dominated by a few powerful players who controlled the airwaves and the mainstream narrative, and who were resistant to change and innovation. It was a time when artists and producers had to fight tooth and nail to get their music played on the radio and to gain recognition and respect from their peers.
Despite these challenges, the Klassik Era left an indelible mark on the Kenyan music industry and on the cultural landscape of Africa. It was a time of creativity, passion, and rebellion that inspired a generation of young people to dream big and to believe that anything was possible. This book is a tribute to that era and to the artists and producers who made it all possible.”
― Klassik Era: The Genesis
The Klassik Era was a cultural and musical revolution that swept through Kenya and East Africa in the early 2010s. It was a time of bold experimentation, fearless expression, and unapologetic individuality that challenged the norms of mainstream music and culture. For the first time, young people from the ghettos and slums of Nairobi, Mombasa, and Kisumu could see themselves represented and celebrated in the music and arts scene, and their voices and stories were given a platform like never before.
The Klassik Era was characterized by a fusion of different musical genres and styles, from hip-hop and reggae to dancehall and afro-pop, to create a sound that was uniquely Kenyan and African. It was a time when young artists and producers like Blame It On Don (DON SANTO), Kingpheezle, Jilly Beatz, Tonnie Tosh, Kenny Rush, and many others came together under Klassik Nation, a record label that would change the face of Kenyan music forever.
The Klassik Era was also marked by a sense of community and camaraderie, with young people from all walks of life coming together to support each other's art and creativity. It was a time when collaborations and features were the norm, and when artists and producers worked together to create something new and exciting.
But the Klassik Era was not without its challenges and controversies. It was a time when the Kenyan music industry was dominated by a few powerful players who controlled the airwaves and the mainstream narrative, and who were resistant to change and innovation. It was a time when artists and producers had to fight tooth and nail to get their music played on the radio and to gain recognition and respect from their peers.
Despite these challenges, the Klassik Era left an indelible mark on the Kenyan music industry and on the cultural landscape of Africa. It was a time of creativity, passion, and rebellion that inspired a generation of young people to dream big and to believe that anything was possible. This book is a tribute to that era and to the artists and producers who made it all possible.”
― Klassik Era: The Genesis
“Legends and mythology have always played a vital role in shaping the identity and cultural heritage of civilizations. The Klassikan Empire is no exception, as it is steeped in a rich tapestry of mythical tales and folklore that have been passed down through generations.”
― Klassik Era: The Genesis
― Klassik Era: The Genesis
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