Broadway Quotes
Quotes tagged as "broadway"
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“I've heard it said that people come into our lives for a reason
Bringing something we must learn
And we are led to those who help us most to grow
If we let them and we help them in return.”
―
Bringing something we must learn
And we are led to those who help us most to grow
If we let them and we help them in return.”
―
“Look around, look around at how lucky we are to be alive right now.”
― Hamilton: The Revolution
― Hamilton: The Revolution
“Life doesn't discriminate
Between the sinners and the saints
It takes and it takes and it takes
And we keep living anyway
We rise and we fall and we break
And we make our mistakes”
―
Between the sinners and the saints
It takes and it takes and it takes
And we keep living anyway
We rise and we fall and we break
And we make our mistakes”
―
“And you find some way to survive
And you find out you don't have to be happy at all..
To be happy you're alive.”
―
And you find out you don't have to be happy at all..
To be happy you're alive.”
―

“The Christmas trees are brought from Vermont by monosyllabic men in warm clothes; they seem alien, closer to the earth, silently contemptuous, like gypsies. They bring in their trees and stand them up on the pavements, so that swaths of Broadway are suddenly transformed into dark, pine-scented avenues.”
― The Bookstore
― The Bookstore

“Rarely offstage, rarely on hiatus, Fiddler on the Roof has already been back on Broadway for four revivals, played London's West End four times, and remains among Broadway's longest-running shows ever.”
― Tradition!: The Highly Improbable, Ultimately Triumphant Broadway-to-Hollywood Story of Fiddler on the Roof, the World's Most Beloved Musical
― Tradition!: The Highly Improbable, Ultimately Triumphant Broadway-to-Hollywood Story of Fiddler on the Roof, the World's Most Beloved Musical

“A new star has been born and Vera’s performance brings alive the desolate life of O’Neil’s young heroine in a natural talent that is so fresh and yet so ageless.”
― Lights: Despair, Faith, and Hope on Broadway
― Lights: Despair, Faith, and Hope on Broadway

“I hardly know her but whenever I see her I lose my mind. I know I should run away, but I can’t.
“That’s called sexual attraction, honey,” Max said. “It’s very nice. But be careful. It can burn you bad.
Believe me I know.”
― Juliana
“That’s called sexual attraction, honey,” Max said. “It’s very nice. But be careful. It can burn you bad.
Believe me I know.”
― Juliana
“There's only us. There's only this. Forget regret or life is yours to miss. No other road, no other way, no day but today”
―
―

“Rothstein worked with Park Avenue men as beards in the club-house, and with Broadway characters, such as Morris the Boob on The Lawn, and he probably bet away from the track, too.”
― King of the Jews
― King of the Jews
“When I talked with Patti LuPone at a San Francisco coffeehouse, she said "Don't Cry For Me Argentina" wasn't a showstopper originally. The role had a big impact on her stage persona. She says playgoers didn't make a distinction between Perón and LuPone (whose names even sound similar.),”
― Showstoppers!: The Surprising Backstage Stories of Broadway's Most Remarkable Songs
― Showstoppers!: The Surprising Backstage Stories of Broadway's Most Remarkable Songs
“When I talked with Patti LuPone at a San Francisco coffeehouse, she said "Don't Cry For Me Argentina" wasn't a showstopper originally. The role had a big impact on her stage persona. She says playgoers didn't make a distinction between Perón and LuPone (whose names even sound similar.). She believes that her tough-cookie reputation-enhanced years later after she snatched a smartphone out a playgoer's hand-is largely due to being Evita, whom she reluctantly tried out for Kevin Kline, then her boyfriend talked her into going for it”
― Showstoppers!: The Surprising Backstage Stories of Broadway's Most Remarkable Songs
― Showstoppers!: The Surprising Backstage Stories of Broadway's Most Remarkable Songs

“And I audition and I see people in the waiting room. And I can’t help but think: there’s a very slim chance people like acting,' said Eden. 'It has too many other things. Attention. Escape. People. Spotlight. But the actual thing of acting, the kernel, has to belong to fewer people than there are actors in this city. They were kids lacking something at a young age and the splendid world of the theatre offered them that, but as soon as they found love, drama, stability, or attention from another source, they abandoned the Theatre. Imagine how sad that feels—to be abandoned. To be told you are loved, again and again, and then be told it was never the case.”
― The Goodbye Song
― The Goodbye Song
“when he spit his meds into your mother's chinese vase. he called you sick. I tell him how it goes. I guess that makes me a god too.”
― Dove with Hooves
― Dove with Hooves
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